This chapter looks at the various stylistic aspects in the prints which can be identified as Chinese or portraying Chinese origin and a plenty of factual detail and local narrative.
Landscape
Location plays an important role in the scenes and one sees a lot of familiar landscapes while looking at the images. The reason behind the portrayal of the accurate locations or certain specific locations for the scenes could be to justify the realism of the conquest, or rather to confirm that they did actually happen in the way it is shown in the prints. It would also mean to introduce the audience to the landscape of the north-western frontiers of China, similar to the importance of landscape in the southern tour scroll, which aims at introducing the southern landscape to people in the capital and north.
The plate 1 in the series is named “Receiving the surrender of the Ili”. Even though the scene captures the surrender in utmost detail, one sees further away to the right side, Chinese and Mongols cross a river, possibly the river Ili, by boat or by swimming,
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When considering the viewpoint of the artist in the two paintings, it is not hard to notice that the artist of the model painting for the print is actually a part of the ceremony, possibly sitting in the pavilion on the meridian gate not visible in the picture. The bird’s eye view of the ceremony might be due to the first-hand account of the ceremony. As mentioned earlier, the preparations for the victory commemoration had already begun during the campaign. So, it would not be surprising if the Jesuit artists, Castiglione and the others, who made the original large-scale paintings, attended the ceremony in order to document the event. Then Xu Yang’s painting seems to exclude the artist from the ceremony, and could have been based on either the large-scale painting of the ceremony or an account by an official or a person who attended the
Mark Salzman’s Iron and Silk did a wonderful job of illustrating the people of China. He brought to life a corner of the world that we would rarely be able to see, outside of picture books. His representation is a very
Nike globally is one of those most well-known sportswear brands, as seen being wore by the NFL and other professional sports leagues. Gender equality among the depiction between men and women. Nike created an advertisement for their new product which challenges the typical view of women. Nike uses their popular consumer base to provoke gender equality by using contrasting colors and an unpopular portrayal of women.
As for my Visual Analysis Task, I have chosen to write about this image on the left. This piece was recently created by Shepard Fairey a street artist. This was made in response to the election of Donald Trump- known as the President of the United States. ‘We the People’ features portraits of Native Americans, African Americas, Muslims, and Latinas portrays in Fairey’s trademark style with slogans such as “Women are Perfect” and “Defend Dignity”.
This illustration represents an earliest style and painting technique found on a good portion of Chinese paintings. The black paint was applied directly to the vase to create a distinction and captivate its audience. The artwork is made of two
If you’ve read it then you might know that there’s a small piece of writing at the very beginning that describes the work of a Chinese artist.
Why I choose this image to work up and do analysis of. Well as a photographer it touches on a theme that I and other photographers must deal with. The idea that someone can get something for free. Just because we are photographers or even a regular artist that we are all just dying for more exposure and are willing to do whatever you want for some “good exposure”. I don’t think that most folks are all the self-severing, they are just unaware how much time and money goes into producing a good image. And suffer from this misbelief that this is just someone’s hobby and not their lively hood. Form the text of “trust me I am a professional Photographer I don’t work for free” and with the camera, lens, and SD cards in the middle. It
The Tokugawa shogunate was a transition period in which Japan began to modernize and began trading due to the arrival of Commodore Perry. Society during this period was based on strict class hierarchy with tight restrictions for social mobility. With urbanization, came an increase reliance on markets and merchants for funds which increased the need and want for trade with the Western nations. The images displayed in chapter two show the progress of events and how the Western nation influenced Japan. It begins with images of how the Japanese viewed the world, moving on towards the arrival of Commodore Perry, to the modernization of the port cities where a lot of trade occurred, to the beheading of the domain lord by anti-foreign Japanese citizens,
For the photograph that I took, I decided to follow Weston’s theme and photograph an organic object with interesting features. I needed to find something with a vivid texture so that the photograph could allow the viewer to almost feel what I could. I searched throughout my room until finally, I found what I was looking for. It was a shell from the Pacific Ocean that I had brought back with me from Mexico. The shell had off-whites blended into browns and reds. It also had ridges running from the origin of the shell, to the outside. I found the situation to be somewhat ironic considering that Weston had lived in Mexico taking photographs, and also took pictures of shells.
