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Cubism Essay

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Cubism is an endeavor to express, in visual requisites, the notion of the four dimensions. Thanks to the contribution of Paul Cézanne, cubism began as an idea but later become a style. There are three main features of cubism; multiple views, geometry, and course. Pioneered by Braque George cubism started in the early 20th century. Cubism artwork entails the breakdown of objects and reassembling them in an abstract manner (Cotter 2005). The objects are depicted from more than one point of view thus creating greater context. The Spanish artist Juan Gris made a remarkable contribution to art in this period through his work such as the “The Teacups” of 1914 (Cotter 2005). Cubism originated in France and later spread to other European nations…show more content…
Cubism, on the other hand, was a 20th-century art movement that borrows from realism in that it represents the truth, as it is (Brown 1996). Similar to realism, cubism sort to represent the world in a new manner that was representative of the truth rather than mere appearance. Cubism, however, rather than paying close attention to the objects and personal appearances like realism, it sorts to represent the situation. The painters mostly painted what they believed rather than what they saw like in the realism movement. Cubism deviates from realism as a form of painting objects in the most detailed manner but maintains the aspects of realism as a movement focusing on the situations that the middle and low-income earners experience during their everyday lives. Realism focuses on the conceptual and the perceptual realities except for a few artists who unsuccessfully sort to limit the use of realism to perceptual reality. Cubism does not put much significance on the perceptual reality but rather emphasizes using deformations, geometry, and multiple views of the conceptual reality (Brown 1996). Nonobjective art does not make any reference whatsoever to nature or reality. Nonobjective art relies instead on formal elements. The visual elements, design principles to carry its message. While many artists experimented with abstraction, seeing how far art could go without
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