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Analysis Of 'he Matrix By The Wachowski Brothers, And Its Exploration Of Christianity

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Analysis Of 'he Matrix By The Wachowski Brothers, And Its Exploration Of Christianity

'The Matrix', a 1999 film by the Wachowski Brothers, is a psychologically disturbing film that questions the reality of our existence. This film is a story with a moral plot, about a group of renegades fighting a noble battle for truth, and the liberation of the human race.

The film revolves around a character called Thomas Anderson (also known online under the alias of 'Neo', a hacker) who appears to be completely normal - he has a normal, dull desk job by day, and at home he leads another life in front of his computer. However, everything changes when a person called 'Trinity' - an apparently quite …show more content…

These Agents kidnap Morpheus and attempt to break his spirit to make him tell them the codes into Zion. With the help of Trinity and the other renegades, it is Neo's job to rescue Morpheus and in the process, discover his true powers and his ultimate destiny.

'The Matrix' shows us the future that lies down the end of one of the trouser-legs of time - humankind has been over-powered by their own inventions and are now living in what they think is the real world, while their planet crumbles around them. The film portrays the illusory world in the Matrix as being almost identical to our real world today, increasing the impact of its unreality later, whilst the film's portrayal of their 'real world' is post-apocalyptic. It appears to be much like many portrayals of Hell or a similar Distopia, which Morpheus describes as the "desert of the real". To us this 'reality' seems too unreal and nightmarish. We as an audience feel slightly repulsed, as we don't think that this could possibly be our world in the future, but as the film progresses, we realise that this future may be a grim reality.

Near the beginning of the film, many things hint to a sort of mix up between reality and a dream and as viewers, we experience real versus unreal. Even in the title sequence,

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