Innocence Is Bliss in O'Connor's Short Stories

Young adults are losing their childhood innocence; replacing it with the world of adulthood. The most reoccurring theme throughout the book, Lullabies for Little Criminals by Heather O’Neill is the loss of innocence. The protagonist named Baby, lives with her father, Jules who is a heroin addict. Jules and Baby are constantly moving to different apartments in Montreal, where Baby is exposed to drugs, juvenile detention and forced into prostitution by her pimp. Baby experiences many obstacles in her life at the age of thirteen because she doesn’t have a father that loves her enough to guide her into the right path of life. Therefore it did not take long for Baby to lose her innocence.

In the book, the Truth About Stories, Thomas King sheds light on the power of stories. King explicitly enforces that one must take caution in the way he or she tells a story, since it will shape one’s thoughts, decision-making and future (2). Through the use of literature, King weaves his way through native history, anecdote by anecdote, informing his readers about the importance of storytelling. “Stories are wondrous things,” the author writes. “And they are dangerous.” (9). To prove this, King mentions two creation stories; the differences in these stories is the way in which they are told. The first is a famous native story called, “the woman who fell from the sky”; this story is told in a complex, persuasive way (10-20). This story discusses a society emphasizing the value of cooperation as the animals work together to create a better world (21-22). The second story, a Judeo-Christian biblical story, describes a Western Capitalist society. It is told in a historical, punitive and direct fashion, underlining a society of boundaries and punishment. King highlights that storytelling is not just simply telling a story, rather it is how the stories are told. King uses these particular stories to show how different stories shape people’s perspectives, which impacts their ideas, thoughts and decision making. Therefore he addresses how sensitive storytelling may be, for once a story is told, it can never be taken back (10). This is true in all realms of life, cautioning

In the section “Catholic Novelists and Their Readers,” O’Connor portrays the three properties by describing the duty of a Catholic novelist and what effect their relationship

In this print source, O’Connor explains how her Catholic faith influences her writing in a positive manner. She also explains her views on the importance of the church, as well as its positive and negative actions and consequences. She claims that one must cherish the world while they struggle to endure it. Sally Fitzgerald studied briefly at Stevens

Mary Flannery O’Connor is considered one of the most successful short story writers in history. She composed her works during a period of prosperity and economic boom following World War II. Although the economy was thriving, the 1950’s were a period of struggle for women’s rights, as well as other minorities. (Digital History) Based on her success, one could conclude O’Connor exceeded all barriers against women during the fifties. Flannery O’Connor’s life experiences based on her faith, her novels, and the time period of the 1950’s contribute to her unique writing style.

Every writer has their own story and because of said story, it has an impact on who they are and how they think. In turn, this leads the writer into unraveling their writing style and, in an artistic way, write out their feelings in the form of a poem or story. We see this in the case of almost every writer, but as of now we 're only going to look at Mary Flannery O '- Connor. A major theme that reoccurs in much of Flannery O 'Connors work is her strong dis- like for the worlds current state, as in the condition of our world 's morality and values. Let 's see some examples in her work that support this thesis.

Our Life is a matter of choices. Live well and have faith and it will never go wrong. Our lives can be full of crazy ups and downs that shape our views on how life should be lived. With a similar ideology, author Flannery O’Connor’s depicts her own life struggles using different aspects and details throughout her novels and short stories. O’Connor lived by the basis that life must go on no matter the hardships. In her novels she represented various characters who made wrong choices and due to those choices suffered extreme negative consequences. Despite her struggles, O’Connor made the choice to continue on in her life yet many of her novels contradicted that same idea by having characters in her novels and short stories suffer consequences for making the wrong choices. Because the

There is only one experience that unites every single person in the world. Many people in the world can agree that it isn’t always the greatest experience, and many people have an extremely hard time getting through it, but every single adult goes through the act of ‘growing up’. For many, the transition can be very depressing, and confusing. When a child is young becoming an adult seems to be enjoyable and exciting, but it isn’t until that child is forced into the cruel, harsh world where the innocence of childhood can be appreciated and missed. The novel Catcher in the Rye explores how teenagers who are nearing adulthood see the adult world to be incomprehensible. J.D Salinger illustrates the confusion of a teenager when faced with the challenge of transitioning into adulthood using Holden Caulfield.

The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.

Exploring the idea that all men are born sinners, O’Connor demonstrates immoral indulgences entertained by various characters. Readers are introduced to grandmother, an elderly woman whose consistent unscrupulous behavior exhibits her inner motives. Grandmother uses subtle, indirect confrontation to get her way until she is faced with The Misfit, a runaway criminal who believes that crime is a justifiable. In “A Good Man Is Hard To Find,” Flannery O’Connor uses characterization to display a loss of morals, imagery to portray evil in society, and symbolism to emphasize the struggle of obtaining grace to prove how life is nihilistic without religion.

Flannery O’Connor, undoubtedly one of the most well-read authors of the early 20th Century, had many strong themes deeply embedded within all her writings. Two of her most prominent and poignant themes were Christianity and racism. By analyzing, “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” these two themes jump out at the reader. Growing up in the mid-1920’s in Georgia was a huge influence on O’Connor. Less than a decade before her birth, Georgia was much different than it was at her birth. Slaves labored tirelessly on their master’s plantations and were indeed a facet of everyday life. However, as the Civil War ended and Reconstruction began, slaves were not easily assimilated into Southern culture. Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now to be treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O 'Connor was born in Savannah, Georgia, the only child of a Catholic family. The region was part of the 'Christ-haunted ' Bible belt of the Southern States. The spiritual heritage of the region profoundly shaped O 'Connor 's writing as described in her essay "The Catholic Novelist in the Protestant South" (1969). Many

Flannery O’Connor’s philosophy of writing was directly related to her life and roots as a Southerner, a Catholic, and a woman. One of the Southern traditions that O’Connor used most in her writing was local customs and manners which make people laughable. “Exaggeration of characteristics and of incidents is one cause of our laughter in O’Connor’s stories” (Grimshaw 89). She would regularly expose the hypocrisy of character’s thoughts by exaggerating their ridiculous actions in moments of distress causing readers to feel both horror and humor at the same time. Also present in most of O’Connor’s work, is her Catholic faith with regards to her vision of grace and the devil. Her view of faith was complete in the sense that it had a beginning, middle, and end, but she wrestled with Protestantism and depicted hypocrisy and intolerance when she found them (Grimshaw

Flannery O'Connor remained a devout Catholic throughout, and this fact, coupled with the constant awareness of her own impending death, both filtered through an acute literary sensibility, gives us valuable insight into just what went into those thirty-two short stories and the two novels: cathartic bitterness, a belief in grace as something devastating to the recipient, a gelid concept of salvation, and violence as a force for good. At first it might seem that these aspects of her writing would detract from,

O'Connor's typical use of violence and humor in her literary work broadens the characterization of the grandmother and the misfit throughout her story. She uses these elements in an effort to establish the characterization of her two main characters through the many

Author Anthony Di Renzo notes the effectiveness of O’Connor’s use of thematic revelation.Rather than opposing one another, good and evil instead exist as “equally odd, equally absurd, and equally shocking” (122).The good and evil ironically converge to relay the message of grace, common throughout her works. O’Connor wanted her stories “to reach the unbelieving reader,” and the shocking aspect of the grotesque was the most effective way to reach him/her (Hawkins 28-29).