Pecola’s father, Mr. Breedlove, is almost the complete opposite of Mr. MacTeer. He is “a renting black, having put his family outdoors, had catapulted himself beyond the reaches of human consideration. He had joined the animals; was indeed an old dog, a snake, a ratty nigger” (Toni 18). He is drunkard and without a job. After he rapes his own daughter for the second time, he escapes outside the city. He is an irresponsible man and father who did not take care of his children or provide for them an appropriate home and food. Mr. Breedlove was adopted and raised by his great aunt who died when he was fifteen years old. when he was missing, no one took care of him. He moved from city to city drinking and gambling with bad men. Maybe because of this he became irresponsible and a drunkard. He loved his daughter, but in a harsh way he damaged her by raping her.
So it was on a Saturday afternoon, in the thin light of spring, he staggered home reeling drunk and saw his daughter in the kitchen. She was washing dishes.…He wanted to break her neck—but tenderly. Guilt and impotence rose in a bilious duet. What could he do for her—ever? What give her? What say to her? What could a burned-out black man say to the hunched back of his eleven-year-old daughter?…So when the child regained consciousness, she was lying on the kitchen floor under a heavy quilt,
…show more content…
Breedlove’s and Mrs. MacTeer’s practices of mothering serves to further emphasize Mrs. Breedlove’s obsession with whiteness,…Henderson describes two theoretical perspectives on mothering in her essay, ‘Pathways to Fracture: African American Mothers and the Complexities of Maternal Absence.’ The first, termed the biological imperative, aligns most with Mrs. MacTeer. This perspective argues that, for some women, there is an ‘instinctive (innate) desire to mother above all else’ (30)….We see examples of this when Mrs. MacTeer takes Pecola into her home to save Pecola from her own
She challenges both antiracist and feminist theories since they fail and neglect to focus on the issue of intersection of gender and race. The theories are inadequate and cannot address the oppression experienced by the black women. White women, especially from the middle class are treated as emotional and delicate compared to men with special need for protection according to the feminist theorists. However, the situation is worse among the black women since they are subjected to racist abuses that are common in the society (Beauvoir 2). This implies they are more delicate than the white women with a need for more protection. On the contrary, black women are seen as “mules” and are expected to perform heavy cleaning chores of the fact that they are fragile and passive. Crenshaw argues that black women are forced to look for jobs instead of taking care for their children. They are pressured to use depo provera, norplant and other family planning drugs that are common with white women. This is an illustration of intersectionality of race, gender and
Pauline Breedlove, Pecola's mother, experiences racism within the black community when she moves to Lorain, Ohio. Being a dark-skinned black woman from the south, she does not understand why "northern colored folk was different... [and why they were] no better than whites for meanness" (117). She recognizes the hierarchy, or the "difference between colored people and niggers" within the black community, especially from the light-skinned women she encounters (87). One of these light-skinned black women is Geraldine, Junior's mother, who believes "colored people were neat and quiet; niggers were dirty and loud" (87). She even tells her son
In “In Search of Our Mother’s Gardens”, Alice Walker looks to educate us on the hardships that almost all black women face when trying to express themselves through things such as art. She delves into many sociological and psychological concepts that have affected black women throughout human history. These concepts and ideologies created a realm for mass exclusion, discrimination, and oppression of many African American women, including Alice Walker’s Mother, who Alice utilizes as one of her particular examples. The writing thematically aims to show how these concepts of sexism, racism, and even classism have contributed to black women’s lack of individuality, optimism, and fulfillment for generations. The author does a tremendous job of defending and expanding upon her arguments. She has a credible background, being a black woman that produces the art of literature herself. As well as being raised by one, Walker’s first-hand experience warrants high regard. Therefore, her use of abstract and introspective language is presented clearly and convincingly. Also, her use of evidence and support from sources like Jean Toomer, Virginia Woolf, and Phillis Wheatley, all produce more validity for her stance through poems, quotes, and even experiences. All these individuals have their own accounts pertaining to the oppression of black women and their individuality. Successfully arguing that the artistry plights of black women described in “In Search of Our Mother’s Gardens” are
African American women have long been stereotyped, discriminated against and generalized in this country. They have had to face both being black in America while also being a woman in America. African American women encountered and still do encounter double discrimination of both sex and race (Cuthbert, 117). Women like Elise Johnson McDougald, Marion Vera Cuthbert and Alice Dunbar-Nelson all tried to shed light on what it was like to be an African American woman living in the 20th century yet literature often portrayed them as emotional, hypersexual, unintelligent and of lesser worth. The literature highlighted that African American women have to serve both their employer and their husbands and families. They are not supposed to have an opinion or stand up for themselves, especially to a white man. ***Concluding sentence?
