Exposing the Falseness of Truth in On the Nature of the Universe
Truth is in the eye of the beholder. Or is it? Questions regarding the nature of truth have always been central to not only philosophers, but all men (and women, of course) who possess any desire for knowledge. For while truth itself is an elusive concept, it is also the underlying theme of all science -- which is the basis of knowledge -- and so the seeker of learning must first discover his own truth about the world; without a strong belief, the slippery nature of truth will only serve to confuse and mislead the student of life. A person who is lacking a basic understanding of truth can never fully grasp the fine distinction between appearance and reality,
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In the end, there is just one question: is truth absolute or relative?
According to Plato, truth can exist only as an absolute. For him, as well as for all the other followers of Socrates, truth is attained through a series of steps that take the student through the different levels of reality, until finally the ultimate goal is reached; absolute truth resides in the world of ideas, but to get there, the person seeking wisdom must first recognize and conquer the lower stages. One of the best visualizations of this journey is found in Plato's parable of the cave, in which the prisoner of appearances is led (almost dragged) through the phases of recognition and learning. At first he is chained inside the cave, immobile, staring at a wall on which he sees mere shadows of objects passing between him and the fire situated at the back of the chamber. However, even these objects are just reflections of reality, being nothing more than statues of humans and animals, which are themselves merely the outward appearances of the world of ideals; therefore, the prisoner who looks at the shadows and believes them to be the truth is actually four times removed from the reality he seeks. When he is finally released from his bonds, he turns around and sees the objects that cast the shadows; this is the first step toward his goal, the point at which he begins to have doubts about the world he thought he knew. As the man moves out
In the ‘The Allegory of the Cave’, Plato uses a philosophical situation to help us as the reader to examine our perception of life by what is around us. Plato uses such an abstract situation to show that we can mistake the information that we gain due to our position in a situation for truth.
Plato's Allegory of the Cave is also termed as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It was used by the Greek philosopher Plato in his work The Republic to illustrate "our nature in its education and want of education". It comprises of a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon. Socrates gives a description of a group of people who spent their lifetime facing a blank wall chained to the wall of a cave. These people saw and tried to assign forms of the shadows projected on the wall by things passing in front of a fire behind them. These shadows as put by Socrates, are what the prisoners can view close to reality (Law 2003). He further compares a philosopher to the prisoner who is freed from the cave and comprehends that he can envision the true form of reality instead of the shadows which the prisoners saw in the cave and these shadows do not depict reality at all.
Imagery used by Plato as part of his writing style of allegory examines the shadows of the cave as ideas offered at surface level. Plato is showing people are there to believe what is given to them because they do not know anything else to be true. The shadows are explained, as “truth would be literally nothing but the shadows of the images” (Plato 450). Shadows are a brilliant use of imagery because they resemble something dark, indescribable, and hard to recognize. This helps support Plato’s argument because the truth can only be seen at the basic level without any complex details; it is just known to be true. His philosophy is that people can only see beyond the surface if they have to capability to do so and believe, what others think is crazy.
Plato describes the vision of the real truth to be "aching" to the eyes of the prisoners, and how they would naturally be inclined to going back and viewing what they have always seen as a pleasant and painless acceptance of truth. This stage of thinking is noted as "belief." The comfort of the perceivement, and the fear of the unrecognized outside world would result in the prisoner being forced to climb the steep ascent of the cave and step outside into the bright sun.
In Plato's “The Cave” shows us a group of prisoners chained to face a wall. A fire behind them casts shadows on the wall their facing of a variety of different things however they can not see what they truly are. The prisoners only reality is the shadows and the sound they associate with these shadows. They truly have no understanding of what happening other than what they see on the wall and what they hear. This distorted view of the world
Reality versus illusion is described by Plato in chapter seven of The Republic. Plato creates an allegorical view of what it means to be alive, and the journey of gaining a sense of reality. He begins setting the scene by describing a dimly lit cave containing the men who have lived there since the beginning of life. The men are chained up and unable to turn their heads, only facing a a stone wall. They have not seen the source of light within the cave (which is both a burning fire and sunlight), nor the objects that depict the shadows on the wall. They know only what they see, ignorant to the world just beyond the cave. Plato continues by questioning what would happen if one man were to become free from his restraints and exposed to the sunlight outside the cave,
Plato's "Allegory of the Cave" presents a vision of humans as slaves chained in front of a fire observing the shadows of things on the cave wall in front of them. The shadows are the only "reality" the slaves know. Plato argues that there is a basic flaw in how we humans mistake our limited perceptions as reality, truth and goodness. The allegory reveals how that flaw affects our education, our spirituality and our politics.
