Dogtown And Z-Boys: The Birth Of The Extreme Analysis

“Boyz n the hood” takes place in South Central Los Angeles in 1984. The main actors in the movie are Cuba Gooding Jr as Tre, Morris Chestnut as Ricky, and Ice Cube as Doughboy. In the beginning of the movie it says, “One out of twenty-one Black American males will be murdered in their lifetime” followed by “Most will die at the hands of another black male”. Later it shows the main characters in the movie Tre, Ricky and Doughboy as kids each of them having plans in life. Ricky’s dream is to become a football player and Tre going to college and doughboy still not deciding what he wants to do in life.

The misunderstood subculture of music that many have come to know as “hip-hop” is given a critical examination by James McBride in his essay Hip-Hop Planet. McBride provides the reader with direct insight into the influence that hip-hop music has played in his life, as well as the lives of the American society. From the capitalist freedom that hip-hop music embodies to the disjointed families that plague this country, McBride explains that hip-hop music has a place for everyone. The implications that he presents in this essay about hip-hop music suggest that this movement symbolizes and encapsulates the struggle of various individual on

The later half of the Homelander Generation, also known as “Generation Y,” is known for having little to no identity. Popular culture says that history repeats itself and that I belong to a generation where an overall style does not exist. From music to clothing everyone is desperately trying to reach into the past. The 60s, 70s, and 80s all have defining styles prevalent to that specific decade, for example disco. As a result to addressing the uniqueness of California and its culture in the 1990s Bay Area patrons began a move toward rap, hard-hitting beats, baggy clothing and defined dance styles. California was home to the newest cohesive generational movement. It was home to the development of the Hyphy Movement and the defining aspects of a craze that in itself was crazy. In areas that include San Francisco, Oakland, Fairfield and Hayward transformed. The Hyphy Movement demanded acknowledgment of the Bay Area’s diverse and particularly its interesting take on the California Dream.

Hip Hop was birthed in the neighborhood, where young people gathered in parks, on playgrounds, and neighborhood street corners, to verbalize poetry over spontaneous sounds and adopted melodies. Hip Hop was not just the music; it was also a way for the young to show their skills in break dancing, gymnastic dance style that was valued, and athleticism over choreographed fluidity. Hip hop was also fashion such as: hats, jackets, gold chains, and name-brand sneakers. Hip Hop was a form of graffiti, to a new way of expression that engaged spray paint on the subway walls as the canvas. In addition, today’s hip hop have changed as where the DJ was once is now the producer as the key music maker, and the park is now a studio.

Breaking through in the heart of the Bronx, Hip Hop was designed to empower and teach the youth, while providing them an outlet for creative expression. Developed on five essential pillars, all working towards: giving African Americans knowledge that they didn’t have access to, inspiring them to read and acquire true knowledge of self, and to understand the role that self has in America in relation to the actual worth of self. Since the inception of Hip Hop, the genre has evolved through the times while transcending new depths aligned with its original pillars.

Within the content of this paper, I will be describing the four theories learned from the readings this week. The theory’s that will be covered are Racial Identity Theory, Social Capital Theory, Critical Race Theory, and what Cultural Competency is. I will also provide examples of each theory along with a brief video and movie clips to further demonstrate my comprehension.

The movie takes place in the low Dogtown, is a city described in this movie to be low-income, discarded, have to have a melting pot of a variety of subcultures. The film starts off by describing the surfing youth subculture. It describes this subculture as an outcast to society. They then describe the Jeff Ho surfing club of surfers and their creation of a close net cult. After the introduction of the surfing subculture, the movie shifts its action to the skater subculture created by the surfer ideals, and style.

Some challenges between anti-social behaviors and geographic are evident in the film Boyz n the Hood. It a 90’s films created by John Singleton, about a boy Tre styles who is sent to live with his father Furious styles in South Central Los Angeles after he got into a fight at school. At his father 's house, he is taught morals and values of being a respected man. On the other hand, his friends Ricky and Doughboy who are half-brothers has a different upbringing with no real support system, resulting in forming a gang, involvement with drugs and a tragic ending. This film is based on the African American experience in terms of environmental conditions which results in a great deal of African American males being pushed into the criminal justice system.

