Background
Minimis, Inc. (“Company”) is a digital music creation company with its headquarters in St. Louis, MO, USA. It creates musical arrangements “in the sound of” famous, copyrighted musical works. The Company creates new musical arrangements by leveraging an advanced software suite named “De Minimizer” (“Software”) that allows a user to select a certain sound, genre or elements of existing songs and create a “in the sound of” derivative version of the original recording.
These “in the sound of” derivatives are then licensed to end-users for any creative execution (personal video production, commercial video production, advertisements, documentaries, personal use, etc…). The Company primarily serves the creative industry, but also
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How it Works Fig. 1 After the user establishes his or her desired output sound, the Software produces an output track based on the user’s request. The client then has the opportunity to purchase the track with a license that best suits his or her needs. These licenses include, but are not limited to, public performance, single-use and full transfer of rights to end-user. One of the key selling points of the Company’s service is the fact that it will insure and indemnify the end-user from any future copyright claims as long as the new recording is used appropriately under the Company’s Terms & Conditions.
Issues Identified This memo will provide perspective and a position on the client’s current operation and its potential liability to existing copyright holders. It will identify potential risks as it pertains to: copyright infringement under U.S.C. § 101 et al, the elements that the Company is particularly at risk under, including (but not limited to): access, substantial similarity (with a jurisdiction view on intrinsic vs. extrinsic similarity). It will also outline the practical defenses the Company will be able to raise under the fair use doctrine and de minimis standards. Depending on the end user and changes to the business model, the Company may be able to minimize exposure to copyright claims or develop tracks that are so substantially dissimilar that they can be seen as
Is important for anyone who has created any intellectual property to protect it. In the music industry, in order for someone to protect their work, they must obtain a copyright. Music has been around before anyone could obtain a copyright and when the invention of the computer came along it made it easier for someone to steal another artist's intellectual property with the help of the internet. This paper will cover what events have taken a big role in copyright protection for artist, the consequences if someone was to break the rules of a copyright which is called copyright infringement, and how will a copyright hold in the future. Were copyrights enacted without the thought of life changing technology, and how can some music companies
In the past decade, the role of the music publisher has shifted due to the popularization of digital music and streaming services. Digital music and streaming services necessitate various kinds of licenses, rather than the simpler nature of radio licensing.
Weak online shopping facility: The Company is relatively new in online selling and need improvement in this regards.
The mission of “Musically Infinite” is to provide Affordable, professionally engineered, complete Audio production.” Musically Infinite’s goal is to become the industry standard for Audio production in the digital music era. From the veteran vocal artists, worldwide superstars, to new local artists seeking to make a name for him and herself with a high quality product usually only reserved for the elite and super wealthy. The later part of our company name “Infinite” is defined as “immeasurably great, indefinitely or exceedingly great; Unlimited, unbounded or unlimited; boundless or endless.” This term when joined with our focus “Music,” is what our core passion is, and conveys that our corporate objective is to allow an unlimited love for music to flow from our creative artists to the extent of their talents, gifts or supernatural abilities. The literary genius that is embodied within the walls of skin held
There is no doubt that the contribution of each of the group members is equal.
The purpose of this research report is to understand of two important concepts from the Conceptual Framework for Financial Reporting----the objective of general purpose financial reporting and qualitative characteristics of useful financial information. In this report, Myer Holdings Ltd is as an example to describe these two concepts. This report includes the analysis on whether the disclosure of PPE from Myer Holdings Ltd meets the requirements of AASB 116, especially the requirements of objective
Jefferson Multi Media Inc. is a production company that provides services to recording artists. The company has two main divisions: the audio division and the video division. The audio division is charged with executing all necessary procedures to finalize the recording process. For example, the company records the artists, adds special effects, develops concepts and designs, and finally promotes artist relations to ensure that artists are satisfied with the services provided by the company. To finalize the audio production process, the company’s audio division produces the final work in a form of audio cassettes, computerized disks, and digital sound tracks, which are transferred
Nothing is more enjoyable than listening to your favorite song. All over the world, people listen to music on a daily basis. Music plays a major part in a tremendous number of people’s lives. While they are enjoying the music, they do not think about how the song came about. Music is not just the sound you hear or the voices in the background. People do not think about what is behind the scenes of where music comes from. Before the song is completed, someone has to make it happen. In music, there are different careers which are the song writer, the manager, the marketing executive, and the produced. Each of these careers play a huge role in how music is brought to the public.
No one can deny that technology is actively changing the music industry. Production, distribution and sales of music have been affected dramatically within the last 10 years along with artists, composers, and technicians. Most of the changes have been great for consumers, but vastly negative for professionals in the music industry, however a few artists have found ways to adapt to the changing atmosphere of digitally downloaded music and use it to their advantage. We’ve seen music change form from physical, tangible products like records and CD’s to electronic single tracks stored in an invisible cloud. Two major factors in this sudden revolution are online music stores (specifically iTunes) and file sharing websites that allow music to be downloaded illegally.
One night in 1981, Jeff Munks, a police office in San Jose, CA responded to an urgent call and arrived at a residence where a Vietnamese immigrant who spoke no English was screaming and waving his arms agitatedly. Next to him, his son was having trouble breathing. After Jeff guessed what had been happening and immediately called for an ambulance, he kept thinking about emergency situations where danger is exacerbated because of a language barrier. This resulted in Telephone Interpretation being offered since that year. This service connects trained interpreters via telephone to Limited English Proficient (LEP) Individuals. Cyracom International is one of those companies that provide critical
A&M Records v. Napster is a landmark case in which the application of intellectual property laws has forever impacted contemporary culture with regards to digital works. The legal issues and applicable laws presented in the instant case resulted in a holding, which set forth a precedent that has influence the mode and means of digital works distribution. The outcome of Napster affects both businesses and individuals.
Introduction: Setting the trend for the future, the distribution and consumption of recorded music transformed dramatically with the launching of Apple’s iTunes in 2001. The proliferation of online music subscription services and other music sharing services exerted a great pressure on the conventional music distribution business model. Combined with this transformation, piracy of digital music had a profound impact on the whole industry. These worsening conditions in the market place for recorded music forced both established and upcoming new artists to experiment with new ways of selling their music.
Establishing the target market is the focus of the case. There are different avenues they can venture down. The key is to figure out which will be generate sales more quickly and prove to be the most beneficial to the company. Polyphonic’s options are to market to the record labels, producers, or the unsigned artists.
An alternative emerging approach for licensing music, software, research paper and many other resources on the internet, creative common sharing copyright, is introduced.
Companies like Apple, have decided that it is best to get in with the downloading business. However, an end to the illegal downloading conflict remains to be realized. The RIAA and associated artists continue to wage war against illegal downloaders while computer savvy audiences persist in sharing music files online every day. While it is undoubtedly true that downloading music is a crime, it remains to be proven that it is wrong. Without establishing this principle, most downloader's are likely to continue the activity. Even with new, inexpensive and available means of downloading files, they can still be shared for free online. The rift must be repaired between music lovers who feel that they have been taken advantage of in the past and recording companies and artists who worry about their future livelihood.