Lyndall Bass

In recent times the U.S. penny has become a heated topic for debate. The issue people debate is whether the U.S. mint should discontinue the penny. Most Americans seem to have a definite opinion about this topic. Both sides of the argument have increasing support and a numerous amount of legitimate reasons to support their argument. In my opinion pennies are a nuisance and do not really offer enough value, therefore the U.S. Mint should discontinue the production of the penny. The U.S. Mint was

Pennies are one of America's oldest treasures, but what is ironic about this specific treasure, is that it has no wealth. America’s classic coin the penny, is beginning to prove to be a second-rate coin when it comes to its use. And though many already cherish the coin for its history, the penny proves to be completely counterproductive in today’s society. After debating of whether or not the penny should be extinguished, there is no doubt that the penny is worthless, easily replaceable, and a waste

The analysis of the aria “Lascia ch'io pianga” by Haendel according to the thorough bass method, shows us how the composer refer in this piece to the typical compositional procedures of baroque music. The aria starts with a pedal (frame, according to Joel Lester's terminology) followed by a cadence harmonized according the regle de l'octave both in ascending and descending motion (MM. 5-8). The second episode starting at M. 8 consists of a sequence, precisely a modified sequence, in which the

played in jazz, concert, solo, and symphony playing(The Art of Trombone Playing, Page 2). The trombone plays on the bass clef. It is completely different notes than most woodwind instrument. Trombone has a tone a level lower than instruments that are played on treble clef. The tenor trombone is played on bass clef and others are also. The trombones have different tones, for example the bass trombone has a lower pitch than the tenor trombone. Together these instruments sound in harmony and

CHAPTER 1 ERHARD BODENSCHATZ AND THE FLORILEGIUM POTENSE Lutheran church music in its first two and a half centuries can be characterized by the incorporation of a staggering variety of styles and musical genres. Plainchant, imitative polyphony, and chorale hymnody existed alongside one another, and composers such as Heinrich Schütz (1585-1672) and Johann Hermann Schein (1586-1630) were among the first to synthesize elements of Monteverdi’s seconda pratica with a fully German practice. Fruits

with the utmost delicacy and without damper. From the interpretations of his instructions, it can be concluded that Beethoven wanted this movement to be interpreted with sensitivity and colour. The bass line is a prominent feature in texturizing the movement. The most distinctive characteristics in the bass line are its Neapolitan chords which are strategically placed amidst chords of double octaves. This prevents the movement sounding too much like a lullaby and adds more colour and tension. The movement

said glaring at Bass. “It is my office,” Bass answered as he bent down to gather his papers, moving towards his desk. “Not you!” Miles bitched, “Her!” he said pointing in Charlie’s direction. “She’s been missing for a while now and Maggie’s about to have my head on a platter if she isn’t returned to her rooms immediately. I should have known that I’d find her here with you,” he frown taking in her nightclothes and blanket. Charlie’s mouth fell open at the insinuation as Bass looked in Miles

As the weeks went by, Bass’ concerns about Charlie 's motives slowly diminished. She continued to stay close to him and the children and “Connor” was never mentioned again. In fact, after those first few disorienting days, Charlie had never mentioned her dream world again even though she still didn’t feel as though she belonged here. Granted, she was no longer able to imagine not being a mother, showering Sunny and Ethan with all the attention and love she felt that she had never received, nor

The next morning, Charlie woke to a warm body pressed against her back and an arm draped across her waist rubbing her wrist. “Bass?” “Morning,” he answered softly, his warm breath brushing across the bare skin of her shoulder. “Your wrist looks fine this morning. Not a hint of green to be found.” “That’s good,” Charlie whispered in return, trying to control her breathing. “How’s your head?” “It still aches a bit, but It appears as if I’ll make a full recovery. Apparently not as fast as you though

“To Get By”’s wonky ¾ beat, led along by the interplaying vocal samples and warped bass line, is constantly in flux, straining and stretching itself in and out of the song’s bouncy rhythm. “Kitty Kat” is an evil mix of Rodriguez’s talents: towering synths, thunderous drums, and a strange bass sound that encases the whole thing, making it all the more ferocious. Rodriguez gives a fantastic vocal perfomance on top of this, using her upper