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Celie's Sexuality In Alice Walker

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her sexuality. In an effort to express her emotions, Celie begins to write letters to God at a young age. Celie does not realize until later in the novel that the God that she addresses in the beginning is identified with men from the start. McDowell explains to readers how Celie assumes that God does not listen to her because she is a poor black woman, and he is a man. She does not have an experience with men being good for her in the past, so she does not have a reason to expect the same from God (167). For most of the novel, Celie writes with restraint because she perceives the higher power as masculine like many of the men she knows who have persecuted her. However, there is a redeeming moment in Celie’s letters when she is able to express …show more content…

The first female character to influence Celie is Shug Avery. Celie discovers who Shug is before Celie meets her in person by seeing a picture of Shug fall out of Mr. ___’s wallet. She describes Shug as the most beautiful woman she has ever seen (Walker 6). Without knowing it yet, Celie looks at Shug’s picture as someone who will be able to guide her towards freedom. Throughout the course of the novel, the reader discovers how Shug is truly a free spirit who is constantly traveling to sing for the public. Molly Hite, an English professor at Cornell University, describes how Shug has always made her partners understand that she is not a person who will settle down and live a calm life. Mr ___ describes Shug as “being more manly than most men,” but Celie argues that the strength that Shug possesses is that of a true woman …show more content…

She is called “Squeak” because of her petite figure and her quiet speech. However like Celie, Squeak learns through the woman around her that she is also a woman who can be independent. Celie tells Squeak that she needs to tell Harpo to call her by her real name. Otherwise, he will never respect her. She does precisely this. She tells Harpo while they and the other characters are eating dinner that she will be called by her real name from this point forward, Mary Agnes (Walker 95-97). Squeak and Mary Agnes are completely different characters. While Squeak is a woman who allows her partner to disregard her and is content with being forgotten, Mary Agnes is a woman who knows her worth and demands to be treated with respect. Because of Shug’s influence, Mary leaves her partner by the end of the novel so that she can do what she loves the most; sing and perform for other people around the world (Walker 210). By the end of the novel, Celie is happy. At this time, she is a successful entrepreneur, happily living with her current partner, Albert, and lives in a restored version of her childhood home. “When Celie begins writing to Nettie, confiding in Sofia, growing alongside Squeak, and being motivated by Shug, she completely changes as a character and finds herself through each of the woman she comes in contact with” (McDowell 167). Furthermore, Celie is able

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