30 Rock

Since the beginning of time itself, Television has been one the most influential pieces of media that the world has ever encountered. The beginning days of television depicted stereotypical mothers cooking and cleaning their homes for their husbands and children. Yet, as the decades passed, television took a dramatic turn, leaving the days of drama free entertainment as a vast memory. Now a day, however, when one hits the power on button to Bravo, the screen lights expand to ritzy socialites dealing with their everyday lives as “housewives”. Bravo TV’s hit number one reality television show, The Real Housewives of Atlanta, deals with the everyday lives of modern-day housewives. When speaking of these women and their family life, the

It is often said that the media and the arts are an accurate reflection of any given community. This is especially true in American pop-culture, where television shows depict the various stereotypes attributed to men and women and the roles they play in society. House, a highly popular medical drama that revolves around Dr. Gregory House and his diagnostic team, is a particularly good example as it represents the true state of the traditional gender roles in American culture today by, both, redefining and reinforcing them over the course of the show.

However, the most typical type of portrayal that can be seen in modern television is the one that includes black actors to portray black characters without prejudices or ideas about their “otherness.” As suggested in the study by Parks and Kumar (2003), it is normal for the modern television to contain images of black bodies in the same contexts as the white ones (p. 423). Instead of pointing to his blackness, the authors of the Criminal Minds have included Derek Morgan as an ordinary character into the team of behavioral profilers who do the same job. The only distinction of Derek Morgan from other members of the team is his ethnicity. Therefore, this type of stereotyping should be discussed along with the other efforts of the TV series creators to include a black role model, a “good guy” into the

Shameless is a Golden-Globe nominated show with a white dominated cast. One of the siblings on the show is black, but is identified as a White male contrary to the character’s skin tone. “When it comes to representations of Blacks on television, the 1980s can be seen as a decade of elevated inclusion both in terms of the quantity and quality of roles -- which remains the norm today. (Tukachinsky, Mastro, & Yarchi, 2015). Over the years, we will see more shows gearing their audiences to the black community. Producers add in a few social issues to reel viewers in, but the fact remains the same that a prime time heavy hitting shows, will most likely have less than 20% of their cast of African descent. In consonance with researchers, blacks currently constitute between 14-17 percent of the prime-time population. (Tukachinsky, Mastro, & Yarchi, 2015). The lack of representation in the media can lead to some interpreting that the Caucasian race is the superior race, and in retrospect, can influence the attitudes and beliefs of viewers. Prior research has shown that exposure to counter stereotypic exemplars in the media can have a positive effect on inter-group relations. (Scharrer, & Ramasubramanian, 2015) In order to reduce the misrepresentation from taking over the media, we must depict a positive image on the lives of minorities and portray them as successful, thriving human beings. By

The consequences of these people making their relationships expendables means they are pushing away and sacrificing the people that love them the most in order to obtain something they think they want/need, but overall has very low importance to their lives.

Television quickly supports racial stereotypes which massively strengthens audiences existing viewpoints of individual races. Asians, African Americans and Latino Americans are usually described on television in standard ways. Latin Americans have been the recipient of decisions in popular shows using the following famous stereotypes. For example, Latino-Americans are oversexed, maids, violent, and law-breaking criminals. Sofia Verga plays as the main character in Modern Family as Gloria Delgado-Pritchett. She is a Columbian, and she states it at least once per show and has very particular "Columbian behavior." In a show called Devious Maids, all of the Latino American women on there are maids and sneaky and sleeping with their bosses or other taken men to make it, it overly sexualizes the Latino women as a culture.

On the same cable networks that act as the home for gay and lesbian television series, America finds its new woman for the new millenium: she’s smart, independent, gainfully employed, sexually confident, and, usually, she’s single. Television finally has room for a woman to fly on her own, without her minivan, Cub Scout den-mother meetings, or workaholic husband to feed and clean up after. The prime example for TV’s new “wonder woman,” is found in the four women of HBO’s Emmy Award winning series, “Sex & The City.” These

In television, and almost every other medium the media uses today, there’s a fine line between promoting and properly integrating diversity, and exploiting it. In this paper, I will be critically analyzing the hit television show, Lost, and how in leans more towards exploitation because of its incorporation of token characters from different races and genders, which hurts more than helps our society, particularly American society, in its goal of expelling racism and sexism. The racial and gender stereotypes displayed in the hit television