The art work that I have chosen for this formal analysis of an art work is the Painter of Paestum’s piece titled “Red-figure lebes gamikos (marriage vessel) it was made with terracotta red clay. This piece was made between 340-330 B.C. It is approximately 10 inches in height. The present location of this art piece is at The San Antonio Museum of Art in the Greek Late Classical section. The collection is a permanent collection from Gilbert M. and Denman, Jr. whose funds were used to purchase the vessel.” (“San Antonio Museum of Art Wall Text”). These marriage vessels are frequently shown in marriage scenes on Greek vases. This marriage vessel could have been given as a wedding gift or used to contain water for the bride’s bath before the wedding ceremony. Also, it could have been placed by the bride’s door and was possibly used in a ritual of sprinkling the bride with water before the wedding ceremony.
The first painting depicts a young woman lying in a field on a farm in what appears to be an awkward position. She may be experiencing some type of internal or emotional pain which may have temporarily halted her ability to move. The field is very close to what one might assume is her home. The painting appears very somber and melancholy and I would hypothesize the young woman is longing for something she might have recently loss; possibly a relationship or significant material possession. The woman gazes towards the house as if she is waiting for something. The colors in the painting are very neutral and the feelings provoked are those of sadness. Another hypothesis could be she is pondering her life path and struggling to
At some point everyone likes to get a good laugh while watching a comedy. The hit series, Full House, would be an excellent situational comedy to watch. Lead actor, Danny is going through a rough time and needs help. Full House is filled with laughter and also a bit of seriousness at some points.
Zhang Zeduan’s masterpiece depicts the landscape of his hometown, Kaifeng and the life of its people during the Song dynasty. Nearly 500 years later, Qiu Ying portrayed his hometown Suzhou in a similar way, but in his version, the scenes are different to the original version. Compared to Zhang, Qiu Ying added more blue-and-green landscape patterns, and the feeling of the artisan is not strong in this work. The most important thing is that both artists show different visual perspectives of the culture and customs of the city.
Analyse how visual techniques are used to develop deeper ideas in a visual text you have studied.
A landscape painter “tended to be a recluse, an individualist, and a Daoist (Morton and Lewis 2005).” These artists thought of landscape painting as the “grandest and most satisfying way to represent nature as a whole, to feel a sense of communion with nature, and to know oneself to be part of an orderly cosmos (Morton and Lewis 2005).” Thus, one can see the implications of landscape painting lay not just in its beauty and simplicity, but also in its spiritual connection with Nature, and thus had wide appeal. The point of view in landscape painting was also of paramount importance. The Chinese artists understood that Western artists took in scenes from five or six feet from the ground. Chinese artists worked from a raised viewpoint, so that they are not bogged done by small details in the front and get a better sense of the whole scene (Morton and Lewis 2005). Every part of the image that is created has its own innate interest, and yet it all comes together and works well as a whole (Morton and Lewis 2005). It is clear that landscape painting was a cherished and important art form in Song Dynasty culture.
The last emperor is a very famous film about Pu Yi's life story. The film is directed by Italian director Bernardo Bertolucci (1). The film uses time and space staggered dramatic structure, with flashback, narrative, narrative way of telling stories. Respectively, is part of the memory and reality, the two space-time continuous switching, the formation of the rhythm-sharp story. Bernardo Bertolucci, with his unique shooting style, conquered all the audience. In 1988, sixtieth Oscar won the award for best film, best director, best-adapted screenplay, best photography, best art, best costume design, best editing, best sound, the best original music, nine awards. In this article, we will discuss how the Chinese and Western cultures in the film