Apollo Victorious Over Python Analysis

I will be analyzing the piece Aeneas and His Family Fleeing Troy. This artwork is currently being displayed at the San Diego Museum of Art, in Balboa Park near downtown San Diego. This painting was made in 1635 during the Baroque Period in France by Simon Vouet. Vouet was the most influential painter of his time and did much to make Paris an artistic center of Europe. Vouet was heavily influenced by Caravaggio who also heavily influenced other painters during Vouet’s time. In this paper, I will be exploring issues such as material, subject matter, scale, historical context, light, human figure, and finally museum context.

In art, there are qualities that speak louder than words. It expresses many different messages and emotions and each person has an experience different from the next. In this paper, I will be discussing two artworks I encountered. The piece is a good example of how people can encounter different experiences in one piece. I attended the Orlando Museum of Art a while back with family and overall enjoyed my experience. On my visit, I found the museum quite impressive and felt a deep connection with specific pieces.

The piece I decided to analyze is the famous sculpture, Laocoön and his two sons. I decided on this particular piece for a few reasons, one being the emotion we see on the subjects’ faces, and the other being the importance for future art. When I began this research I could not have possibly understood the relevance this piece had on the art that was yet to come.

This paper will focus on the Statue of Dionysos leaning on a female figure. Also known as the Hope Dionysos. The statue is displayed at the Metropolitan Museum of Modern Art and is located on the first floor Roman and Greek art chamber. Upon entering this sector, you will notice a grand statue that catches your eyes and captivates you as it welcomes you in gracefully. The exhibition is set up in the back center of the room, and is noticeable due to the largeness in scale and the enigmatic yet calming disposition the statue portrays. My first impression of the sculpture was how detailed and realistic the statue is. Since the statue was so defined you would be able to identify what he was wearing and how his body was shaped to how long his hair was during this time period. I was profoundly intrigued by how peaceful the statue of Dionysos embodied and found myself coming back to it and looking in awe. In curiosity, I would choose this statue for my assignment because I wanted to learn more about the history of the Hope Dionysos. In this essay I will be describing my formal analysis of the artwork, the subject matter behind it, the artist and the historical content of the statue of Dionysos.

Various pieces of art found thousands of years ago depict characters based on certain events and legends. I will be analyzing two works of art: The Sound Box of the Great Lyre, a wooden music box (33 x 11 cm) found in present-day Iraq c. 2600-2500 BCE, and Lapith Fighting a Centaur, a high metope relief (1.42 m) on the side of the Parthenon in Ancient Greece c. 447-432 BCE. The former represents a bull with a low relief under its head, depicting animals mimicking the lifestyle of humans. The latter exemplifies a nude man struggling against a mythical creature that is half-man half-horse2. Although these works are from across the world with completely different cultures, they both have similar

This essay aims to investigate two different time periods in the history of art. It will scrutinize the influence that the respective societal contexts had on the different artists, which in turn, caused them to arrange the formal elements in a specific way. I will be examining an Egyptian sculpture of the god Isis nursing Horus, her son, as well as the Vladimir Virgin icon, which dates from the Byzantine era. Experts vary on the precise ‘lifetime’ of the Ancient Egyptian civilization, but according to Mason (2007:10) it existed from 3100 BCE up to 30 BCE. The Byzantine era, which

Operation Anaconda took place in the Shahikot Valley of eastern Afghanistan. The mission began on March 2, 2001 and ended on March 16, 2001. A “hammer and anvil” attack, with 600 American and 400 Afghan troops, would rout, capture, or kill enemy forces. The operational timeline for a three-day battle projecting light combat took fourteen days to complete. During Operation Anaconda, Unity of Command planning did not fully anticipate the need for additional forces, inducing a stall in operations on the battlefield, and negating a timely victory.

During my visit to the Tampa Museum of Art, I observed and viewed various pieces from The Classical World exhibit. While I observed numerous works, I was drawn to a specific piece due to its uniqueness when compared to the other pieces in the exhibit. In this paper, I will be describing The Torso of Aphrodite, using my own viewpoints and the elements of formal art analysis, in order to explain the uniqueness when compared to other pieces in The Classical World exhibit.

Throughout different time periods and civilizations come many different types of art that would never be comparable to those of another time or place. There are also the pieces that come from a completely different time and place, but yet they can still be compared to one another. The Torso of a God (Egyptian, New Kingdom, Dynasty 18, last decade of the reign of Amenhotep III, Granodiorite, 1359-1349 B.C.) and the Statue of Asklepios (Greek, Hellenistic period, Pentelic Marble, 2nd century B.C.) are two sculptures made hundreds of years apart, yet they both display many similarities and show how art is constantly changing whilst keeping the same core ideas.

With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.

Now that we've compare these two works of art we can idetifiy that the Venus of Willendorf is not a qualifying candiate for the exhibition. This is because the figurine is less clear about what it protrays. The lack of contextual information, in fact, leaves it open to a variety of different interpartions of what it represents. Nevertheless the Apollo Belvedere sculpture fits our caterogy perfectly. The large, symmetrical, nude, and heroic figure separates our subject from humanity and isloates Apollo's image as one of a divine being.

The new archaeological discoveries of the eighteenth century reinvigorated public interest in antiquity, and Diderot was no exception to this trend. Diderot observes, “One rarely becomes a great writer, a great man of letters, or a man of remarkable taste without having made a close study of the ancients.” Both the observer and artist must pay close attention to lessons from antiquity to properly understand concepts of beauty and the ideal. However, this is does not mean Diderot condones artists’ imitation of ancient art. To Diderot, copying the ancients will never bring contemporary artists to the level of beauty of antiquity . Instead, artists and viewers should use the ancient mode to engage the contemporary .

This book focuses on painting and sculpture styles and methods in France between 1700-1789. The sculpture I chose; Jaques-Rolland Moreau was completed in the year 1712 in France. The French sculptor of the bust, Jean-Louis Lemoyne (1665-1755) is specifically mentioned within the book. The author of the book Michael Levey has written

Becoming the museum curator is an important title, they pick and choose the 5% of the total art, the museum has to be viewed by the public. The curator must be wise and make exhibits that flow as well as get the point across to the visitors coming to see the museum. Curating this exhibit, I have chosen three works of ancient Greek art that will tell a story and inform visitors about three of the most well-known Greek gods. A statue of Zeus from the first A.D, a Kylix of Hades and Persephone, and the Chariot of Poseidon. This collection of ancient Greek artwork shows the sons of the titan Chrono’s, and it depicts them in their natural habitat.

The museum curator is an important title; they pick and choose 5% of the total art being viewed by the public. The curator must be wise, include art pieces that flow with the theme of the exhibit, as well as educates the visitor. Curating this exhibit, I have chosen three works of ancient Greek art that will inform visitors about three of the most well-known Greek gods. A slab from the Parthenon frieze of Zeus and Hera, a Kylix of Hades and Persephone, and the Triumph of Poseidon with his wife Amphitrite. This exhibit would work very well during Valentine’s day because the exhibit focuses on the three sons of Cronus and conjointly analyzes the love that each god has for their significant other, which is at times unusual for these Gods.