Baroque And Romeo Similarities

The baroque and renaissance periods are two different periods. The renaissance period rolled into the baroque era. There were changes made over the years from the baroque to the renaissance period. Differences in style accumulated along with views of art and music.

In the novel Romeo and Juliet, Romeo and Benvolio have a conversation that reveals an abundance of information about Romeos character, and his current state of mind. Benvolio starts the conversation by greeting Romeo. At this point is where we start to notice that Romeo is not acting like his normal self. “Ay me! Sad hours seem long” [I, 1, 153]. This piece of evidence confirms that Romeo is depressed.

The Baroque period can be described by many events including the American Revolution. However, what distinguishes the period is the work or art that was done during that time. The Baroque was a period of a particular artistic style that exaggerated emotions. The art of that time produced grandeur, drama, tension, and exuberance. The forms of art included painting, sculpture, architecture, theatre, and music. The style began in Italy, and it eventually spread to other parts of Europe . Nonetheless, it was mostly practiced in Rome. The baroque style of art made popular by the Roman Catholic Church. The church employed the style during the Protestant Reformation to stop the religious group from spreading their reach. There was a deliberate intention

Answer: Baroque culture grew out of an effort by the Catholic Church in order to attract more followers. Architecture was important because it was used by kings in order to enhance their images to try to appear glorious. The baroque architecture was the dominate style of absolutism, it was a dramatic and emotional style. The royal palace was a favorite architectural expression of absolute power. Peter the Great wanted his form of baroque architecture to be in the form of a city. Therefore a new city was created by peasants.

Rococo was an art style that originated in France in the mid-17th century. Rococo itself evolved from the earlier Baroque period, and shared several elements with it. Indeed, Rococo is often referred to as Late Baroque for this reason. Both placed a heavy emphasis on ornate, highly sculpted detail and ornamentation, especially in regards to architecture and sculpture. Likewise both featured artwork rooted in more realistic depictions of people. However, they were also different in several important ways, and reflected changing social attitudes. Where Baroque was rooted in religion and promoted by the Catholic Church as a response to the Protestant Reformation, Rococo flourished during the “Age of Enlightenment”, a time where

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Baroque painting contained dramatic details, large in scale and was full of energy. This style was intentionally non-symmetrical. The painters of this time were looking to capture the real feelings of their subjects along with the movement or action taking place.

The word Baroque was derived from the word barroco, which is used to mean the period in which western region widely used music especially in the nineteenth century to express how the European artist practiced the art. When the historical happenings of the music in well explored, the critics who applied the musical knowledge made it look strange and majorly sounded exaggerated. Furthermore, ornamentals were initially used during the era of Bash and Handel. After the brand of music had shed the connotations that were derogatory, baroques became one of the mot simplest and convenient in the brand and one of the richest term, which in the diverse period was included the musical history.

Few stories are as renowned and appreciated as those written by William Shakespeare. His many plays have survived the centuries, and one of his most well-known plays, The Tragedy of Romeo and Juliet, tells the story of two-star crossed lovers as their lives are lead to tragedy because of a feud between their families. Fate works against them, and they both end up killing themselves thinking they can not live without the other. One of the qualities of this play is it recurring use of foils to highlight the attributes of another character.. Mercutio serves as a foil for Romeo to help built both characters by their view of love, how they showcase one another’s flaws, and how Mercutio’s death motivates Romeo fro the purpose of giving the audience a deeper understanding.

The 16th and 17th century consisted of Baroque art, in everything from paintings, statues and architecture. The term was thought to have derived from the portugese word "barroco" which meant "irregularly shaped pearl." It was orginally used to criticise something, so anything that looked unusual or preposterous was considered Baroque. Baroque art was dynamic, emotionally intense, naturalistic

The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like

Likewise, the two Shakespearean relationships ended similarly—they both ended in suicide. Both Romeo and Othello committed suicide due to reasons related to their lover. They were both misinformed and impulsive. However, the difference lies in the context of each suicide. With Romeo and Juliet’s relationship, Romeo committed suicide because he thought Juliet was dead.

Baroque and Rococo architecture and design were two different movements that followed on one another and featured many different similarities as well as differences that distinguished them from one another. The Baroque movement followed the end of the Mannerism movement and grew on some features that Mannerism is known for. When looking at Baroque architecture and design you begin to notice the key features that Baroque is known for. The exterior, as well as the interior, features an oversized scale. Il Gesu which is an Italian Baroque building features this. You can see on the front facade that the door is extremely tiny compared to the large scale of the building. Also on the exterior, there are cartouches which as designed to showcase an individual and mark who that individual is. This is also featured on the inside of the buildings as well, in Il Gesu when you walk in you are meant to feel small and tiny which was the design intent behind the dramatically large scales. The design intent is due to the fact that they wanted you to fell small and superior to the higher power, as in God. During the Baroque movement, religious leaders want you to get back into the church after the reform with Martin Luther and Lutherism. This symbol of higher power was

Baroque art is an art form that emerged during the 1600- 1750. It is depicted as weird or bizarre due to its turbulence and irrationality nature. Baroque art entails different types of art like paintings for example, Christ Wearing the Crown of Thorns, Psyche Watching Amor Sleep, The Suicide of Lucretia, etc., sculptures for example, The Rape of Proserpine, The Merciful Christ, The Abduction of Proserpine, etc., and architecture for example, Marble Court, St Paul's Cathedral, Staircase for Augustusburg Palace, etc. Baroque art is known for its use of verisimilitude. Verisimilitude is a method used to make art appear to be truthful or real.

It is hard to believe that what began during the Renaissance would be followed by what we refer to as the Baroque period beginning in the 1600’s and later the Rococo. The term Baroque was first used in the eighteenth-century by critics in a negative way. “To the eyes of these critics, who favored the restraint and order of Neoclassicism, the works of Bernini, Borromini, and Pietro da Cortona appeared bizarre, absurd, even diseased—in other words, misshapen, like an imperfect pearl” (Camara, E., n.d. para. 12). Stylistic style differs in the Baroque period with the use of interrupted contours, dynamism, and instability. In addition, artists were moving toward a more realistic subject matter and not the idealized portrayals we saw in the Renaissance period.