During the process of producing a television series, the demand for the producers to introduce their characters with only their highlighted traits make it impossible for viewers to gain a deep understanding of the community that the characters represent. One of the stereotypic traits that is usually seen on movies and television shows is societal difference that each race is placed into. Michael Omi in his article In Living Color: Race and American Culture stated that “in contemporary television and film, there is a tendency to present and equate racial minority groups and individuals with specific social problems” (546). There are many films and television shows found today that ground racial minorities into a specific social problems that are related to the color of their skin. It can be inferred from the current popular culture that this stereotype still persists.

Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the

The television show Black-ish has caused many controversial discussion and opinions. The sitcom features three generations of an African American family, the Johnsons, which includes a successful executive Andre; his wife Rainbow, who is a doctor; their four kids: Andre Jr., Zoey, Jack, Diane, and Andre’s parents Pops and Ruby living in a predominantly white suburban neighborhood in Los Angeles. The theme centers around how Andre came from a poor black neighborhood and his kids don’t seem to realize their culture. With this being the basis of the show, it has caused an uproar, with just its name alone being said to perpetrate racial stereotypes, leaving some with feelings that the show should be canceled (Peyser). The sitcom has even received tweets from Presidential candidate Donald Trump about being racist. This is as far from the truth as possible. Black-ish is not only non-racist it, but it is also a great show, providing laughs, life lessons, and diversity. Therefore, Black-ish is a good family sitcom and meets several aspects to be judged as one.

Reality television is a programming that documents apparently unscripted real-life situations. The genre of reality TV shows focus tends to be on drama and personal conflict, rather than educating viewers. The roles of black women on reality television depict negative stereotypes. The roles they are portraying makes them out to look negative. Black women are already assumed to be angry, petty, loud, violent, bad attitudes, drama queens, and many more. Their actions on reality TV is portrayed to people outside our culture exactly the way they expects us to be or act. Stereotypes are taken into new levels based on reality TV, because to a certain extent, majority of black women in my society is acting that way. Those women actions on reality TV shows seem to have an influence on majority of black women who are viewers ' actions. For instance, we have reality shows like Love and Hip Hop, Basketball Wives, Bad Girl Clubs, The Real House Wives of Atlanta, and many more.

For this paper, I have chosen to analyze the sitcom That 70s Show. This show follows the lives of a group of teenage friends: Jackie, Donna, Hyde, Kelso, Eric, and Fez. The show addresses many social issues of the 1970s, including: Sexism, sexual attitudes, drug use, and the recession. It also highlights many of the inventions and developments of the entertainment industry, such as the remote control and Star Wars.

Family sitcoms have been the most popular and positively influenced television shows watched since the 1900s to today. Many of these shows have consisted of African American, Caucasian, and Hispanic families who all play a role that we as watchers look up to or perceive as the right way to run our household. Over time there has been an addition to biracial shows and family role changes throughout these sitcoms. For example, now observing single parent homes, homosexual guardians and even the changing of social interaction has both positively and negatively impacted real families who are watching.

The CW television show Gossip Girl, created by Josh Schwartz and Stephanie Savage first aired in 2007 and is now available in its entirety on Netflix, is about privileged teenagers who live on the Upper East Side, Manhattan, who like to party and who live their lives around a mysterious website known as “Gossip Girl.” The anonymous website dishes on secrets and lies that surround nine characters who attended a preparatory school. Each episode is suspense-filled entertainment leaving the audience wanting more, especially its young female fan base. Like many teen-filled dramas, Gossip Girl’s target female audience is often easily influenced by what happens in the show. The title “Gossip Girl” contextually suggest the part of modern woman culture. A feminist definition of gossip is “a way of talking between women, intimate in style, personal and domestic in scope and setting, a female cultural event which springs from and perpetuates the restrictions of the female role, but also gives the comfort of validation” (Jones). Popular television shows today promote cultural values for the audience and are instrumental in shaping how people think and act. Because of this, it is important to analyze ideas such as gender or economics/class structure for deeper meaning. In the show Gossip Girl, the characters Blair Waldorf, Serena van der Woodsen, and Chuck Bass work to reinforce/reject traditional gender stereotypes throughout the film.