Metropolitan Cathedral In Mexico City: Claudio De Arciniega

Shahagun, Bernardno. Florintine Codex. American Museum of Natural History. Painting by an Aztec artist, circa 1555.

Guadalajara is the city most populous of Mexico, this beautiful city is the capital of the state of Jalisco, as well known as

David E. Shi, H. A. (2010). Juan De Onate From Letter from New Mexico (1599). In H. A. David E. Shi, For The Record (pp. 6-8). New York, NY: W.W. Norton & Company, Inc.

In the book “Mexico Profundo Reclaiming A Civilization” by Bonfil Bonilla shows the reality of a modern Mexico without neglecting the problems of the current government of Mexico. The Mexican society is composed by different diversities of Indigenism and of high social groups that forms two different types of Mexico such as the Mexico Profundo and the Imaginary Mexico which are different worlds that are interpreted as Mesoamerican and European civilizations. Before and after the Mexican Independence, the process from the pre-Columbian time to a modern world in Mexico, had been a complex movement, since there were battles, slavery, cultures, customs, democracy and struggles containing different experiences that lead to what makes Mexico contemporary, hence; through the historical erasure, and the people who resist colonization since the beginning of colonialism, it created a Mexico Profundo

Illustration from Sahagún, Historia general de las cosas de Nueva España, c. 1575-1580; ed., tr., James Lockhart, We People Here: Nahuatl Accounts of the Conquest Mexico (Univ. of California Press, 1993)

"Jose De San Martin (1778-1850)." Jose De San Martin. University of Notre Dame. Web. 08

From the very first moment when entering the cathedral one is likely to be struck by the silence dominating the massive interior. In spite of the somewhat annoying number of curious tourists (others probably saw my curiosity just as annoying as the noise), the church manages to maintain its quiet and peaceful nature. This is truly remarkable, taking into account that it is constantly filled with tourists through visiting hours.

In The broken spears, author Miguel Leon-Portilla gives accounts from the Spanish conquest of the Aztec Empire in 1519. These accounts include several texts written by surviving indigenous people of the Aztec civilization; these perspectives truly shows the emotion, fear, and uncertainty the Aztec’s felt in depth during this time. With the accounts in our textbook and the broken spears, we are able to draw conclusions viewing both facts and experiences through this prevailing point in world history.

Representation” by Michael Schreffler argues that “ . . . early modern rhetoric and iconography . . . constructed a distorted view of painting in Aztec Mexico and entangled it in the conventions of colonial historiography” (407). This essay is effective because of its thorough examination of the accounts that explain a painting made by the Aztec’s at San Juan de Ulúa on Easter Sunday of 1519.

Father Diego Durán was a Dominican priest in Mexico after the Spanish conquest of the Aztec Empire. He was born in Selville, Spain in 1537 but moved to New Spain as a child. He originally lived in Texcoco but eventually moved to Mexico City and became a priest in 1556. He became fluent in the native language Nahuatl and gained the inhabitants’ trust with his understanding nature and respect for their culture. He used his experiences and access to first hand knowledge to write three books, The Ancient Calendar, The History of the Indies of New Spain, and The Book of Gods and Rites, collectively known as the Durán Codex.

This historical site encompasses a chain of five frontier Catholic missions, built by Franciscan missionaries along a 12.4 kilometer (7.7-mile) stretch of the San Antonio River in southern Texas in the early part of the 18th century. These missions tell a story of the Spanish colonial period in North America, and the efforts of the Spanish Crown to convert natives to Catholicism and protect and sustain New Spain’s northern frontier. The five missions are: San Jose, Espada, San Juan, Concepcion, and The Alamo/San Antonio de Valero. The San Antonio Missions also represents a blending of cultures-that of the Spanish and Coahuiltecan people, as evident in the decorative Catholic symbols and nature-inspired indigenous designs of the compounds. Today, Concepcion, San Jose, San Juan and Espada still serves as active Catholic parish churches.

Many architectural and urban forms and elements that we witness today are largely influenced by how buildings were design and laid in Rome. Not only in terms of its external design that brought upon important messages but the design of interiors and the significance of spatial arrangement of spaces exist within them has created the sense of physical experience in the buildings as well. Rome’s urban development and the rise of architectural movement began during the time of Augustus

Even though Teotihuacan has made such a lasting impact on all those who marvel at its grandeur and scale over the past two thousand years, this site in still far from understood. There are many mysteries surrounding this area even after decades of excavations and research. Archaeologists and anthropologists alike struggle to gain a clearer picture of this great Mesoamerican city, although continuing work at the site has provided a wealth of information about the region, occupants, and lifestyles of those who were touched by it.

Like an enormous living museum, Mexico City provides an extraordinary showplace for the thousands of years of human cultural achievement that Mexico has attained. It ranks as one of the world's great capitals and is a must for anyone craving to understand Mexico's complex past, its fast-paced present, and its ever challenging future. The size and grandeur of the city are staggering. It is not only the oldest continuously inhabited city in the Western Hemisphere, but, by some accounts, has also become the largest city in the world. Before we look at present day Mexico City, let us look into it deep and storied past.

All over the world, people still come to admire the beauty of European cathedrals. Many of the cathedrals are fragile due to age, neglect, pollution, and insufficient funds available to restore these historical and magnificent buildings. Nevertheless, visitors to these architectural masterpieces are fascinated by the design and structure of these churches. The cathedral builders using their own ingenuity, expertise, and limited resources were able to defy the laws of gravity and time. (Icher 30)