With every journey comes a destination which is dependent on the degree of the individual and their will to potentially better themselves. A journey offers travelers the opportunity to extend themselves physically, intellectually and emotionally as they respond to challenges. Ruby Moon by Matt Cameron is a contemporary fractured fairytale in the form of a play that explores the grim, Australian legend of the missing child. This text portrays real issues in an absurd representation which forces the reader on an imaginative journey as well as the characters in an inner journey to establish an identity. Beach Burial by Kenneth Slessor is a distressing elegy about loss of life through war. Slessor’s sophisticated language, allows the responder to empathise and mourn the wastefulness of life in war while also to appreciate the commonality of human existence. This text highlights the concept of journeying of the soul from both the reader and the responder. Through the use of a variety of visual and written techniques, these texts portray the concept of an existential journey, the indefinite search for true self and true personal meaning in life. Deep loss of an individual or one others’ individuality triggers an existential crisis and without journeying imaginatively, the chance to create one’s purpose becomes absent. Though the loss of Ruby Moon solely dominates the play, the battle each character undergoes to create a false realm in order to gain purpose in life goes far
The poem titled Sea Rose by Hilda Doolittle tells about a rose, but not just a rose like any other. The poem instantly begins by going against the common connotation of a rose, the reader is given this passage “Rose, harsh rose,” (line 1). When the thought of a rose comes to mind the last word used to describe the soft petals and beautiful color would be harsh. H.D. (Hilda Doolittle) wants us to think about this rose as not an ordinary or normal rose but to see it as something more or something less. She goes on to say, “marred and with stint of petals” (line 2). To mar something is to disfigure or impair the quality/appearance of something, in this case a rose. Stint means to have an ungenerous amount; by this line we can understand that H.D. has begun to take a rose something commonly associated with beauty and love and twist into a disfigured and battered depiction of what it once was. The rest of the stanza goes on to say, “meagre flower, thin, sparse of leaf,”. A rose is meant to be a strong symbol of love and beauty, yet the depiction of the rose H.D. is giving the reader goes against the preconceived notions of what a rose should be. H.D.’s language and perception of the rose challenges to the reader to think of the rose as something more.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing
The use of a journey narrative as both an archetypal plot device, and a technique that facilitates and informs character development, is an enduring literary trope, likely as old as literature itself. The mere fact that journey narratives have persisted in literature, without inherently being regarded as overused, outdated, or clichéd, is indicative of the impact and influence this technique has when executed effectively. Additionally, this is testament to its adaptability, and capacity to complement and integrate within various styles and genres. Conventional journey narratives often follow a basic structure, contributing to reader expectation that a vast, far-reaching journey should be inherently reflected by vast emotional progress, and
In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways through particular words. He relies upon adjectives, personification and the use of imagery to describe the suffering.
The text, The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war
Burial Rites, a novel written by Hannah Kent is heavily based on story telling and the effect it has. Through the course of the novel, readers observe the significance story telling has for both the individual and the community. For an individual story telling can make the speaker feel empowered whereas for the community story telling’s main significance is the entertainment it provides. Since Kent’s purpose of Burial Rites is to tell the life journey of Agnes Magnusdottir in an ambiguous light, story telling also becomes important for the reader.
Tim O’Brien effectively uses a literary medium to artistically portray the drastically altered realities of men whose lives have been impacted by the experiences of their loyal service to their country. Within the novel The Things They Carried, the reader is exposed to unknown taboo recollections of war tales in which the protagonist and sub characters cannot remove from memory. Moreover, The Things They Carried acts as a medium for the long kept emotional distress of the author and even the protagonist. Throughout the novel the protagonist expresses the perpetual need to share his surreptitious memories and relive his experiences as a soldier in the war as a form of cleansing from the events of the past and a need to conform to
Representations of journey can foreworn us of challenges, often life challenges we are yet to face. How do the unfamiliar journeys undertaken by others relate to ourselves in challenges life may present us? An example is found in Peter Skrynecki’s poem ‘Migrant Hostel’ as he explores a common, yet individually unique journey embarked upon by immigrants as they confront life changing challenges, arising along their migratory journey in seeking acceptance and new beginnings.
The way in which individuals experience the world often prompts a new understanding of the personal journeys they embark on. The experiences derived from these journeys are unique to the individual in accordance to the type of journey. The concepts of journeys could be either physical, inner, or imaginative; as explored in Peter Skrzynecki’s insightful poems ‘leaving home’ and ‘crossing the red sea’ as well as the comedy- drama film ‘ The Secret Life of Walter Mitty’ directed by Ben Stiller.
Slessors poetry is distinctive in that it evokes string images by emphasising the mood and the setting of his subjects. He uses poetic devices such as personification, metaphors and sound to highlight his philosophical views on life.
The text we studied this week was The Merry-Go-Round in the Sea, by Randolph Stow in relation to the topic of narration. This evocative novel is set in wartime Australia and its aftermath, seen through the childhood eyes of 6-year-old Rob Coram. During his maturation, Rob becomes aware of some of the basic conditions of life. One, symbolized by the recurrent merry-go-round motif, is the relentless, irredeemable course of time.
Upon reading Matthew Arnold’s poem, “Dover Beach”, I was greeted with a fleeting sense of tranquility and a lingering emotion of melancholy. Found in his carefully crafted words, Arnold gives an accurate representation of the beliefs held during the era of Realism by using descriptive imagery. His use of imagery is the primary aspect of the work that most interested me. For instance, in the first stanza, the narrator gives the reader the setting of “Dover Beach”. He states, “Upon the straits; on the French coast the light/ Gleams and is gone; the cliffs of England stand, / Glimmering and vast, out in the tranquil bay” (Arnold 2017). This description allows the reader to understand that the author can see the cities of France and England as
Dover Beach is thought to be one of the best representations of the Victorian Period all together. It portrays the mood and tone of what the people experienced and felt at that time. Around the same time it was written, London had just experienced a massive boom in their population, growing from 2 to 6 million citizens. At the same time, London was becoming one of the first in the country to move towards industrialization, causing some to lose their jobs due to machinery performing them better and faster. People began to feel useless with technology taking over so quickly. Many suffered from the expansion during the early part, losing all hope of finding happiness and giving this moment in time a new name; “A Time of Troubles”.
A journey is the act of travelling from one place to another. Both Plath and Larkin portray this in a literal and metaphorical sense. I will analyse and compare ways in which Plath and Larkin portray their ideas about what a journey is to them. ‘Ariel’ and ‘Sheep in Fog’ by Plath portray the idea of a journey as a metaphorical escape as she struggles with her own insecurities and paranoia and contemplates death as the end to her journey. ‘Here’ and ‘Whitsun Weddings’ by Larkin portray a journey as an escape from the bustles of life and the oppressions of Capitalism in a consumerist environment to feel bliss in the solitude of his own thoughts.
Within Christopher Nolan’s Film Dunkirk and _______’s poem Evacuation of Dunkirk both authors explore the causality of war. Both texts are set in the same situation and both explore the different aspects of the evacuation of Dunkirk from two similar but different sources. They both develop the themes of isolation, honour and hope. Specifically, Nolan uses his filmmaking style to its essence, resulting in scenes of simple but immensely charged visual momentum. Whilst ______’s poem connects to the reader on an emotional level, almost giving the reader a perspective of what it was like to be a part of the historical event.