Rembrandt van Rijn Essay

Two time capsules were found during renovations of the Basilica of San Lorenzo, Florence. One time capsule dates back to the Renaissance time period. Artifacts in this time capsule included a painting of The Birth of Venus, a lute, drawing of the Florence Cathedral’s dome, and a book called The Decameron. The second time capsule had artifacts from the Baroque time period. Artifacts in this time capsule included a painting of The Anatomy Lesson of Dr. Nicolaes Tulp, a stage painting in an opera

two definitions: 1) a violent disturbance of the atmosphere with strong winds and usually rain, thunder, lightning, or snow (“Storm,” n.d., para. 1) and 2) a tumultuous reaction; an uproar or controversy (“Storm,” n.d., para. 2). Without a doubt, Rembrandt and the Bible noted the first definition of a storm, but they

to inspire European artists outside Italy to adapt to the new style. Dutch Dutch painters specialized in outdoor scenes, landscape, still lifes of flowers, fish, or fruit. The greatest Dutch artist of the baroque period was Rembrandt van Rijn. He spent most of his life in Amsterdam. Where his imagination and curiosity led him to explore a far wider range of subjects. He painted many biblical scenes, but they weren’t used or given to churches or to help aid others religious views

The Protestant Reformation, which started in 1517 when Martin Luther incited huge debates with his Ninety-Five Theses, challenged the High Renaissance. Specifically, Luther panned the authority of the pope and indulgence about the purgatory, questioning the traditions and doctrines of Catholic practices. This aroused the Protestant movement, where the Protestants rejected to worship in fancily decorated churches that were covered with seemingly exaggerated bodily sculptures and statues of saints

The Works of Rembrandt and Rubens During the 17th century, especially after their break from Spain, The United Provinces of the Netherlands became the most prosperous nation in Europe by leading the world in trade, science, and art. Through the huge and one of the first art markets, art became a common household possession and allowed artists to freely express themselves, which is one of the evidential factors in three of the most universally admired artists of the baroque art era. Rubens, an influential

Within 15th and 17th century Europe, responses as of what to make of the poor varied throughout the timeframe, though the attitude towards the poor remained two sided: whether they are deserving or undeserving of charity. At the time, institutionalization of the mercantilist policy left nearly half of Europe’s population on their hands and knees, thus absolving the poor became quite a dilemma that questioned both religion and morals. The Europeans that found the poor to be deserving of charity sought

Europe wanted to support the poor as long as they had or were looking for a job, but they didn’t want the people that were on the streets begging for money instead of looking for a job. Europe wanted didn’t want to have to deal with the people on the streets, they wanted to just get rid of them. In documents two and five, Juan Luis Vives a spanish humanist and Cardinal Richelieu a royal councilor talk about how the jobless are no good for the society. Vives says that when the general funds are expended

The Death of Socrates resides in the Metropolitan Museum of Art. It is by Jacques Louis David, a French painter from the eighteenth century. This particular piece was done in 1787 about an event that occurred 399 BC. Socrates was faced with a legal decision to renounce his teachings or drink a cup of hemlock, killing himself. Socrates’s teachings were hugely influential in Greece at that time and it sparked recognizable change in Athens particularly. Athenian authority saw his revolutionary thought

and Roman mythology. Athena was the epitome of feminine strength. Athena is the Goddess of wisdom, strategic warfare, and crafts. Like many of the Greek and Roman Gods Athena has been the subject of many artists. Even well-known artists such as Rembrandt often known as the “greatest of the great” (Getlein, pg. 399), Benoît Suvée, Buchel, and Parmigianino have brought Athena to life. Each artists’ depiction of Athena have similarities and differences. From their use of color to the contouring of

The contrasts and differences between a 17th century Dutch golden age painting about the virtues of hospitality, and a 16th century Renaissance painting whose whole structure seems to create a virtue of vanity are numerous. Rembrandt, the Dutch master behind the painting “Philemon and Baucis” was known for his use of compassion in the choice of subject matter and portrayal of who he considered the truly virtuous among us. Titian, the Renaissance painter behind “Venus with a Mirror”, was widely