------------------------------------------------- "RIZAL'S SECOND SOJOURN(pag babakasyon) IN PARIS AND THE UNIVERSAL EXPOSITION(paglalahad) OF 1889" Paris in the spring of 1889 was bursting with gaiety(joy) and excitement because of the universal exposition. Thousands of visitors from all corner of the world crowded every hotel, inn, and boarding house .every -where in the metropolis the hotel rate in London , was caught in the whirl of gay Parisian life .despite the social parties and the glittering light of the city , he continued his fruitful artistic , literary , and patriotic labor(makabayang pag gawa), he published his annotated(comment) edition of Morgam’s success; founded three Filipino societies, the kidlat club, …show more content…
Like any ordinary Filipino tourist in a foreign land Rizal was fascinated(nabighani) by the universal Exposition of Parish which opened on May 6, 1889. The greatest attraction of this exposition was the Eiffel Tower, 984 feet high, which was built by Alexander Eiffel, celebrated French engineer. Rizal and his friends attended the opening ceremonies and saw the cutting of the ribbon by President Sadi Carnotof the Third French Republic. Paris was jammed with thousands of tourist coming from all parts of the world. Daily the Exposition drew a vast crowd of 200, 000 persons or more. One of the features of the Exposition was the international art competition, in which Felix R. Hidalgo, Juan Luna, Felix Pardo de Tavera, and Rizal participated. Hidalgo’s painting was awarded second prize, the paintings of Juan Luna and F. Pardo de Tavera each obtained the third prize. While Rizal’s entry (a bust which he modelled got no prize. This bust was quite good to qualify for the exhibition, but not good enough to win an international prize. Kidlat Club. On March 19, 1889, the same day when he arrived in Paris from London, Rizal organized his paisanos (compatriots) into a society called Kidlat Club. Among the members were Antonio and Juan Luna, Gregorio Aguilera, Fernando Canon, Lauro
This exhibition showcases art from the fifteenth century and early sixteenth century with Lord of Texcoco and the Texas Fragment. These two pieces represent post-Conquest art, and how indigenous figures were represented with European influence. In the seventeenth century, Antonio Rodriguez painted The Portrait of Moctezuma as well. His representation of Moctezuma showcases traditional clothing with European influence of modeling figures. This exhibition also features Miguel Cabrera, who was trained in European techniques and styles in Mexico during the eighteenth century under the patronage of Archbishop of Mexico, Manuel Joseph Rubio y Salinas. The exhibition features various artists from the nineteenth century as well, such as Felix Parra, Leandro Izaguirre, and Juan Cordero from the Royal Academy of San Carlos in Mexico City. Artists in the academy were trained in European styles of Neo-Classical forms to create their historical subjects. The purpose of the academy was to provide an outlet for legitimacy through the visual arts, and to reflect a nation's history. Often times, these paintings were political in nature, and reflected the patrons' wishes. This exhibition will link the representations of indigenous figures that appeared in Latin America through art in Mexico from the fifteenth to the nineteenth century and showcase how art
The three-day celebration was considered an aesthetic event. It was not only a concert but an art fair as well. Some works of art were seen during the event. People wore the art in the form of body
Through the years art has been regarded as a form of communication, emotion, a feeling or expression of ideas, by which we mean a person or convey something. This idea can be captured in a painting, sculpture or even through writing, which through their expressions disclose the most characteristic form of a culture. By century to century there has been many creative persons like writer, artist, composer who contributed to development in the all creative fields. We also had so many great visual artists who create greatest arts, music and books. Pablo Picasso is one of them, who took modern art at new level. He was one of well-known artist in history .In fact, his vision and distinct creative style, some of the most innovative pieces he introduced to the art world.
Diego Rivera was a Mexican painter and muralist who greatly changed the art world. He didn’t care what other people thought about his art and he painted what he saw, not what others wanted him to see. It was his’s creative manner and approach that set him apart from other artists; it was what made him one of the most renowned artists that existed during his time period. This paper will present the
Not only have I seen Rivera’s painting but also another Mexican artist, for example; Jose Clemente Orozco and Frida Kahlo. I saw their paintings at the Museum of Art in San Diego. I cannot remember what pictures I have seen on that day last time I saw it. One of the things I realize is the way they represent their art. They express their past and their present, the rich culture of the Mexican history, the way they express their ideology and their political view of their time, and their surrealist dream in case of Frida Kahlo. One of the remarkable ways they express is by putting their expression on the wall also known as
Ms. Luna, is an artist from the “Cuban Golden Generation” and lives in Miami since 1980. She graduated from San Alejandro School of the Arts. The artist, after graduated, was trained in sculptural ceramics by some of the most importants Cuban painter and sculpture like, Amelia Pelaez, Rene Portocarrero and Wilfredo Lam. Laura’s works goes through the paint and sculpture with a solid theorical and technical background.
