Night Flute Causes Longing For Love
As a content director, the movie “Night Flute Causes Longing For Love” is a sad story objected family drama genre. It takes place in the city of Seattle, a developed modern city in the United States. The project uncovers the daily life of the Vietnamese immigrants overseas who struggle with the miscommunications between generation gap and the modern Western ideas and the traditional Vietnamese concepts.
The story characterizes two old men, Three and Five, coincidentally meet again in Seattle when they immigrated for their own family reunion. Living in a big developed city, they have nostalgia for the days in home country where farming in a suburban faced harsh nature but lived cheerfully. They grew up in a small town of Vietnam, shared their entire childhood life together and also, fell in love with the same girl. Their commons and conflicts strangely bond them together like brothers. They meet each other in a heavy snow day on a street outside a nursing home. Three hitches a ride and Five is riding that car.
Three was born in a fortuneless family that he has to work his childhood as a traditional Vietnamese flutist for living, while Five was born rich and does not know a day working in his life. The suburban life is peaceful same as the love they have for Little, a flawless neighborhood girl who was without hostility. Flashback scenes of Little and Three were sitting on the river bank, Three was playing flute from his “Night Flute"
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is a poem unlike any I have ever read before. The poem starts off with the speaker taking what seems to be a potential lover along for a walk. The speaker first describes their surroundings and says that “the evening is spread out against the sky like a patient etherized upon a table” and that “the streets follow like a tedious argument”. The sky is described as someone who has been anesthetized, someone who can’t feel anything. The streets are like an argument, something that can tear two people apart. The similes used make the setting seem dark and dreary. The speaker then brings up that he has a question he wishes to
Once a successful novel hits the market, producers are inclined to adapt the story into a movie. Since imagination, symbolism, and character psyches are explored in a novel, the movies tend to lack the luster of the original text. Using their imagination, readers are able to conjure up characters and scenes that are unique. This is the case with Tim O’Brien’s, “Sweetheart of the Song Tra Bong.” This is a story where love and war collide after a soldier brings his sweetheart to his Vietnamese post. On the whole, this chapter in The Things They Carried is far superior to the film, The Soldier’s Sweetheart, because it has thorough descriptions of characters’
The concept of contrasting social class is manipulated using innovative cinematic techniques, including non-diegetic sound, mise-en-scène, bright lighting and various camera techniques and angles. The scene instigates with calm and composed music being played during the beginning of the
The narrator moves to Seattle and lives with his white girlfriend who he is constantly fighting all the time. He breaks
a film. It is what the viewers sees, hears and experiences while watching a film. A film’s Mise en Scene subtly influences viewer’s mood as they watch a film, much like decor, lighting, smells and sounds can influence our emotional response to an actual place. In Film Art: An Introduction, Bordwell (2001), explained that in Mise en Scene, realism can be achieved by giving the settings an accurate and convincing look or letting actors express their emotions through performance as naturally as possible. This paper will discuss and analyse the significance of Mise en Scene in Wong Kar Wai’s In The Mood For Love
Jamie Ford, the author of Hotel on the Corner of Bitter and Sweet, wrote a story about a Chinese boy named Henry and how he fell in love with a Japanese-American girl named Keiko Okabe. Their adorable and heart wrenching love story took place at Seattle, Washington during World War II when tensions rose between Americans, Chinese, and Japanese. In the novel, Henry’s father was a traditional Chinese man who was extremely loyal to his country. Due to his strong devotion to his homeland and resentment toward Japanese people, he disapproved of his son’s friendship with Keiko. As Henry’s affection and admiration grew for Keiko, his relationship with his father suffered. Misunderstandings and built up frustrations emerged from their lack of communication. Henry struggled with communication, the key to forming a strong relationship and a UULO that is significant throughout this novel. Because of this, he had a difficult time maintaining many of his relationships, including the one with his father, Keiko and his son, Marty.
Ha’s mother is grieving the disappearance of her husband and the fall of Vietnam to Communism. The fallout of the Vietnam War causes separation for Ha and her family. Once in America, Ha finds that many in the small township move to ignore her culture and her heritage. Vietnamese culture and
In the essay "The Science of Heartbreak and How Music Heals", Christie Wilcox explains the science behind being emotionally hurt and how it turns into physical pain. It also explains how music and writing help heal that pain. Wilcox says that the rush of dopamine she gets from music and writing helps relieve the pain she has. Music and writing has the same effect on me as while.
When they are out being bad they like to drive to greasy lake were they can drink beer, smoke pot and howl at the stars. One night they go down to greasy lake and mistaken a car for there friend Tonys and they lay the horn and flash there high beams at it. Turns out not to be tonys car but some strangers. The stranger gets out not happy and begins to fight the gang of kids in the mist of it all the narraighter drops his keys to his car. The stranger seems to be winning the fight until the narratoir grabs a tire iron from under his seat and hits the stranger across the head with it knocking the stranger out. Then another car comes down to greasy lake unable to find the car keys the group of kids runs away into greasy lake. While the narrator is in the water he finds a dead body. The other car turns out to be the strangers friends and they wreck the group of kids car. The narratoir and his friends wait till morning for greasy lake to clear out. Once it does they head back to there car when two girls arrive asking if they seen there friend who we presume is the dead guy in the lake. They tell the two girls no, and they respond by saying how it looks like they had a rough night, and ask if they want to party with them. The narraitoir says no and they get in the car and head
Bart Layton built this doc not from one perspective, but from a collection of them. Some stories, like “The Imposter” need a panoptic approach to connect the audience to the film. The themes of manipulation, identity and love are the main themes conveyed by Layton. These themes are communicated through sounds and visual imagery.
People only focuses on where they are but forgets where they came from. In “The Trip Back”, Robert Olen Butler criticizes self and family importance on cultural perspective through the story of Khánh, a Vietnamese man living in Louisiana, who is on a way back of picking up his wife’s grandfather. Butler sets cultural difference viewpoint as the crucial aspect of the story through Khánh’s behavior.
The Motion picture “The Soloist” is about L.A. Times writer Steve Lopez discovering a musically gifted homeless man named Nathaniel Ayers. Desperately needing to catch a deadline Mr. Lopez considers writing a story about Nathaniel. While researching Mr. Lopez begins to discover interesting things about the talented musician. Nathanial Ayers was accepted to The Julliard’s School of music, the most prestige school for music in North America. After one year at Julliard Nathanial dropped out, it turns out that Nathanial had a case of Paranoid Schizophrenia that forced him into a spiral of madness, which soon caused him to become homeless and lose a chance at becoming on of the greatest musicians of
The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.
Music can be extraordinarily influential in films, as it has the ability to evoke emotion not displayed by on-screen action. Music used in films can play many roles; it can depict time and place, mood, atmosphere, character, and can be used to underscore the onscreen drama and titles. Alan Silvestri and John Williams successfully manipulate the use of music in film to establish characters (along with their personality, actions and changing emotions), as well as underscore the mood for the entirety of their given films. The contrasts of Silvestri’s “The Feather Theme” with Williams’ “Batman Theme” exemplify the power of music in film.
Usually, when one considers what they can do to fight off a cold, relieve pain, or alleviate mental illness, the first things that comes to mind may be to take over-the-counter drugs or prescribed medications. However, the cure to these and many other infirmities may be found within your own ipod. Music, in its many forms, can and should be used as a healing instrument. While it may not completely alleviate the need for drugs, it's possible that music therapy could accompany medical drug use in order to lessen the amount of potentially harmful medications often consumed by patients.