John Singleton’s Boyz N the Hood is an American teen drama film released in 1991 that focuses on three black teens who live in the dangerous neighbourhood of Crenshaw, Los Angeles. The main characters Doughboy, his half-brother Ricky, and their friend Tre grow up together but meet drastically different fates as young adults. As Swanson (2011) points out, it is important to understand the tension within black communities in Los Angeles at the time of the film’s release; the Rodney King beating had taken place only months before and LA’s gang wars were reaching a peak. As a Los Angeles native, Singleton’s goal with the film was to alert people about the situation around them, as he said: “I couldn’t rhyme. I wasn’t a rapper. So I made this movie” (Swanson 2011). To reflect the environment as accurately as possible, the film was shot on the streets of South Los Angeles, so the crew was just as on edge as their characters would be; there were even threats of gun violence from local gang members.

I recently wrote an essay about the development of the star persona of Ice Cube, the rapper/actor who has made the unusual transition from hardcore gangsta rapper to leading man in such “family-friendly” films as Are We There Yet? The essay, entitled “With an Attitude: The Development of Ice Cube’s Star Persona,” will soon be published in the online film journal 16:9; I’ll link to it as soon as it’s up. The thesis of the essay is that, for all the apparent and unexpected alterations to his “street” persona, Cube’s film characters are nevertheless almost always coded as gangstas – an association that he has not been able (or has not wanted) to shake.

In less than forty years, the city of Compton went from a shielded suburb near the confines of Los Angeles, to a terrorizing image of American culture. The results of this transformation and creation of “gangsta rap” is still well renowned today. Through de jure segregation, Reagan economics, undermining of black prosperity, N.W.A., and “Boyz n the Hood”, the city of Compton told its story and became a global image. This paper will analyze the shift of culture in Compton and the transcendent cultural effect it formed in America.

1.) In this class we have examined the sociological forces that created the social conditions from which Hip-Hop emerged in the Bronx. Drawing upon Chang, as well as videos (Bronx is Burning, Flying Cut Sleeves etc.), discuss the sociological roots of rap. Specifically, what social forces (for example: state policies, global economic trends, technological advancements, community characteristics as well as race, class, gender politics) were present and facilitated the development of Hip-Hop?

Throughout watching the film, I saw a young man (Kevin) who was sure he had everything made in life. I saw a young, snowboarder who always looked for thrills. He made a lot of money because he was able to focus all of his time in the winter on snowboarding. He had a very caring girlfriend and seemed to be a very social person with many friends. Everything seemed to be in order for this young man. Then his entire life turned upside down so to speak. From seeing him in the recovery phases, it was nice to see that he was completely rediscovering himself amid all of the anguish that his family members were experiencing. When Kevin said that he wanted to go back and ski again, I thought that he was betraying the love and support that everyone in his family and his friends were supplying. Once he realized that he could never be the great skier that he once was, he had to realize that he was a different person as a result of that accident. After this realization,

It has been 30 years since Hip-Hop was first “introduced” to the world. Whether it be fashion or politics, this musical genre/culture plays a huge role in everyday life and has generated billions of dollars across the globe. In this paper I will be discussing when, where, and how Hip-Hop was created, “old school Hip-Hop, “Hip-Hop’s Golden Age”, “Hardcore rap” “Gangsta rap”, “G-Funk”, 21st century Hip-Hop, and how Hip-Hop affects society.

The term ‘hip-hop’ refers to a complex culture compromising of four elements: deejaying, rapping, rhyming, graffiti painting, and b-boying. These elements incorporate hip-hop dance, style, and attitude. “Hip-hop originated in the primarily African American economically depressed South Bronx section of New York City in the late 1970s” (Tate, pg.1). Hip-hop is a culture of fashion, language, music, movement, visual art and expression. The genre of hip-hop comes with a very significant history and evolution with its own heroes, legends, triumphs and downfalls. “Real” hip-hop is often stressed in the 21st century due to what is being passed off as hip hop, and it is often made clear that just because one takes a hip hop class, or listens to hip-hop music, does not mean they conform to the true immersion of hip-hop culture. Therefore, “real” hip-hop encapsulates the true essence of hip-hop culture, untarnished by impurities such as rapacious record labels, and vapid, materialistic subject matter. Due to the background of how and where hip-hop first emerged, the African American culture often feel responsible to protect what is for them, and to protect the culture of hip-hop entirely. Boyd states that even though hip-hop as a culture was created as a social movement, the “commercializaiton” of hip-hop demonstrated in film and media construes it to another form of urbanization and popularity”(Boyd, 79). However, in the two movies being examined in this essay (Save the Last Dance