In the book Much Ado About Nothing, the author Shakespear, introduces to the audience a woman named Beatrice who is not afraid to speak her mind. Through her lengthy lines and her witty tongue, the audience can see that, Beatrice is nothing like any other female characters. Beatrice is extremely free-spoken and is not afraid to use her sharp tongue. It is evident that, Beatrice is holding back her feelings from Benedick to protect her heart; her verbal abuse is a humor mask that hides how she longs to be loved, cherished and ultimately married. This paper is limited to discussing how Beatrice uses her wits as a defense and a humor mask as a shield to protect her heart from being hurt again.
In act 1 Scene 1, the audience is introduced to Beatrice. It is apparent that, she is not one of those individuals who would bite her tongue. Also, her witty comments illustrate her great sense of humor. From an insider’s point of view, it appears that, Beatrice has had a prior attachment to Benedick. Beatrice’s first line in this play projects an insult to Benedick. This scene begins with a messenger arriving to inform Beatrice and her family that, the prince of Aragon is on his way to Messina and that he is being accompanied by a few men. Beatrice responds to the Messenger by asking, “I pray you, is Signior Mountanto returned from the war or no?”(Shakespear 27)
Beatrice refers to Benedick as “Signior Mountanto” (I.i.28)-literally, “Lord Upward Thrust”-also implies, through a
Beatrice and Benedick are interesting due to Shakespeare’s use of language. Confusion is created as to whether they love or hate each other owing to their snide comments, such as Beatrice’s response “A bird of my tongue is better than a beast of yours” (1.1.104), notably continuing the reference to animals, after Benedick
On the other hand Benedick and Beatrice’s relationship is different; their relationship is not superficial but deeply rooted within them. They enjoy insulting each other as Benedick says to her ‘what my lady disdain! Are you yet living?’
He continues with another soliloquy after he overhears the news of Beatrice’s feelings. The differences in the tone and attitude of the two soliloquies gives perfect insight to his capricious state of mind. This is comical because immediately before he overhears the three men speaking, he demeans men who fall in love so quickly and foolishly. He scorns at how one man, after “seeing how much another man is a fool when he/ dedicates his behaviors to love, will, after he hath/ laughed at such shallow follies in others, become the/ argument of his own scorn by falling in love” (II.iii.8-11). This becomes ironic just moments later in the play when Benedick becomes the very thing he describes in his speech. Shakespeare included this soliloquy to exemplify Benedick’s indecisive nature, and to show great insight to his internal struggle.
Beatrice is also very sociable with other people and seems to be a shrew just when talking about Benedick and other males. Not unlike Katharina, who was told she would marry Petruchio (2.I.260-268), Beatrice does not consent to marry Benedick directly. Beatrice has to be entrapped with the love sonnets that Hero stole from her pocket (5.IV.88-90). Even at the conclusion of the play, it seems as though Beatrice will not change her attitudes, just her status as an unmarried woman.
the rest of his life rather than marry a woman. Beatrice in a way is
Benedick's feelings for Beatrice become more obvious after the masqued ball, in Act 2 Scene 1. He reacts quite strongly to Beatrice' comments about him. Shakespeare uses the dramatic device of the masqued ball, and the inherent confusion of identity, to allow Benedick to believe that Beatrice intended to speak ill of him to another person, when all along Beatrice knows whom she is speaking to. The fact that Benedick reacts in the way he does to these comments shows he is hurt by the thought that Beatrice might feel this way about him. There is a suggestion that he does not mind such comments when directed at him in a 'skirmish of wit', but the idea that she may speak ill of him to another person is quite different, as he must have previously thought that she shared whatever secret feelings he had
In Shakespeare’s comedic play “Much Ado about Nothing” there are many unique characters but the character Beatrice sticks out for many reasons. Beatrice is not like the other characters in “Much Ado about Nothing.” She “rebels” against the idea of conformity and humility that was prevalent during that time period for women; therefore, she fit the archetype of
Needless to say, Benedick and Beatrice are the antithesis of each other, for Beatrice is reasonable which means she is always trying to come up with a reason for what somebody has done or for what she is going to do, but Benedick is irrational which means he never needs a reason for what he does. Beatrice is crying because her cousin, Hero has just been slandered and killed by Claudio. Which is why she is asking Benedick to kill Claudio. Benedick laughs it off like it´s a joke the first time she asks. But, then he realizes that she is serious. ¨ As I have a thought”, “That’s enough for me”, “I’ll challenge him”, “I’ll kiss your hand”. This impacts the
William Shakespeare’s play Much Ado about Nothing traverses the complex social, and emotional trials and triumphs of romantic relationships; Shakespeare’s perspective on the subject is both very similar to ours today, and different. Although filled with sexual innuendos, and humorous trickery and shenanigans, Much Ado about Nothing also dives into the complexities of social anxieties, defense mechanisms to cope with the social pressures, and the emotions involved.
