An Exploration of How the Designer Olivier Kuntzel and Florence Deygas Managed to Incorporate and Interpret the Narrative of ‘Catch Me If You Can’ Into Their Title Sequence

The repetition of something can develop an attachment. The Imagery of the poem ‘And when the loaded ute bumps down the drive” It can be observed that they had a quick and practical reaction to their departure, which only develops when there were previous occurrences .

Visual imagery is often the first step to subconsciously sending the reader into a parallel state of mind as the protagonist, and letting them experience what the characters experienced throughout the story. The visuals used in the beginning of this story convince readers that they have been placed in a safe, secure environment, therefore having a positive effect on readers when they

Some themes these techniques highlight in the scene are, escaping and hiding your identity, actions will catch up with you, and throughout the film, appearances can be deceiving. Overall, throughout Frank's arrest scene in Catch Me If You Can, Spielberg uses a combination of close up shots, low-key into high-key lighting, a series of short cuts during Frank and Carl's dialogue, and background non-diegetic sound to help develop a suspenseful, tense mood, as well as create an emotional connection between Frank and the

We re-watch the same stories take place continuously without even being aware of it. Even the simplest things in life are a repeated story line, for example the decision to grab food from the cupboard. This journey is present in every story told, there is a call to action (the hunger), a goal (the food) and a return (return to lounge with food).

The choreographic intention of “Emergence” was the exploration of merging diverse elements together to see what comes from it, like the emergence in relation to arrangements and structures made in nature. The choreographic intention expanded from the idea of concealment. This was clearly identified in the beginning trio where the female dancer is shown trying to escape from her hiding place. In appraisal, the choreographic intention of “Image” was a more simplistic interpretation, one that explored identity and how it is made up of personal experiences we endure and that along the way we are influenced and sometimes inveigled, which can make revealing who we really are at the core oppressive. In comparison to “Emergence”, the movement in “Image” was more vague and indefinite in relation to linking movement to the choreographic intention. Through manipulation of structural devices such as groupings, stillness, tempo and dynamics, the

Compare the ways the distinctively visual is created in Run Lola Run and in ONE other related text of your own choosing?

Emotionally, I felt a sense of surrealism. I felt sad. And at other parts I felt disgusted and sorry for the characters. I began to question everything in the book. O’Brien used imagery in a very powerful way. For example he writes, “The place was at peace. There were yellow butterflies. There was a breeze and a wide blue sky” (173). There were many other examples of the exceptional use

The storyline jumps from one storyline to the next and presented in nonchronological order. Tarantino gives us bits and pieces of one story then jumps to another. This style of narrative is unusual. Ultimately, the whole story comes full circle. The opening scene ends where the scene began. We see the conclusion of the robbery and how it connects to the film.

Before every great television show, there is a great title sequence giving the audience a peek into the show. The main job of the title sequence is to capture our attention before we actually get the chance to watch the actual show. A title sequence is a visual program that presents the title of the television show. Title sequences use key production and cast members, using idea-based sound. It usually has the text of the opening credits, like who's involved in the production and helps establish the setting and tone of the program. For example, in television shows where the theme is horror, there are usually vivid and sharp illustrations of things that would make the general public somewhat afraid to watch. As if the scenes wasn't enough the

5. The significance of the title, The Paper Chase, is that everyone in the film was ultimately chasing a piece of paper. Hart and his friends were chasing

At the beginning of the movie we are shown an opening sequence introducing the main characters in the movie. We are briefly introduced to each character’s situation and the goals they are trying to achieve but we soon

The artwork, “Number 10,” by Mark Rothko displays two rectangles (top, yellow and the bottom, white) with a baby blue background color. Seeing the painting for the first time was surprising since I didn’t understand how it correlated with the title. It was easy to look at, but it didn’t catch my attention right away! I felt confused and frustrated while observing the piece because I didn’t know how I was going to find the meaning that lay behind the painting. This reminded me of my first-born nephew; I had such a difficult time trying to understand why he would cry so much. However, I was aware that crying was his way of communicating how he felt, just like painting this abstract piece was Rothko's style of communication.

The short stanzas containing powerful imagery overwhelm the readers forcing them to imagine the oppression that the speaker went through in

simple harmonies (Fig. I) of the tonic and dominant seventh, reassuring the listeners the sense of finally returning home.

Intertitles are placed within the shots to represent characters’ dialogue where they enhance the narrative most. For example, the intertitle displaying “Now is your chance to escape!” is placed in the instant the Tramp is pointing and urging the Gamin to run away.