Diego Rivera held themes of: social inequality; industry; technology; history; and the relationship of nature of Mexico. It started when Diego Rivera, a Mexican painter and muralist, became interested in painting at such a young age. His parents designated a room for him to pain murals on the walls. Growing up he attended art classes after school in Mexico and continued art classes in Europe. He studied in the Academy of San Carlos and in Jose Guadalupe Posada’s workshop. He dedicated himself to studying traditional European artistic styles and combined with the influence of Mexican folk artist Posada, his distinct Mexican style of art blossomed. Diego Rivera also became interested in the paintings of artists from the Renaissance era. Rivera was later offered his first exhibition at San Carlos Academy and was very successful that he was able to afford to return to Europe.
An artist who had gained great reputation and who had learned a lot of things while he was gone. Soon he started doing great things in Mexico, he painted great murals in very important places such as; University of Guadalajara, Chapel of the Orphanage of Cabanas and many other places. He also illustrated the book The Pearl, and one of his murals “Allegory of the Nation” was featured in Life Magazine. He accomplished great things throughout his life, he had a rough path to success but he achieved greatness. He challenged social norms and art establishments, who painted for the entire society not individual patrons. He was awarded the Federal Quinquennial prize by the president, for been an outstanding Mexican figure in the arts in science. Jose Clemente was a very interesting artist whose art was bold, dramatic and very powerful but more importantly spoke for the
Diego Rivera was a Mexican painter whose work was very influential to both Mexican and American cultures in the early twentieth century. Rivera was very passionate about his work and hoped to change the world one day with his creations. His work was rather expressive, showing his historical Mexican roots while also going along with the many revolutions and displaying radical views in his paintings. Rivera’s work is important to the history of art and to the societies of Mexico and America.
The purpose of this paper is to provide an overview about my experience attending the Philadelphia Art Museum on March 15, 2013. The museum is Located in Philadelphia, PA and the exhibition that caught my attention was Journeys to New Worlds it explores the artistic exchanges between Spain and Portugal and their colonies in the Americas and Asia during the seventeenth and eighteenth centuries. (The Philadelphia Museum of Art, p. Philadelphia Art Museum).
In the fall of 1942, the Museum of Fine Arts declared a competition for the formation of a mural for the museum. Sante Graziani won the competition. Graziani incorporated the greater part of the arts - dance, music, theater, painting, sculpture, architecture, photography - in his design.
I visited the National Museum of Mexican Art to find out more about the art and culture of Mexico. An interesting exhibit found in the museum is called Nuestra Historias: Stories of Mexican Identity from the Permanent Collection. The exhibit displays various artworks from the 18th through the 20th century. The purpose of the exhibit is to show how the Mexican identity has been altered throughout time and different regions. After the Mexican Revolution, modern Mexican artists were significant figures who positively impacted the Mexican government and politics. Art and culture greatly shaped Mexico because it also joined people together. The visit to the museum gave me an extensive understanding of how Mexican artwork shaped its people and region. During hardships, art spread positivity throughout Mexico. The exhibit displays various Mexican artifacts, modern art, folk art, and religious art which are not only found in Mexico but in various parts of the world.
The cultural activity that I observed was the art exibition in the Vincent Price Art Museum called The Making of Mexican Modernism. The exhibition has prints and paintings of various artists such as Jose Guadalupe Posada, Rufino Tamayo, Gustavo Montoya, Pablo O Higgins, Leopold Méndez, and many more. All of the artists paintings got influenced by history, folk cultures, and politics. These artists paintings contribute to the development of the modern Mexican culture identity. The Hombre en la ventana painting has a blocky figure of a person next to a window. Gustavo Montoyas painting is untitled but has a woman holding a ticket with her left hand. The women has her head covered with a rebozo and her hands are swollen. The painting on the side
Picasso used several principle and element of art while painting “Guernica”. Some of the elements include value, line, shape, color and, space.
During the 1920’s, many young artists, suck as Diego Rivera, David Alfonso Siqueiros, and Jose Clemente Orozco were commissioned to decorate numerous public buildings with dramatic large scale murals. These were done to try