Faulkner's False Spring

| |of forbidden love and the quest to keep it alive. The reader seems to |

Lee’s writing is littered with descriptive and flowery visuals that truly capture both the environment and his emotions. In one such case, he recalls an evening where he “[stared] at the brightest star, viewing it not so much on this night as a beacon, something [he] wanted to believe would lead [he] out of this dark tunnel, but instead as a place [he’d] rather be” (155). His juvenile wistfulness is tangible in the words and the reader can almost feel the chill of the night air. He continues, wishing to be “anywhere but here…[wishing to have] been born anywhere but here.” (155). His yearning twists the heart with sympathy for his lonesome and pitiable plight. This moment is but a minute fraction of the incredibly intimate tale that Lee

whilst the narrator talks of the hobby he states that 1/2 of of the only yr there are many people writing, but not loads on the opposite 1/2 of the year at the same time as “ the thermometer walks inch inch as much as the top of the glass.” he speaks of methods difficult it is able to be to be a creator inside the direction of the bloodless wintry climate months. he seems to be the form of man that does everything in a effective disciplined

“Here on this wild outskirt of earth, I shall pitch my tent; for, elsewhere a wanderer, and isolated from human interests, I find here a woman, a man, a child, amongst whom and myself there exist the closest ligaments.” (26th page of chapter 4).

Ezra Faulkner believes that everyone has a tragedy waiting for them, a single moment after which, everything that really matters will happen. After his personal tragedy he realizes that the things people expect of you aren’t always the things that make you happy. Ezra finally understands that he always talked about being popular but deep down was so tired of it and he found himself when he became friends with other people in his school. In this book, social classes play a huge role, this is shown numerous times throughout the novel. Some of the most notable times are when Ezra finally realizes that he is no longer popular, nor was he happy being popular, when Ezra begins mending his relationship with Toby, and throughout

Above all, his theme was curiosity about the recesses of other men’s and women’s beings. About this theme he was always ambivalent [my italics], for he knew that his success as a writer depended upon his keen psychological analysis of people he met, while he could never forget that invasion of the sanctity of another’s personality may harden the heart even as it enriches the mind (548).

The steam from the kettle had condensed on the cold window and was running down the glass in tear-like trickles. Outside in the orchard the man from the smudge company was refilling the posts with oil. The greasy smell from last night’s burning was still in the air. Mr. Delahanty gazed out at the bleak darkening orange grove; Mrs. Delahanty watched her husband eat, nibbling up to the edges of the toast, then staking the crusts about his tea cup in a neat fence-like arrangement.

The birth of the modernist movement in American literature was the result of the post-World War I social breakdown. Writers adopted a disjointed fragmented style of writing that rebelled against traditional literature. One such writer is William Faulkner, whose individual style is characterized by his use of “stream of consciousness” and writing from multiple points of view.

At first talking about the author can be essential to go through the topic. William Faulkner was born in New Albany, Mississippi in 1897. He became Famous from the set of novels that explore the South’s historical legacy, fraught and violent present. His works are usually rooted in his fictional city in the county of Mississippi, Yoknapatawpha. This setting which was the microcosm of the south he imaginarily knew it very well. He could look into as binoculars which he could go through the society and people. He was particularly interested in the moral implications in the history. It - “A ROSE for Emily”- was first published on April 30, 1930. This is the time of the high modernism with the rise of its elements. Faulkner once

Leaves of Grass is Walt Whitman’s life legacy and at the same time the most praised and condemned book of poetry. Although fearful of social scorn, there are several poems in Leaves of Grass that are more explicit in showing the homoerotic imagery, whereas there are several subtle – should I say “implicit” – images woven into the fabric of the book. It is not strange, then, that he created many different identities in order to remain safe. What Whitman faced in writing his poetry was the difficulty in describing and resonating manly and homosexual love. He was to find another voice of his, a rhetoric device, and his effort took two forms: simplified, and subverted word play.

This weariness with life is a symbol of schizoid suicide, which leads into withdrawal into death, into a ghostly world. In the unconscious, the narrator believes that the corruption of relationships through sexual contact brings nothingness. This again indicates the presence of a schizoid element in his mind. A person with a schizoid mind seeks isolation. Union with a woman will not take him into the path of separateness, so he buries the woman. Now he can be free. He is alone but alive. In the process, he is denouncing the "inferior" half of himself, the woman in him, the part that he fears may corrupt and make him diseased. He expresses the intolerable perplexity of woman as a focus of appearance and reality.

Love makes people become selfish, but it is also makes the world greater. In this poem, the world that the speaker lives and loves is not limited in “my North, my South, my East and West / my working week and my Sunday rest” (9-10), it spreads to “My noon, my midnight, my talk, my song (11). The poem’s imagery dominates most of the third stanza giving readers an image of a peaceful world in which everything is in order. However, the last sentence of the stanza is the decisive element. This element not only destroys the inner world of the speaker, but it also sends out the message that love or life is mortal.

It is suggested through Micheal Ondaatje’s Running In the Family that Ambiguity is used to convey and express emotion, through murky selective information in Ondaatje’s vignettes to incorporate a window of doubt. This therefore allows the one who expresses ambiguity to retract their first thought if it where proven to be incorrect. However, when ambiguity is used in excess where the one displaying ambiguity is leading the other to an improper conclusion, the ambiguity causes frustration instead of the original thought in where the one displaying ambiguity no longer can retract there statement while also damaging the perception of mystery and excitement. Mr. Ondaatje’s presented through his father to the reader in a way where excitement and mystery are the predominant traits seen; where the start is exciting and

“One day, just after cleaning the landing area in the middle of the stairwell, the sun was shining through the window so brightly,” she recalls that from where she stood, at the foot of the stairs she could see the, “dust motes floating in the air.” These little tiny things floating in the rays of sunshine fascinated her.

     William Faulkner is one of America's most talked about writers and his work should be included in any literary canon for several reasons. After reading a few of his short stories, it becomes clear that Faulkner's works have uniqueness to them. One of the qualities that make William Faulkner's writings different is his close connection with the South. Gwendolyn Charbnier states, 'Besides the sociological factors that influence Faulkner's work, biographical factors are of great importance…'; (20). Faulkner's magnificent imagination led him to create a fictional Mississippi county named Yoknapatawpha, which includes every detail from square mileage of the county to the break down of