The romantic comedy, How to Be Single, made its debut to the big screen on February 12 of 2016, raking in over $18,750,000 in the United States and making a gross profit of $48,813,366 as of April 8, 2016 (IMDb, 2016). Given an ‘R’ rating due to an immense amount of sexual content and strong language throughout, the film was also full of many popular celebrities who made up their cast and crew. Some of which include Fifty Shades of Grey star Dakota Johnson (Alice), Pitch Perfect’s Fat Amy or Rebel Wilson (Robin), Leslie Mann (Meg), Anders Holm (Tom), Alison Brie (Lucy), Nicholas Braun (Josh), and Damon Wayans Jr. (David). Although the film was produced by Drew Barrymore and directed by Christian Ditter, the creator of the overall story is given credit to Liz Tuccillo who wrote and released the book in June 2008 (IMDb, 2016).
Although the film starts off on the right track, primarily revolving around a newly single woman named Alice, who is on a journey of self development after a four-year relationship to her college beau. It quickly diverts its original mission when she moves to the Big Apple and begins to jump from male to male under her new friend, Robin’s influence; the stereotypical party animal who enjoys casual “hook ups” with strangers, obsessive drinking, and drugs. However, Alice is not the only one who forgoes her original journey of personal growth as her sister Meg, a baby doctor, who once accepted the single life and uses IVF treatments to become a mother,
From fairy tales to multi-million dollar movie productions, romance and love have always been primary topics for literature and theatrical art. However, these stories have painted an unrealistic picture in society’s mind on how romantic relationships should be. This mirage is far from the truth and has created problems for people in modern romantic relationships. Love isn't sleeping with the attractive woman you met at the bar two hours ago like Mike’s friends in Jon Favreau’s film Swingers (1996). Nor is it running through the pouring rain and meeting your partner in the middle of the road and acting like it's the best part of your week. These fantasies have made communication of romantic affairs in the modern world lousy and lacking of
After lots of trying, she realizes it is not going to be a breeze to get him back in her grip with the fact she is in Harvard and looks alone, so she decides to hit the books to outsmart the awful fiancé. In the progress, she meets and great guy who helps her succeed and becomes one of the top students in her class. Elle also meets her a new beautician who she befriends and helps get the man of her dreams with the “bend and snap”. During the process, Elle starts to like herself for who she is, and her true self comes out. She is a bubbly, happy, girly woman who will not take no as an answer. With all her hard work, she even ends up receiving an internship, along with her ex-boyfriend and his fiancé, to work with a client. For one of the few times in her life, Elle was receiving things that she worked for, not that were given to her.
Stephan Babich 's blog post entitled, "The Fall of the Female Protagonist in Kids Movies", and Richard Lawson and Jen Doll 's article, "The Lies Hollywood Told Us: Love and Romance Edition”, are rhetorical arguments that attempt to support a notion about an explicit aspect of motion-picture theatre. In Babich 's post, he writes about how women are hardly ever the protagonist in kid 's movies. The goal of his argument is to persuade avid animation movie watchers that future films should have a female playing the leading role. The main idea of Lawrence and Doll 's article is to convince men and women who frequently watch romance movies that they should not expect the romantic situations and endings that Hollywood
Mr. Bones is a story of a boy’s account of his father’s change of personality after joining a minstrel show. The boy narrates the big contrast in the family dynamics as the father takes on an alternative persona. The sudden change of personality causes the boy to doubt how his father really is. Mr. Bones advocates the idea that we should not judge a book by its cover, as there is more to a person than what we see. It also represents how everyone has feelings, and the desire to be heard and treated properly. The author uses the minstrel show’s songs, the Jim Crow laws and its stereotypical character Jim Crow to symbolize the changes the character go through.
In recent years comic book adaptation films have grown increasingly common in cinema. Fans of the classic format are joined by a new generation of fans to create the current cult of comic book movie lovers who relish in the sight of seeing their beloved heroes take shape in the cinematic world. These films have become so popular in fact that the new release of films from this genre are basically seen as sure fire big screen blockbusters. Currently three of the top ten films listed on IMDb’s list of highest grossing films of all time are comic book films (IMDb). It’s clear that people around the world are loving the idea of caped crusaders and masked heroes becoming adapted into live action roles. Despite all of the love these adaptions are receiving they are by no means perfect. These current superhero films and really the genre as a whole seems to be missing something vital, they seem to be missing diversity. The current roster of heroes that are seen in the cinematic universe all seem to be cut from the same cloth. What this means is that nearly all of the current leading heroes in film fit the same description which is being a heterosexual, Caucasian, male.
Since the age of nine, I 've had a dream of becoming a screenwriter, and a movie producer. Where others only want to see a show or a movie, I have always wanted to be behind the scenes in the creation of the art. Being behind the scene and being involved in the creation of the film has always fascinated me.
