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Hurdy Research Paper

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Deborah Wu
Early Musical Instrument Project: Hurdy-Gurdy Music has been a part of human society for thousands of years, and in each time period, music has been an integral part of culture. During the Middle Ages, numerous instruments were created for the art of music making. One of these instruments is called the hurdy-gurdy. Despite its strange name, this instrument has stood the test of time and still attracts the attention of music-lovers today (Baines, Bowles, & Green, 2001). The first known appearance of the hurdy-gurdy was in Europe during the 12th century. Specifically, earliest art pieces of the hurdy-gurdy are in various churches and cathedrals in Spain and in France. While there are speculations that the instrument may have been …show more content…

For instance, the original hurdy-gurdy was also called an organistrum, which needed two players for one instrument, due to its large size. This instrument was used during the Gothic period, primarily in religious institutions, where it was utilized for music teaching as well as accompaniment. In the 13th century, the chifonie, a smaller hurdy-gurdy that could be played by one musician, was created. During this time, the hurdy-gurdy shifted to secular stages as minstrels would play the instrument in courts and would also use it for dance music during festivals. In the early 18th century, concertos and sonatas featuring the hurdy-gurdy were written, but by 1860, it began to disappear from the courts though it continued to be popular among street musicians. Even though interest in the hurdy-gurdy almost disappeared in 1939, the instrument made a comeback in the 1960s, and since then people have used the instrument in a variety of genres, such as folk, jazz, and rock (Baines et al., …show more content…

For instance, in order to play the instrument, a wheel has to be turned. In the first version of the instrument, there were 3 strings, and one person had to turn the wheel while the other person would change notes on one melody string by pressing levers (Baines et al., 2001). The wheel is rosined, like a violin bow, which allows the strings to resonate as the wheel is turned (Montagu). In later versions, when the hurdy-gurdy was small enough to be played by one musician, the wheel is cranked with the right hand while the left hand presses the levers. When one string is being pressed, the other strings create a drone-like sound that gives the impression that there are more instruments playing (Burkholder, Grout, & Palisca,

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