Attitudes Toward Marriage in Chaucer's the Canterbury Tales

The disparity in the outcomes of the hag's marriage and Alison's marriages in Geoffrey Chaucer's "The Wife of Bath's Prologue and Tale" depends in part on the women's differing expectations of their husbands. The hag's modus agendi depends on a knight's obligation to honour his pledge, whereas Alison's modus operandi depends on her husbands' conduct after marriage, i.e. on her circumstances. Having saved the knight's life, the hag asks the knight to permit her to be his wife. Moreover, she wants to be his love. The knight must marry, since marrying the hag lies within his might. Since the hag's definition of being his wife includes her loving him, he is duty-bound to

The Canterbury Tales were written and pieced together in the late 1380's, early 1390's.  The author of the book is Geoffrey Chaucer.  When considering the structure of the tales, one can deduce that they were put together using Framework Narrative, a very unique style of writing.  The opening prologue speaks of 29 pilgrims, including Chaucer, who are all on a pilgrimage to Canterbury. All of them are seeking a certain shrine for spiritual cleansing, and relief.  The journey was to be long, but in the end it would all be worth it.  Chaucer's social views and prejudices are revealed through his description of the pilgrims in The Canterbury Tales.

While on the way to venerate Saint Thomas Becket’s remains, the entertainment of Chaucer’s Canterbury pilgrims falls upon the requiting of stories between the different estates. However, this requiting quickly turns malicious, the Host’s simple proposition evolving into an aggressive show of social dominance that includes the boasting of both literal and metaphorical rape. The normalization (or, borderline reverence) of aggressive manliness contributes to the creation of both rape culture and compulsory heterosexuality. Consequently, when a man does not dominate a woman—or, does not use his masculinity to humiliate another man—he is seen as weak or effeminate, subsequently placing his sexuality under scrutiny. Such is the motive behind John and Aleyn’s rape of the miller’s wife and daughter—to make Symkin seem weak, and to gain a reputation of superior masculinity. Thus,

What is Pornography? When asked some people might say, “I can not define it, but I know it when I see it.” The word “Pornography” comes from the Greek for writing about prostitutes. Many people concluded that the Miller’s tale was merely a pornographic story that surrounded four people. This also depended on one’s view of pornography. The Miller’s tale was told by the Miller who was not stable at the time. The Miller’s tale focused on two men, Nicholas and Absolon whose goal is to establish a relationship with Alisoun, the attractive adolescent wife of an older carpenter named John. Alisoun on one hand used old-fashioned romantic strategies such as dressing up in lavish clothes and singing. Nicholas on the other hand tricked John

Oftentimes in primeval literature, female characters are unfairly judged based off sexist tendencies of previous centuries. In the mock epic, Canterbury Tales, Geoffrey Chaucer narrates a religious pilgrimage to Canterbury. One of the twenty-nine traveling characters mentioned is the Wife of Bath, a spirituous, opinionated woman who tells the tale of strength and dominance. Although some may argue that Chaucer is stuck in the past and therefore uses the Wife of Bath as a reinforcement for gender stereotypes, Chaucer proves her a strong, powerful character, unconfined to ludicrous gender roles.

All through Canterbury Tales, women are dealt with as objects in everyday life. In the “Miller’s Tale,” an old man marries a younger, attractive women for her looks. In the “Wife of Bath’s Tale,” a virgin woman has her virginity and innocence taken from her by what is suppose to be a noble and honorable knight and when his punishment is later to marry an older, less attractive women, all respect for his newly wife vanishes. A woman’s level of recognition in Canterbury Tales are through her class in society, whether she is young and beautiful, or old and disgusting, and her degree of experience in life. Women are not desired for their intelligence, wisdom and capabilities which might of kept a relationship deceitful-free. The “Wife of

Marriage is presented in Shakespeare?s play The Taming of the Shrew, in a complex manner allowing readers to view the play literally as a brutal taming or ironically as a subversive manifesto. Yet, Shakespeare intends to present marriage to be full of mutual love where neither male nor female dominate but compliment each other thriving together in a loved filled relationship. The portrayal of a deep understanding, which exists in an analogical relationship and the gentle transformation, which occurs in marriage, clearly outlines marriage in the play to be a celebration of a mutual love relationship within the patriarchal foundations of society.

think that she is cheating and revels in this victory by saying “in his own

There are three women in Chaucer’s Canterbury Tales, the prioress, the wife of Bath and the prostitute in the Shipman’s Tale. The prioress and the wife of Bath are the only ones of the three that have a fully developed part of the overall work. They are equal to the male characterizations; the prostitute is only minor player. Women are rarely mentioned in the other pilgrim’s tales. The wife of Bath and the Prioress are examples of strong medieval women. As Chaucer depicts them, they are a departure from the typical sinful daughters of Eve with the exception of the prostitute. The wife Dame Alisoun, and the prioress are both pious, successful females but they are still under the domain of men. Chaucer’s women are still part of the patriarchal world of the late middle ages.

In Geoffrey Chaucer's work, The Canterbury Tales, many travelers gather together to begin a pilgrimage. During their quest, each of the pilgrims proceed to tell a tale to entertain the group. From these stories arise four different tales, in which Chaucer uses to examine the concept of marriage and the problems that arise from this bonding of two people. In the tales of "The Franklin", "The Clerk", "The Wife of Bath", and "The Merchant", marriage is debated and examined from different perspectives. Out of the four tales, The Franklin's Tale presents the most reasonable solution to the marriage debate because the problems are resolved with the least amount of heartache.

Throughout literature, deep relationships can often be discovered between a story and the author who writes it. Relationships can also be found in stories about a husband and wife. In Geoffrey Chaucer's The Canterbury Tales many of the characters make this idea apparent with the stories they tell. In “The Pardoner’s Tale”, a distinct relationship can be made between the character of the Pardoner and his tale of three friends. Also, the Wife in “The Wife of Bath’s Tale” boldly declares her relationship towards her husband.

The Canterbury Tales, begun in 1387 by Geoffrey Chaucer, are written in heroic couplets iambic pentameters, and consist of a series of twenty-four linked tales told by a group of superbly characterized pilgrims ranging from Knight to Plowman. The characters meet at an Inn, in London, before journeying to the shrine of St Thomas a Becket at Canterbury. The Wife of Bath is one of these characters. She bases both her tale and her prologue on marriage and brings humor and intrigue to the tales, as she is lively and very often crudely spoken. Her role as a dominant female contrasts greatly with the others in the tales, like the prim and proper Prioress represents the

Everyone has a story. Certainly Chaucer believes so as he weaves together tales of twenty nine different people on their common journey to Canterbury. Through their time on the road, these characters explore the diverse lives of those traveling together, narrated by the host of the group. Each character in the ensemble is entitled to a prologue, explaining his or her life and the reasons for the tale, as well as the actual story, meant to have moral implications or simply to entertain. One narrative in particular, that of the Wife of Bath, serves both purposes: to teach and to amuse. She renounces the submissive roles of a woman and reveals the moral to her story while portraying women as sex seeking, powerful creatures, an amusing thought

Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This

Didactic literature is a work of writing that has been around for many centuries. It can come in all types of forms- novels, plays, poems, etc. The main similarity that all didactic literature have in common is their message. They all aim to impact their audience with a message or moral that usually involves religion, philosophy, history, or even politics. In a way, didactic literature always tries to improve a part of society in a moral basis.