History of Tate Modern began in 1992, when Tate foundation started to look for a new place to exhibit and store modern art.
Tate didn 't have a possibility to fulfill the repository of British art and repositary of international modern art in the gallery in Millbank- Tate Britain.
Goal was to match the Centre Pompidou in Paris and Museum of Modern Art in New York.
In 1994, Tate foundation found the place- abandoned in 1981 Bankside station, which was closed from due to big oil prices and economical changes.
Previously Tate Modern buiding was a Bankside Power station, coal-fired electricity plant from 1895 and oil-fired station from 1952. Building was under danger of demolishing. In 1993 contractors made a large hole in the of the building.
In July 1994 Tate foundation launched an international competition to design modern art museum in former Bankside station site.
148 architecture practices took part in that competition. Six practices were choosen to the shortlist.
The shortlist is:
-OMA
-David Chipperfield architects
-Renzo Piano building workshop
-Tadao Ando Architect and Associates
-Herzog and de Meuron
-Jose Rafael Moneo Arquitecto
Next year, in January 1995 , Herzog and de Meuron became winners of the competition.
Jury were interested and impressed by proposal simplicity.
Architect and competition.
After the competition winning ,Herzog and de Meuron signed the contract with Tate foundation. Here the architect job begins. The main project responsibility usually
Back in my school years I used to visit many historical museums, where I learned a lot about the culture and society of the past. As I have always been interested in history and arts, all that was a breathtaking experience for me. I believe that these museums is the best way to get closer to lives of our ancestries and it can help us to see the world in a different way. However, to be more knowledgeable about the world we live in, it’s also extremely important to be familiar with modern art. So this time I decided to experience something new and started searching for a museum which would contain works of contemporary artists. Tampa Museum of Art was a great option. This Museum was founded in 1979 and since then it has curated three exhibitions covering the Classical World to Mid-Century Modernist works,
Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.
On September 19, 2015 I visited the Blanton Museum of Art at the University of Texas in Austin, where I observed The Raising of Lazarus by Joachim Wtewael in the European Old Masters gallery. The piece recreates the biblical narrative of Lazarus’ resurrection and demonstrates the exorbitant style of Mannerism popular during the 16th century. Wtewael establishes the significance of the Christ with his application of form through the use of unrealistic contortions of the people, the lines following the exaggerated limbs of the congregation, and the abundant use of the color red on almost every article of clothing.
Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene
The building at 111 South Michigan Avenue, home of the Art Institute of Chicago, was opened in 1893 as the World’s Congress Auxiliary Building for the World’s Columbian Exposition. The building was passed on to the Art Institute after the end of the exposition. Designed in the Beax-Arts style by Boston firm Shepley, Rutan, and Coolidge, building has become an icon for chicagoans an tourists alike. The Modern Wing, the Art Institute’s latest and largest addition to date, opened on May 16, 2009, and was designed by Pritzker Prize-winning architect Renzo Piano. The 264,000 square foot addition now houses the museum’s collections of modern European painting and sculpture, contemporary art, architecture and design, and photography. The new
“The museum has changed people’s perception of museums, about the connections between art, architecture, and collecting.” (Freshome). Admiring the Architect, Frank O. Gehry, and how he would not just design, but how he would blend previous designs with his own and create a building made his work unforgettable.
The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.
The Museum of Fine Arts, located in St. Petersburg, Florida holds a variety of artworks that depict a specific period in human development and cultural aspects. The variety was very helpful and the process to narrow down the search of a painting of my choice became less difficult. The painting that I choose was made by an American artist named Stuart Davis Untitled (Black and White Variation on Windshield Mirror). Davis’s painting was extremely peculiar and I wanted to further examine its properties. The Untitled has three characteristics that are unique: Davis’s background for creating the painting, understanding the types of lines used, and the choice of color schemes.
As I walked up to The Metropolitan Museum of Art (MET) for the first time, I was overwhelmed with amount of visitors that occupied the steps to the entrance and wondered if this visit was the best choice. I opened the front doors to the museum and stepped inside; my immediate impression of the place reminded me of my first experience at Grand Central Station. Initially, I was overwhelmed and distracted by the hustle and loud noise around me, yet at the same time, I found myself mesmerized by the architectural beauty and layout of the place.
With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.
The Metropolitan Museum of Art was founded in 1870 by a group of American citizens. It opened on February 20, 1872 and was originally located at 681 on Fifth Avenue. Also known as “The Met”, the museum is located on the eastern edge of Central Park in New York City. It has a permanent collection containing more than two million works of art. The main building of the Met is one of the world’s largest art galleries. The museum permanent collection includes art from
Explain the key roles and responsibilities of the main contractor’s personnel during both the design phase and the operational phase of the project.
At first, I didn’t want to go to the museum. That day, I was exhausted after finishing school, so going all the way to San Francisco wasn’t exactly my idea of relaxing. Thankfully, my mom insisted we go that day, since it was my dad’s day off. I felt frustrated that we had to go right then, but my mom forced us.
“Painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down. “- Francis Bacon. However when I learnt more about history of art and the way each movement and happenings in the world inspired artist to make new works, I was able to see much more than just a canvas with random paints and sketches. The interesting part about this concept is that each piece of art could be interpreted in many different ways. In contemporary art there isn’t right and wrong, each of us view and find different meanings and connections with artworks.
“Modern painting, breaking through old conversation, has released countless suggestions which are still waiting to be used by the practical world.”(Gropius) The birth of modernism and modern art goes back to the Industrial Revolution, a period that lasted from the 18th to the 19th century, in which rapid changes in manufacturing, transportation, and technology profoundly affected the social, economic, and cultural conditions of life in Western Europe, North America, and eventually the world. Before the 19th century, artists created art pieces for wealthy people and institution places like the church where they can create art works about storytelling of religious or mythological scenes . These arts were there to instruct the viewers.However, this changed when during the 19th century many artists began to create works that were about people, places, or ideas that interested them, and of which they had direct experience. With the popularization of the idea of a subconscious mind, many artists began exploring dreams, symbolism, and personal iconography as avenues for the depiction of their subjective experiences.Challenging the notion that art must realistically depict the world, some artists experimented with the expressive use of color, non-traditional materials, and new techniques and mediums.