Jameson Vu
Professor Hackelton
English 01C
25 August 2016
Challenging the Superhero The publication of Action Comics #1 in 1938, by Jerry Siegel and Joe Schuster, saw the establishment of the superhero with the creation of Superman (Goulart 43). This initiation saw a multitude of comic books and similar facsimiles – all of which led to the inception of the archetype – that are considered mediums of fantasy and simplistic storytelling. Examining the word “superhero” invokes images of “black-and-white caricature” (Spivey and Knowlton 51); a morally upright individual, clad in spandex, who defends a city and its inhabitants while maintaining a good relationship with the public and authorities. This model was challenged by the twelve-issue series
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There are three distinct eras of publication in the comic book genre, chronologically differentiated as the “Golden Age,” from 1938 to 1955; the “Silver Age,” 1956 to 1972; and the “Bronze Age,” 1973 to 1985 (Flynn 5). Richard Reynolds attempts to provide a definition to the genre in his book Superheroes: A Modern Mythology by describing five traits common amongst superheroes. The first of these involves the idea of “the man-god”, where “superheroes will be like earthbound gods in their levels of powers” (Reynolds 13). The second trait makes note of the importance of upholding justice, even over legality and laws. The relationship between “the normal and the superpowered” (Reynolds 14) is touched as the third trait; the extraordinary abilities of the superhero are contrasted with the normality of his surroundings. The concept of a split identity, where normal life is at odds with the alter-ego of crime-fighting, is touched upon as the fourth trait. The final trait that Reynolds writes of is the “superpowers and politics”, where superheroes “can be capable of considerable patriotism and moral loyalty to the state, though not necessarily to the letter of its laws” (Reynolds 15). With these five traits in mind, examining the character of Dr. Manhattan is essential to understand the inner workings of Moore and Gibbons as they deconstruct the superhero …show more content…
Osterman takes his father’s advice and becomes a nuclear physicist. However, Osterman is accidently locked into a nuclear test chamber and vaporized in 1959. His subsequent death and rebirth earns him the name Dr. Manhattan, bestowed upon him by the United States government as a nod to the Manhattan project that preceded him. Osterman’s consciousness reconstructs his physical form into a blue-skinned being of god-like capabilities, many of which are never explained or shown in the
When read with a critical eye, the world of superhero comics often offers a lens with which we can examine society, our values, the meaning of justice, and the role of the individual in regards to the greater community. If all of this information is garnered from critical reading, then the way in which the medium of comics constructs these meanings will reflect an embrace or a rejection of the common symbols and ideology of it’s source culture. In the case of Alan Moore and Dave Gibbon’s 1987 graphic novel, Watchmen, the second approach is used, as Moore’s writing draws upon the common cultural understanding of superheroes and exaggerates or tweaks them, exposing their underlying ideals. In this way, Watchmen functions not only as a
Superheroes can be defined in many ways by many experts. Clare Pitkethly’s academic background consists of comparative literature, culture and communication as she also speaks and writes comic books and superhero, defines a superhero to be different. In Pitkethly’s article “Straddling a Boundary: The Superhero and the Incorporation of Difference,” talks about
The concept of a hero has been around for many generations, and the meaning of a hero is defined in ways people grasp its idea. A hero can be a person who has a superpower and is willing to make a personal sacrifice for the benefit of others or can be an ordinary everyday person who just wants to help people out of his or her own heart. Linda Seger’s article, “Creating the Myth,” tackles the idea of a “Hero 's Myth,” and shows the ten steps of how heroes are transformed from an ordinary person to the Savior. On the other hand, Robert B. Ray piece titled, “The Thematic Paradigm,” emphasizes that in modern films, it is either having an “Outlaw Hero or an Official Hero,” which he uses three stages to demonstrates how they are different each other in the way they perform in the society. Further, the article, “Out of Character: Wonder Woman’s Strength Is Her Compassion - What Happened?” by Stevie St. John, explains how Wonder Woman was viewed as a compassionate woman in the 1940s and 1950s, and in the 2000s she changes into a more violent person. In this essay, I argue that a hero is subjective, and is defined by the villain or event that they had to adapt to suddenly.
I believe we as a society are intrigued with shows like Dexter because they allow us a temporary escape from reality. A reality in which we witness injustices occur in our court systems such as a legal loop hole allowing a guilty person to essentially walk free and justice not being served for the victim. I will attempt to explain why these characters are thriving as pop culture icons.
The representation of diverse people and experiences in comics is important to expand the thoughts and minds of readers. Yang and Wilson, the minds behind American Born Chinese and Ms. Marvel, use the medium of comic books and graphic novels to help bring a new sense of belonging and acceptance to marginalized people. They do this by applying a “millennial mindset” to their respective stories. What this means is that the characters they have created, whether they are based off real people or are fiction, address the problems of race, religion, or sexuality that we are facing today. These characters also act to threaten the current atmosphere of the comic book industry. Typical comic book characters and superheroes, before now, were mostly white and from a typical American background. Heroes that were women were generally over-sexualized and unrealistic. These two authors hope to challenge the current status quo of the comic book industry by creating characters whose background is much different than previous superheroes.
The portrayal of superheroes in films has changed in terms of their character, appearance, style and strength. Superheroes has been a popular theme in hollywood films since its inception. They are what peoples imagination can only think of. A perfect human being who saves the world .The first time superhero appeared on T.V was “The Adventures of Captain Marvel” in 1941. Superheroes was on the rise within popular comic books in 1930′s to the 1940’s as well in which they were considered the ‘Golden Age of Comic Books’ . Comic books became widespread and popular which translated into making films about them.
