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Distinctively Visual Analysis Essay

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This chapter looks at the various stylistic aspects in the prints which can be identified as Chinese or portraying Chinese origin and a plenty of factual detail and local narrative.
Landscape
Location plays an important role in the scenes and one sees a lot of familiar landscapes while looking at the images. The reason behind the portrayal of the accurate locations or certain specific locations for the scenes could be to justify the realism of the conquest, or rather to confirm that they did actually happen in the way it is shown in the prints. It would also mean to introduce the audience to the landscape of the north-western frontiers of China, similar to the importance of landscape in the southern tour scroll, which aims at introducing the southern landscape to people in the capital and north.
The plate 1 in the series is named “Receiving the surrender of the Ili”. Even though the scene captures the surrender in utmost detail, one sees further away to the right side, Chinese and Mongols cross a river, possibly the river Ili, by boat or by swimming, …show more content…

When considering the viewpoint of the artist in the two paintings, it is not hard to notice that the artist of the model painting for the print is actually a part of the ceremony, possibly sitting in the pavilion on the meridian gate not visible in the picture. The bird’s eye view of the ceremony might be due to the first-hand account of the ceremony. As mentioned earlier, the preparations for the victory commemoration had already begun during the campaign. So, it would not be surprising if the Jesuit artists, Castiglione and the others, who made the original large-scale paintings, attended the ceremony in order to document the event. Then Xu Yang’s painting seems to exclude the artist from the ceremony, and could have been based on either the large-scale painting of the ceremony or an account by an official or a person who attended the

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