Plato’s logical strategy in the allegory of the cave is of deductive reasoning. Plato uses a cave containing people bound by chains which constrict their neck and legs in such a way that they are unable to turn around and there is a fire roaring behind them casting shadows on the wall. Since the prisoners cannot turn their heads to see what is casting the shadow the only thing they can perceive are the shadows and the sounds that seem to becoming from them. This is what Plato argues in the allegory of the cave “To them, I said, the truth would literally be nothing but the shadows of the images.”(The Allegory of the Cave Plato). Since these prisoners know nothing outside of the cave they are ignorant of the “light” and are content on
In Plato’s essay, “Allegory of The Cave” Plato creates a story about three prisoners in a cave, through this he further makes his point that without knowledge our view of the truth is askew. Plato explains that the three hostages have been shackled in the dark cave their whole lives unable to see the real world. The only piece of actuality they can see are shadows of people crossing in front of the opening of the cave. These figures can drive anyone insane without having any real truth to what the images could be. Without any awareness of the real world just outside of the cave they are forced to adapt and therefore accept their own reality. Plato goes on to say that, “the truth would be literally nothing but the shadows of the images” (122). The obscurities are significant because they are the only apprehension the prisoners have, they have nothing to compare it to. The actuality of it to the captives is something other than the truth would be outside of the cave. The forms on the wall are only just shadows, but to them that is everything they have ever known. Plato through his legend portrays
In his essay, “The Allegory of the Cave,” Plato, argues his idea of how to distinguish the reality and truth from that which is a falsehood. Most essentially, he finds it as important to enlighten others that may remain in that
In his Allegory Plato shows us how a man ascends from the darkness of a cave to the light of the outside world. In this ascent Plato’s man passes through four distinct stages of cognition: from imagination, to belief, understanding, and finally knowledge.
The “Allegory of the Cave” by Plato represents the differences in the way we perceive reality and what we believe is real. In his story, Plato starts by saying that in a cave, there are prisoners chained down and are forced to look at a wall. The prisoners are unable to turn their heads to see what is going on behind them and are completely bound to the floor. Behind the prisoners, puppeteers hide and cast shadows on the wall in line with the prisoners’ sight, thus giving the prisoners their only sense of reality. What happens in the passage is not told from the prisoners’ point of view but is actually a conversation held between Socrates and Glaucon (Plato’s brother).
Socrates describes people in a cave since birth, bound so they can only see what is in front of them. There are shadows and sounds that can be observed but the source is unknown. Socrates says in 515c, “…such men would hold that the truth is nothing other than the shadows of artificial things.” Their reality is limited by their experience. Then a prisoner is freed from the bonds and is forced to look at the fire and the statues that were used to cast the shadows on the walls. He is overwhelmed by the revelations and learns that the shadows were not the reality.
The main idea presented by Plato in his infamous Allegory of the Cave is that the average person's perceptions are severely limited by personal perspective. Plato uses the metaphorical situation of prisoners chained together in a way that limited their visual perception to the shadows projected from behind them onto a wall in front of them. He uses that metaphor to illustrate that perspective determines perceptions and also that once an individual achieves a wider or more accurate perspective, it becomes difficult for him to communicate with those who are still limited to the narrower perspective that he may have once shared with them. Plato meant his allegory to apply to the limitations of perspective attributable to social experiences as well as to the absence of formal education and training, particularly in logical reasoning. Plato believed that logical reasoning is a skill that must be learned through formal training and that without adequate training, it is substantially impossible to understand the logical perspective.
The goal of any philosopher is to find what “truth” is. Truth is undeniable, and can be relied upon in any circumstance, especially in the one thing that has real meaning life. Truth is essential to understanding the world. All knowledge is based upon truth. The Idea of truth is first and for most a conviction of the mind. The mind has an inclination to view something to be true, false; we are convicted to believe one or the other. For example, if one were holding a model car that appears to be red, you can be convinced it is red; you can also be convinced it is red, dark red, pink, or even burgundy. One’s mind can perceive the car in different ways; it is just the inclination of the mind. Another component of truth is the property of