Analysis Of The Movie ' The Devil Wear Prada '

Paisan is a revolutionary, documentary-style film, consisting of six separate but seemingly related episodes. Director Roberto Rossellini uses this film to portray the drastic consequences of war on a nation, the people, and overall society. Neorealism was a pivotal movement, and Paisan brought attention to the Fascist influence by showing the harsh economic and social reality of World War II. Rossellini also uses Paisan to allude to regionalism and the importance of a unified nation. Paisan exposes a fundamental truth and emphasizes a need for reconstruction through the use of a complex setting, elements of humanity, and reoccurring themes of revival.

Pariah is an acclaimed drama written and directed by director Dee Rees in 2011. The film tells the story of an adolescent African American teenage girl named Alike who struggles with her identity as a lesbian. The film introduces Alike to the audience in a club, in which she often hangs out with her openly gay friend, Laura. This rambunctious lifestyle is quickly contrasted by the introduction to her notably structured and religious family. Alike’s mother, Audrey, in particular, seems to not only oppose Alike’s friendship with Laura, but also question her sexuality. Although Alike struggles with an oppressive relationship with her mother, she also does not seem to wholly fit in with Laura and her brazen lifestyle, thus making her a true outcast, a pariah. Amidst everything, Alike forges a friendship with a girl named Bina and a complicated and disastrous relationship quickly ensues, ultimately resulting in Alike’s coming out, estrangement from her mother, and her departure to college. Director Dee Rees draws on particular filmmaking techniques and personal experiences to depict Alike’s struggles to embrace her lesbian identity, ultimately in order to fuel a growing gay rights sentiment.

    “Tonight I gotta cut loose, footloose, kick off my sunday shoes. Jack, get back, come on before we crack.” (Footloose, Kenny Loggins) For this essay, I chose to watch Footloose made in 1984 and directed by Herbert Ross and Footloose made in 2011 directed by Craig Brewer. Both movies centered around the town of Bomont, a secluded town with out of the ordinary beliefs. In this town, dancing and partying of any sort was strictly against the law and teenagers were seemingly miserable. There was little to no self expression and even listening to provocative music or any music too loud, could get you a ticket with a hefty fine. The reason behind the strict rules is that several years back, five teens from Bomont High School died in a car wreck after they were drinking and dancing too much. Each of these movies have some things in common, but have more differences than anything. Some of the main differences are the opening credits of each movie, how and who Ren arrives to Bomont at the beginning of the movie, the “chicken” races between Ren and Jeff, and the book burning in town square.

“The Devil Wears Prada” is a movie about a naïve, yet smart young woman named Andrea Sachs, and her journey to becoming a journalist. Andrea, also known as Andy, graduated from Northwestern University and interviewed for a job at Runway, a major fashion magazine in New York City. Being a simple young woman, Andy wasn’t necessarily up to speed with the fashion industry, but ended up landing the job. Miranda Priestly, editor in chief at Runway hired Andy because she was “different” from any of her previous assistants. If Andy worked as an assistant to Miranda for at least a year, she was under the impression that she could easily be hired as a journalist in the future. The only problem was

Throughout history, pride and determination have motivated people to do amazing things. In The Devil in the White City, Erik Larson proves that pride and determination aided the creation of The World’s Columbian Exposition.

Imagine the world is invaded by aliens. Some of them eat humans, some live among humans, and others live outside of our world. You don’t know it, but many of the people who have shaped our lives and our culture aren’t even human themselves. This is the world of the 1997 film Men in Black, directed by Barry Sonnenfeld. Men in Black is a sci-fi comedy about a group of enforcement agents defending and regulating aliens from invading Earth. But if you take their costume off, Men In Black can be seen as far more than a comedy about space aliens. Under the lens of postcolonial criticism, the film reveals itself to be a veiled, political commentary on immigration. A lens is a way for us to look at a piece of literature in a whole new depiction that we may not have thought of the first time we had read or watched a piece of literature. Through the postcolonial lens, I can see the movie as a biased contrast between the immigrants and the immigration police. Interpreting the movie through this lens allows me to see that the Men in Black are the immigration police, and are considered to be the protagonists of the film. On the other hand, the aliens, or immigrants when looking through the lens, are the antagonists of the movie; The Men in Black protect the US from bad aliens, giving immigration police the positive reinforcement of the brutal evictions immigrants received in the 90s.

1. Who are the most important characters? Identify the protagonist/antagonist/ Write down important information and characteristics about each one.