Though born into slavery, Nanny had "dreams of whut a woman oughta be and to do." She wanted to "preach a great sermon about colored women sittin' on high, but they wasn't no pulpit for [her]." She tries to fulfill her dreams first through her daughter and then through Janie. But slavery and years of dependence on a white family have warped
All African-Americans have been portrayed in stereotypical roles since their arrival into American society for the entertainment and amusement of others. Many people find it difficult to appreciate the diversity of the African American women. So instead of trying to do this, they create identities based on negative stereotypes. There are several negative stereotypes associated with the African American woman. The Mammy archetype is the one chosen to be analyzed in this essay. Collins described the mammy as “-the faithful, obedient domestic servant. Created to justify the economic exploitation of house slaves and sustained to explain Black women’s long-standing restriction to domestic service…” (72) She is commonly seen trying to soothe
Slavery has a huge affect on how a woman can mother her children for it drastically increases the difficulty of such a task while limiting the availability of the mother herself. Slavery averts a mother’s ability to form an intricate relationship with her children, making the connection between the two subjects weak and almost non existent. In Beloved, slavery is a huge element in why Sethe is the mother she is, and it has influenced many of her more regrettable actions. Throughout the book the Morrison shines some light onto the horrible treatment of some of the characters, this is reflected when Paul D states: “White people believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood... it wasn’t the jungle blacks brought with them to this place. . . . It was the jungle whitefolks planted in them.” (Morrison). Here we can see that the amount of degradation and dehumanization that occurred during this time period as a slave was unbearably prevalent, posing as a huge distractor towards mothers and their ability to care for their child. The Owners of the slaves rarely viewed the slaves as living beings, so one
In the following passage, Nancy Jesser’s in African American Review words express the future repercussions of one’s negative choices , which characterize the motives for and results of the acts committed by Sethe, acts carried out in the interest of mothering, but also in the interest of living as women:
This representation is depicted more explicitly as it manifests itself in both Juanita Mae Jenkins’ We’s Lives in Da Ghetto and in Monk’s own novel, My Pafology. When Monk is flying to Washington D.C, he reads a review of the new “runaway bestseller,” We’s Lives in Da Ghetto. The novel is about Sharonda, who “is fifteen and pregnant with her third child, by a third father. She lives with her drug addict mother and her mentally deficient, basketball playing brother Juneboy” (39). While the novel’s premise is ridiculous, what is offensive is the way it is acclaimed and the claims that are made about it. The review heralds the novel as one that depicts “the experience which is and can only be Black America” and claims that Sharonda “lives the typical Black life,” before the conclusion of the novel when she has become “the epitome of the black matriarchal symbol of strength” (39-40).
Historically, the job of women in society is to care for the husband, the home, and the children. As a homemaker, it has been up to the woman to support the husband and care for the house; as a mother, the role was to care for the children and pass along cultural traditions and values to the children. These roles are no different in the African-American community, except for the fact that they are magnified to even larger proportions. The image of the mother in African-American culture is one of guidance, love, and wisdom; quite often the mother is the shaping and driving force of African-American children. This is reflected in the literature of the
Slavery had an immense impact on African American families, as the familial dynamic of the African American family was in many ways responsible for the stereotypes surrounding black families in the present moment. Not only were families the sole property of their slave owner, but there were laws restricting their rights and privileges. However, despite the fact that the African American slave family existed in a perpetually tumultuous state, there were cohesive slave families, but they faced many struggles and challenges. In particular, black women were faced with incredible hardships with regard to sustaining the familial structure. This paper explores aspects of the African American family structure during slavery, considering the effect that slavery had on black women. The legacy of slavery in the present moment is also considered, in addition to whether slavery continues to exist.
As time passed, the racial begun to slowly deteriorate. Sometimes, motherly instincts will overcome anything, and in this case it is to persuade the women to stand up to the children. "The lady who was afraid of embarrassment saw the boys jerk forward and backwards and grab the swinging guard chains…She stood up with determination and went to the door" (191). Allowing her maternal
The third controlling image of Black womanhood is that of the welfare mother, which is linked to Black women’s increasing dependence on the welfare state (Collins, 76). This time, the punishment is for failing to work. Rather than being a bad mother for deserting the children, now the concern is being with the children too much and not working. Again, by pinpointing the Welfare Mother as the cause,
Toni Morrison’s Beloved shows the dehumanization of slavery and its effects on African-Americans and their basic forms of existence—specifically motherhood. Morrison depicts the strong maternal bond between Sethe and her children. Most importantly, her use of Sethe’s controversial act of infanticide shows the lengths that Sethe will take to protect her children from slavery. Morrison’s depiction of Sethe’s motherhood shows how slavery has deconstructed the Eurocentric expectations and traditions of motherhood and gender for black women. Rather than victimize Sethe’s as an enslaved woman, Morrision decides to celebrate her triumphs and suffering in Beloved. Therefore, Sethe’s identity as an enslaved black mother deconstructs the expectations of Eurocentric gender roles with her exertion of independence and control for the benefit of her children.
The maternal bond between mother and kin is valued and important in all cultures. Mothers and children are linked together and joined: physically, by womb and breast; and emotionally, by a sense of self and possession. Once that bond is established, a mother will do anything for her child. In the novel Beloved, the author, Toni Morrison, describes a woman, Sethe, who's bond is so strong she goes to great lengths to keep her children safe and protected from the evil that she knows. She gave them the gift of life, then, adding to that, the joy of freedom. Determined to shield them from the hell of slavery, she took drastic measures to keep them from that life. But, in doing so, the