of honor among subcultures, such as the know-it-all of Star Trek. Media dictates popular culture. The television sitcoms I’ve watched growing up all displayed who is the stereotype for a geek. Steve Urkel from Family Matters, Screech from Saved By The Bell, Ross
Josephine Baker While Jim Crow laws were reeking havoc on the lives of African Americans in the South, a massed exodus of Southern musicians, particularly from New Orleans, spread the seeds of Jazz as far north as New York City. A new genre of music produced fissures in the walls of racial discrimination thought to be impenetrable. Musicians such as Louis Armstrong, Duke Ellington, "King" Oliver and Fletcher Henderson performed to the first desegregated audiences. Duke Ellington starred
Chapter Three Women, Hair, and Cancer in the Media 3.1. Introducing television into the home / The Rise of the (social) Media […]After going downstairs, for breakfast, Leonda picks up the remote and clicks on the TV. She “channels surfs” until she comes across a network morning show that has the stat of a big new Hollywood movie as a guest. […] Later […], [s]he spends the rest of the period flipping through a “women’s” magazine featuring articles- and many advertisements- on fashion, makeup, health
being one of the biggest industries in the United States, indeed the World, the internal workings of the 'dream factory' that is Hollywood is little understood outside the business. The Hollywood Studio System: A History is the first book to describe and analyse the complete development, classic operation, and reinvention of the global corporate entities which produce and distribute most of the films we watch. Starting in 1920, Adolph Zukor, head of Paramount Pictures