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    Utah Symphony and Utah Opera Merger

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    1. Bill Bailey, chairman of the board of the Utah Opera Organization, could use McClelland’s need theory to support the merger with the Utah symphony based on the three principles that are entailed in the theory; need for achievement, need for affiliation, and need for power (Kreitner & Kinicki, 2010, p. 215). Firstly, the need for achievement is met by understanding that people strive to master difficult situations, endeavors or challenges. This idea works on both an organizational level, as

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    Some people would say that it is wrong to not feel sympathy for someone. Everyone’s life is hard in different ways, but some people just don’t deserve it. In the novel, The Phantom of the Opera by Gaston Leroux, this happens to be the case. A deformed human, who lives in the Opera House, has done many bad things and doesn’t deserve to have anyone’s pity. The real definition of sympathy is: “feelings of pity and sorrow for someone else’s misfortune” (123). This does not apply to the Phantom because

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    ACT 1 The opera begins in the shadow of the temple of the god Dagon, with a crowd of Hebrews complaining about their suffering at the hands of the Philistines. There is a short orchestral introduction before they begin to sing of their strife, and it truly represents how low the people feel, with its low, sad strings. Samson emerges, practically begging them to trust in their God. They are slow to respond, but Samson is so persuasive, and the vocal line represents this by being so sweeping and regal

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    Donna Anna, Donna Elvira & Zerlino Mozart's Don Giovanni The choice of the “Three women of Don Giovanni” can give a good understanding of the type of music which was used to create an opera in the 18th century Italy. The opera buffa was a comic opera with a funny story line and light music. Mozart wrote at different levels. In order to have full understanding of the women's roles, it is necessary to understand the social context of women in the 18 century. In Kristi Brown's Mozart's

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    nineteenth-century offers us a significant number of cases when opera was linked in some way to politics. Opera played an important function in Italian society during this period. One of the best-known examples is Verdi’s relationship to the historical movement for Italian independence known as the Risorgimento, which dominated Italian politics in the nineteenth century. There are many questions among the scholars regarding his operas if they were purely national and patriotic, or political. According

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    In his opera buffa, Don Giovanni, Mozart depicts Don Giovanni as a libertine and philanderer. At the start of Act I, Scene III of the opera, there is a festive peasant wedding, an ensemble between the bride, Zerlina, the groom, Masetto, and the chorus, which consists of the other peasants, all singing about the joys of marriage. Don Giovanni, a nobleman, and his manservant, Leporello, interrupts the wedding, and invites everyone to his villa. He even forces Masetto to go the villa too, leaving Zerlina

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    the Utah Symphony (“the Symphony”) and the Utah Opera (“the Opera”) have recently announced under the leadership of Scott Parker, the chairman of the board of the Utah Symphony. By examining the organizational, cultural, and communicative results of the merger this memo will highlight the costs and benefits of partaking in this merger using the given information to make a final conclusion to help you decide the best course of action for the Utah Opera moving forward. Issue for Analysis Mergers like

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    Speaking of watching a live opera, I had two extremely different experiences. Before taking this course, I have never watched a live opera in person. When I went to New York City during the spring break, I watched Prince Igor in the Metropolitan Opera House. And at the end of March, I watched The Magic Flute produced by the Music School of UM in the Lydia Mendelssohn Theatre. It is apparent that the Lydia Mendelssohn Theatre is not as magnificent as the Metropolitan Opera House in regard to construction

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    Carmen is an opera by Georges Bizet that adeptly portrays the story of the same title by Prosper Mérimée. It is most well known for its two arias, Habanera and the Toreador Song. Through the music, Bizet conveys many feelings through the portrayal the common man rather than the aristocrats, which was revolutionary in the operatic world. Despite being composed in the Romantic era, the subject matter of the opera is more similar to the Realist movement of the 19th century. Since the beginning of his

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    Phantom of the Opera is a musical focusing on the career of Christine Dubios (also known as Christine Daae). IMDB summarizes the plot with, “Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career (Phantom of the Opera (1943)). But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague

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