Catholic Reformation and The Baroque; Absolutism and Aristocracy How might the divine right of kings have led to the widespread acceptance of the King James Bible? In your response provide a reason for whether or not the translation could have been accepted without it. The people see a king who was appointed by god, serving god, and distributing god’s word. Accepting the bible is an afterthought for those who support a king who serves their god. However, I strongly believe that a singular bible in a common language would be accepted and interpreted at that time. It was desired, the puritans pushed for the bible to be accessible to all. The people wanted a bible that was accessible, and that’s why I believe it would be accepted. Louis XIV is known for standardizing many art forms during his reign. Discuss both a benefit and a drawback that occur as the result of standardizing an art form. The benefit of standardizing art is in its consistency. In this case, it was a high-end consistency. Each piece of art had something to strive for, with direction. Whereas, the drawback is that it’s restricting. Innovation doesn’t typically occur when you have such standards. Consider ballet, most of the technical advancement has been through having leaner and stronger bodies capable of doing more complicated moves, but it stays true to the essence of ballet. With art, we see various forms of art we would never see during his reign. This indicative of the restrictions. Analyze the way
The Italian Renaissance was one of the most colorful, vital, and exciting times in history. Renaissance eventually comes from the French word "Renaistre," meaning "to be born again." The Renaissance was a revival or a rebirth of cultural awareness and learning among art, law, language, literature, philosophy, science, and mathematics. This period took place between the fourteenth and sixteenth centuries. The Renaissance in Italy flourished in the 15th century and spread throughout most of Europe in the 16th century.
The study of honor in Renaissance cities presents an intriguing paradox. On the one hand, honor seemed ‘more dear than life itself’, and provided one of the essential values that shaped the daily lives of urban elites and ordinary city folk. For wealthy merchants and aspiring artisans, honor established a code of accepted conduct against which an individual’s actions were measured by his or her peers, subordinates and social superiors. Possessing honor helped to locate a person in the social hierarchy and endowed one with a sense of personal worth. The culture of honor, which originated with the medieval aristocracy, directed the everyday activities of urban-dwellers of virtually all social groups from at least the fourteenth century on.
Artwork, too, was just as divergent. Consider the Rococo masterpiece The Swing, by artist Jean-Honoré Fragonard. The delicate coiling of the tree branches, the ruffling of the fabric and lace on the subject’s dress, and the play of light and shadow in this painting of a woman on a swing in the forest are all visual hallmarks of the Rococo style. Again, contrast with a Neoclassic masterpiece Oath of the Horatii by Jacques-Louis David. This work, which shows
Louis XIV declared his goal was “one king, one law, one faith.” Analyze the methods the king used to achieve this objective and discuss the extent to which he was successful.
3.) We have all known people though out our lives or maybe family or friends who did not agree with our biblical belief and have raised questions to challenge our faith. Why does the Bible have so many translations is always one that comes up
Task: Describe the variations in the levels of literacy in Old Regime France and trace these variations over time. Analyze the factors that promoted or discouraged the spread of literacy.
The Renaissance was a time of classical revival and a turning point from the Middle Ages to the Early Modern period in the course of history. Ancient texts and artifacts became sources of inspiration for intellectuals and artists alike, and the desire to emulate—or even surpass the achievements of the past prompted them to study antiquities closely and saw them as models and guidance. People were consciously distinguishing themselves from the medieval thoughts and using history to make something new for their own era. In the field of political philosophy there’s no exception. Niccolo Machiavelli is perhaps the most representative and groundbreaking figure of this trend in political philosophy. With his erudition in ancient literature, histories and political thoughts, Machiavelli draws various sources from antiquity to critic and response to the political environment of histime. While one may find seemingly discrepancies in The Prince and The Discourse on the First Ten Books of Tius Livy, the use of histories as guide to demonstrate or propose ideal rules is apparent in both works. We should note that synthesizing ancient philosophy or thoughts with contemporary thoughts is nothing new. Thomas Aquinas, for example, reconciled Aristotelianism and Christianity in his work Summa Theologica, using ancient antiquity to back up his Christian beliefs. What is so noteworthy in Machiavelli is his emphasis and
9) How did Louis XIV maintain control over the nobles of France? What were some of the structures of absolutism during his reign?
When it comes to music history, the Castrati are one of the most important and debated topics. The Castrati were men (in Italian opera) that had been castrated during puberty to stop a flow of hormones, causing them to have the voice of a soprano woman, but the vocal power of an older, full-grown man. A general estimate said that four thousand boys a year were castrated in Italy. Some Castrati tried to make it in church choirs (which often gave them almost nothing of monetary value), most chose the opera route. They reigned supreme when they got onstage, being the obvious star of the show. They were the master performers that drew the crowd in with their amazing voices. During the Baroque
France was in trade relations with Italy. Louis XIV convinced the mirror-makers in Italy to come to France. Moreover, the Baroque period in Northern Europe had a different kind of trade. The Dutch, for instance, had slave trade. Going to economics, before France became a leading world power, it had suffered an economic decline during the reign of Louis XIV (1643). The greatest drain on the economy was probably caused by Louis’s insatiable architectural ambition. He spent so much in the beautification of the Palace of Versailles that the economic status was no longer balanced. In contrast, France replaced Italy as the artistic leader because of the standard that Versailles had set in European countries. Louis XIV was then considered one of the greatest rulers in
The ethos of the Roman nobility at the time of the second century BCE was driven by ambitious military and political careers. These where brought about by a rigorous set of ideals which were built upon Rome’s cultural foundations. “The four terms that ascribe such a rigorous set of ideals are gloria, nobilitas, virtus and auctoritas ”.
Throughout the history of the Bible, few words have had more controversy than the words, faith, works, and justification. James’ uses a powerful interrogative to pose the
The House of Medici, or the Medici family, was a very influential and extremely powerful family during the time of the Renaissance in Italy. The Renaissance took place starting in the late 14th century. During this time, the people started to take interest in and have an appreciation for the classical times. The beginning of this powerful family really begins with Giovanni di Bicci deˈ Medici. He was born in the year 1360 in Florence, Italy. Originally from the Tuscan hillside, the Medici family immigrated to Florence during the 12th century. Giovanni di Bicci deˈ Medici was the man who really got the family moving. He founded the Medici Bank and began using money to gain influence. The Medici Bank eventually became the official bank of
Most believe that although a human wrote it, that the Bible is the words of God, and they therefore must pay it the utmost respect. They see it as very special, and of more importance than any other book.
Chapters two to eight follow each other chronologically, and examine how the image of Louis XIV changed during his reign. Chapter two pays particular attention to the different media used by the king and his 'image-makers '. This chapter is a good introduction to the different styles and genres used to create royal images, for example by comparing classicism and baroque and explaining recurrent allegories, metaphors and commonplaces used in the representations of Louis XIV. Chapters two to four give us the necessary background to understand the study of the relation between art and power in the time of Louis XIV. Whilst in chapter three, Peter Burke concentrates on how royal representations respond to contemporary events, he then is primarily concerned in chapter four with the construction of the structures of glorification of the king. The reader is introduced to two key figures in