From the very first scene in the play, Beatrice is shown as a character who is very prideful, and very protective of it. Benedick's line "What, my dear Lady Disdain! Are you yet living?"(1.1.114) gives a clue to how much pride Beatrice has. Benedick's reference to Beatrice as "Lady Disdain" shows how Beatrice thinks she is
Despite both characters being exceptionally sealed of their sensitivity and internal emotions Shakespeare has hinted in many circumstances of the true care both characters undergo to one another. For example Beatrice, upon hearing the arrival of Benedick from war, made sure to ask immediately ‘I pray you, is Signor Montano returned from wars, or no?’.
However, upon hearing of Beatrice’s love for him he is suddenly perplexed and it does not take him long to decide that he will give that affection back in return. How easily persuaded Benedick is. This may come from the way Claudio, Don Pedro, and Leonato (Benedick’s associates) depict Beatrice as the most wonderful woman in Messina. They talk of Beatrice as if she were the most magnificent woman so that Benedick will do exactly what he does indeed do. When Benedick hears of this he must be thinking of what he has said before about his desire for the perfect woman. In his speech he says that “the lady is fair . . . / . . . And virtuous. . . / . . . And wise[,]” which is exactly what Benedick demands in the woman that he will choose to be his wife. However, Benedick only believes these things about Beatrice because of what Claudio, Don Pedro, and Leonato have said about her. They only said them to convince Benedick that Beatrice was deserving of him and that she loved him with all her heart. They told Benedick just what he wanted to hear. It is a scheme made of lies, but it works because Benedick is persuaded and begins to agree with what they have said. By doing this he is already influencing himself to follow the opposite path from the one that he has adhered to for years. Here he is already starting to fool himself into believing Beatrice is the one for him
Through rich imagery and a comic context Shakespeare uses characters to explore his ideas about love and marriage, using relationships to show the trials of love. In his play Shakespeare makes Beatrice and Benedick the critics of love and through them the modern audience is shown how Elizabethan society maltreats the female role and how the male code of honour and pride can lead to devastation.
Much Ado about Nothing is a romantic comedy written by William Shakespeare. Deception is a repeated theme throughout the play and it performs an essential role in the matters relating to romance. There are two couples who unwittingly are participants in the matchmaking and the match breaking schemes of others. There is Claudio of Florence and Benedick of Padua who arrive at Leonato’s house in Messina with Don Pedro, after being away in battle. Then, there is Hero, Leonato’s daughter, and heir, as well as her devoted cousin, Beatrice. In Much Ado about Nothing Shakespeare uses language and literary devices to reassure the audience that love will persevere and prevail in the end. He achieves this by juxtaposing Benedick and Beatrice with Claudio and Hero.
William Shakespeare’s Much Ado About Nothing isn’t new to the big screen. Many different directors have taken on the task of this comedic play. Joss Whedon’s 2012 adaptation is the newest addition to this list of films. While the script was already spelt out for him, Whedon did interject some of his own directorial choices into the film.