Alice comes home and is excited to continue life with her family. Alice begins to drift off into a daydream which she thinks her life is a flashback caused by LSD. Alice is happy with her family and with herself, except for her social restrictions, she can't hang out with drug users, and other kids don't want her around. Alice's grandfather dies from a stroke. She is bothered by the thought of worms and maggots eating his dead body. Her relationship with her father gets better. Alice meets a freshman at the university library, Joel, his father is dead, his mother is a factory worker. To pay for school he works as a janitor. The two get to know each other well and Alice dreams of about marrying him. After the funeral for Alice's grandmother
The placelessness and timelessness of the film also allows the creators to disregard archaeological accuracy when drawing inspiration from Incan art and architecture for the animation of the film. The Inca civilization developed a distinct “abstract” and “geometrical” style of art (Zuidema, 2). Drawing upon this, The Emperor’s New Groove’s creators claimed to use the Inca art pieces “as inspiration and use their designs in other ways” (Silverman, 309). While the creators did base some of the film’s animations off of authentic Incan art, they do admit to altering nearly all of it. This fragments the archaeological information that could be provided by these art pieces by using them out of context (Silverman, 301). For example, using a
Brilliant movie of genius Soviet theater and film director Sergei Eisenstein . In this analyses I want to concentrate on the camera work of Tisse E., shocking by its conception and technique.
Two unexpected paths collide as 13-year-old Stewart and his dad move in with 14-year-old Ashley and her mom. Stewart is a quirky, socially awkward, but academically gifted intellectual, whereas Ashley deems to be fashionably smart and a popular girl who swerves the attention from all the cute guys and envious girls at her school. After their once normal lives encounter unexpected plot twists, one being Stewart’s mother dying and the other one being Ashley’s dad coming out as gay, the romantic relationship between their single parents forces them to live under the same roof.
Louis Mallard feels relief when she knows her husband died. Did she really love him? Can we call that “Love”? the word we are looking for here is the opposite of love, maybe hate. Louise yells the word “Free”!, in other words she is saying she can finally do anything she wants and doesn't have to feel controlled or pressured. She cries, but of happiness and not of sadness. Louise starts to think of her future where she can finally be alone, and she feels joyfulness. She will be free, on her own without anyone to oppress her. She thinks that all women and men oppress one another even if they do it out of kindness. Louise knows that she often felt love for Brantley but tells herself that none of that matters anymore. She feels overjoyed with
Hiroshima Mon Amour was directed by Alain Resnais and had a script written by Marguerite Duras, who was an author and gave the film a book like feel. This made you feel as if you were reading a story, one of the best ways this is conveyed is through the voiceovers “she” has. The film takes place in a time period of a post-war Hiroshima Japan, and the setting, as well as the time period, plays a major part in this film, by showing the audience views a war-torn country as it rebuilds and rebrands itself. As well as how those affected remember or forget the tragedy that shook their city. The main themes explored in this film are the relation of memory and forgetfulness, love and death, he and she being contrasted, pleasure and pain, east and
Even though the two character’s kiss on L.A. Law never saw a relationship form, they got praise from one group during the time period. “The Gay and Lesbian Alliance Against Defamation hailed NBC, saying the ‘historic smooch makes attorney C.J. Lamb … the only recurring gay or bisexual female character currently on television” (Hastings, par. 2). The kiss, that lasted only a few seconds, was enough to give GLAAD a reason to celebrate.
The movie I chose to watch is “Clueless”. The film centers around a girl named Cher. She is a popular, attractive and wealthy teenage girl. She lives in a world of glamor and fashion. She lives in a Beverly Mansion with her widowed father. Dionne, Cher’s best friend, is equally rich and attractive. They both have a mindset that being fashionable and luxurious is considered high up the pedestal of popularity. She has an older ex-stepbrother named Josh, who works for her father. Cher and Josh have a prodding type of relationship; as they both mock each other for being who they are. Josh believes that Cher is a typical materialistic and superficial teenage girl. As Cher’s grades drop, she
The film that I have watched in the lesson is Romeo + Juliet, which is an adaptation to the story of a star-crossed lovers - Romeo and Juliet written by William Shakespeare. The play was originally written in the 16th century, and the film has strictly followed the dialogues and the language style at that time, by using Early Modern English. It is an important decision. Some may argue the audiences, especially the non-native English speaker, may not fully understand the conversation in the movie because of the discrepancies between older English and modern English. However, such decision allowed the film to keep and hold the authentic taste of Shakespeare’s play. For instance, the puns, false-friends and pragmatic features were inevitably irreplaceable. They played the key roles in helping me to understand the