The film The Devil Wears Prada is about the personal transition of Andrea Sachs who is played by Anne Hathaway. In the film, Andrea seeks to get a job working for Miranda Priestly, the Editor in Chief of Runway Magazine, who is played by Meryl Streep. Runway is a fashion magazine, and although Andrea shares no interest in fashion or the fashion industry, she wants the job because she was informed that anyone that works for Miranda for a year without being fired will be given the chance to be promoted to a job position of their dreams. Since, Andrea aspires to be a journalist for The New Yorker; she believes that working for Miranda for a year and with Miranda's contacts, she will able to obtain her dream job. However, with Miranda's

Italian Neorealism was a movement of art, which strived to illustrate the normal lives of the ordinary, working class people in post war Rome, usually with the use of non-professional actors. As one of the best Italian Neorealist film, Bicycle Thieves showed an absolute depiction of the war’s impact on daily life and exposed a world in which sufferings, unkindness and corruption jeopardized the rationality of human beings and action of men (Schoonover). By utilizing a depressing and gloomy cinematography, De Sica implies the somber lives of the poor and their crisis in losing their self-identity and moral conscience as a result of parochial society that make a fetish of personal belongings as a mode of social acceptance. By examining the cinematography, ‘mise-en-scene’ and events in the film, the daily struggles of the working class in post war Rome can be seen through the crisis of masculinity, class struggle, ethical dilemma and a profoundly patriarchal society.

The movie “The Devil Wears Prada”, introduced me to the life I am destined to be apart of.

Born into Brothels, shares the chaotic lifestyle of eight children and their mothers from the Brothels of Calcutta, in the perspective of the director, Zana Briski, and the deprived children. Using the basic techniques of photography, Briski teaches the children to document their lives through photos, which are then used as a baseline for the documentary. Born into Brothels revolves around Briski’s attempt to gain awareness and education for a small group of children whose lives are filled with tragedy. Being identified as a ‘white-privileged’ female from the United States of America, Briski carries a completely distinct perspective of the life in the ‘red light’ district, than the children themselves. She sympathizes with their situation

Movies often depict a glimpse into the inner workings of organizations which are complex and fascinating entities that consist of a group of people, who work together. Analyzing how the characters, as individuals and groups, interact with one another allows for an understanding of “how people think, feel and act” within an organization, also referred to as the study of organizational behaviour. The movie The Devil Wears Prada, set at Runway fashion magazine in New York City, is the story of Andrea "Andy" Sachs, an aspiring journalist who gets the job that “a million girls would kill for”. She is hired as the second assistant to Miranda Priestly, the powerful and ruthless executive of the magazine. The job is her stepping stone into the

In the movie, “The Road from Crime”, Greg was a great example of how Merton 's Anomie and Agnew 's General Strain theory led them through a criminal lifestyle. The environment that Greg lived as a child was a prime example of the Agnew’s General Strain theory. He came from a society where crimes are viewed as a norm in his community. There are different types of circumstance that lead people and groups inside a community to participate in deviant behavior, such as harsh disciplines, child abuse, negative school experience, residence in economically deprived neighborhoods and more. However, Greg was a resident of an economically deprived neighborhood, which had an influence on his criminal background. According to Merton’s Anomie theory, offenders lead a criminal lifestyle because they are not able to accomplish their desire goal. Everyone does not have the same opportunities to become successful. Greg came from a society where people were looked down upon and did not have the opportunity to become successful in life due to their race. Greg was from a community where everyone in his society had an impact on one and other. For instance, he had a friend name Terry who inspired him to be the man he is today. As a kid, Greg looked up to Terry and tried to follow his footsteps. Terry and Greg were neighbors and that is one reason Terry was a role model to Greg. Greg admired Terry because he played basketball and was a “ladies man”. During, Terry and Greg childhood drugs were

Comedic films and theatrical productions generally focus on the average human. This excludes people with extraordinary amounts of influence or power such as kings, queens or superheroes. Grecian comedy dissects the social or personal aspects of an average human’s life and uncovers their foibles and frailties. A minor weakness will usually lead to the character falling into some form of temptation which stands as the climax of the plot. This minor weakness of the character helps develop the storyline. For example, the play, Lysistrata, centers around the Grecian army and their wives. Aristophanes presents sex as a weakness of men and women in Greece in the play. The temptation for the army wives is to relinquish the sex strike that they

Since its humble beginnings in the later years of the nineteenth century, film has undergone many changes. One thing that has never changed is the filmmaker’s interest in representing society in the present day. For better or worse, film has a habit of showing the world just what it values the most. In recent years, scholars have begun to pay attention to what kinds of ideas films are portraying (Stern, Steven E. and Handel, 284). Alarmingly, viewers, especially young women, are increasingly influenced by the lifestyle choices and attitudes that they learn from watching these films (Steele, 331). An example of this can be seen in a popular trope of the “romantic comedy” genre in this day and age: the powerful man doing something to help, or “save” the less powerful woman, representing a troubling “sexual double standard” (Smith, Stacy L, Pieper, Granados, Choueiti, 783).