Alan Moore and Dave Gibbons’ Watchmen illustrates the lives of retired superheroes in the 1980s. The Keene Act outlawed the “masquerading” of superheroes in the 1970s and led to the dissolution of many superheroes. The murder of an old colleague, The Comedian, forces them to come out of retirement and sets the events of the graphic novel into place. Moore and Gibbons sets up a world of superheroes in the midst of a very real historical period of the Cold War. We usually think of superheroes as existing in a fictional place, with an altered history. However, the novel references President Nixon, the Cold War, Vietnam, and other real events and figures. These references help to establish the superheroes as people existing in reality. Here,
An archetype is an universal theme or pattern in literature, television, and character. One of today's archetypes is superheroes. They all tend to start from a tragic, usually family death, background, but somehow they constantly want to ameliorate the world. Then at some point, they will discover a gift they have and use their inhuman powers towards the benefit of humanity. However, they all have a weakness that reminds them that they are human. They will learn to cope with their problems and eventually overcome it. My example of this archetype is Supergirl on the CW. Her family dies on Krypton, when it explodes, but sends her to Earth to take care of her cousin (Superman). Because he was already Superman when she arrived, she had
Subsequently, while most superhero plots involve an element of fantasy, the characters in Moore’s graphic novel are, for the most part, embedded into pessimistic version of reality with only lifelike traits. Obviously, the one glaring exception in Watchmen is Doctor Manhattan, who is transformed into a being capable of a number of otherworldly abilities. However, the other five heroes in the story are regular humans who take the initiative to aid in the protection of society. This is unlike most superheroes in previous comics, who are often blessed with a divine power that allows them to conquer all evil. Additionally, referring to the society in which Moore’s heroes are immersed in, it is situated in a location known to its readers, with a certain twist. While Superman has his Metropolis and Batman has his Gotham City, the six costumed adventurers are based in New York City, or more accurately, a filthy parody of it. The universe in which Moore sets his story is the closest to reality, with a hyperbolic emphasis on the evil in society, in which superheroes have been set it. Hence, the problems presented to the superheroes are not something to be combatted with fantastical talents, but more nuanced with realistic obstacles without a clear solution. In Watchmen, the imminent threat of nuclear war is a state of affairs that would have been realistic for readers, particularly during the time period of the graphic novel’s release in 1987. This, coupled with the urban violence
For centuries, man has struggled with the concepts of good and evil and have produced astounding works as a reflection of it. This is ideally the foundation of early fables and folklore dating back to ancient civilizations. Stories about famed heroes and the battle of good and evil woven into extravagant tales of danger, destiny, and triumph. These stories were often assimilated into individual societies, told from generation to generation until eventually finding themselves becoming an integral part of the culture. In 1938, a new era began to emerge known as the “golden age” of superheroes. Superman made his first appearance in action comics, forging a unique identity as the first comic book superhero in American culture and quickly
The artistic representation of the Batman myth is an important cultural artifact of our time because it represents modern society's thirst for heroic ideals in popular entertainment. Since his creation, readers and viewers have admired Batman's unique ability to battle villainy, transcend the law and administer justice. As cultivators of the noir genre in film as well as in literature, Americans have always identified with this enigmatic hero, who exists on the margins of society and yet represents one of the largest corporations in the world. The evolution of Batman in particular and the superhero genre in general (from comic book to television to film and back again) has seen in the latest adaptation from Christopher Nolan's Batman revamp a veritable tilting point for the character once known as the World's Greatest Detective. This paper will analyze why Batman is an important cultural artifact of our day, how he came into being, what he means for society, and how he will be treated in the future.
In this dissertation I will discuss how DC Comics have developed and improved the design of their comic books since their establishment in 1937. I will compare comics from past and present and talk about the different styles of comic books that have been released from the company. I will also talk about how the artwork from the comic books have influenced character and costume design in recent DC Comic films. I will do this by studying the history of the company and researching the designers behind the comic books. I will thoroughly research in detail the characters and the designs of their costume and equipment and compare them to the different films that have been released over the years. The main character I will look into is Batman. I will study the origins of the character, the man behind the character, the reason behind Batman’s creation, how he has changed over the years, the development of other characters in the series, the famous villains that Batman has had to face, the different costumes he has had over the years and I will also be researching and studying how Batman has become a national icon in American society, and the effects the character has had on people living in the country. Batman
Now in these days everyone one likes to read comic books since they became part of our society. What makes them interesting is how entertaining they could get giving us different points of views on different stories of superheroes. Many of us believe that “Classic superheroes stories are wildly fun, suspenseful and exciting” (Tom and Matt Morris) forgetting the idea of what really makes a hero. Different perceptions of superheroes are considered based on their wrong actions and way of thinking. Frank’s Miller Batman: The Dark Knight Returns is one of the comic books that make us “rethink the conception of the superhero and press each of us to reconsider some of the fundamental moral principles
Through my analyzation of these values, I have assessed the relevance of superheroes in cinema through the impact of American popular culture, the contrast of gender roles, and their impact on children. As a result, society should be gracious toward the immense popularity of superhero films, as they bolster American popular culture and positively impact children from a young age. Although the gender roles might be a bit skewed, many film companies are taking steps to include women in more empowering roles such as Wonder Woman in the DC cinematic universe. Therefore, superheroes in cinema tend to only create and preserve positive characteristics within society, which is glorious in the future of mankind. In closing, I end with the question, “Which superhero best depicts
When you think of a superhero one normally thinks of Spiderman, Batman, or Superman, but there were superheroes long before these characters were created. First one must understand that the basis of this name is hero. What is a hero? A hero is a person who does something special or out of the ordinary in order to help others. It could also be someone who is admired for a characteristic about them, be it physical or mental. They are individuals that normal everyday people can look up to. This being the case, a superhero is nothing more then someone who is a hero, but not just that once and for that one person, but someone who helps many people, or leads them. As time went by the number of people who were true heroes diminished and just