Jean Kilbourne Analysis

In the documentary Killing Us Softly 4: Advertising’s Image of Women by Jean Kilbourne, she talks about how women are depicted in advertisement. The average American will spend 2 years of their life just watching advertisement, and most of these people will make the claim that the ads were not effective to them. Jean Kilbourne stresses that the advertisement companies make their ads quick and cumulative so that they almost seem forgettable. However, the advertisements will still resonate in your mind unconsciously. Kilbourne argues that the objectification of women in the advertisement industry: negatively affects the mental health of women with the societal need to be perfect, encourages the eroticism of violence, and tells women they need

Jean Kilbourne is an advocate for women and is leading a movement to change the way women are viewed in advertising. She opens up the curtains to reveal the hard truth we choose to ignore or even are too obtuse to notice. Women are objectified, materialized, and over-sexualized in order to sell clothes, products, ideas and more. As a woman, I agree with the position Kilbourne presents throughout her documentary Killing Us Softly 4: The Advertising’s Image of Women (2010) and her TEDx Talk The Dangerous Ways Ads See Women (2014.) She demonstrates time and again that these advertisements are dangerous and lead to unrealistic expectations of women.

In Jean Kilbourne’s essay, “Two Ways a Woman Can Get Hurt”: Advertising and Violence, she paints a picture of repression, abuse, and objectification of women. Kilbourne gives an eye-opening view to the way American advertisers portray women and girls. Throughout the essay she has images that depict women in compromising poses. These images are examples of how often we see women in dehumanizing positions in advertisements and how desensitized we have become. Kilbourne implores us to take the media more seriously. She is putting a microscope on society and showing that the objectification of women is acceptable.

Today's media is increasingly pornographic, and the notion that 'sex sells' has infiltrated the advertising of virtually all products and services. Both men and women are sexualized in contemporary media, but the extent to which women are sexualized is far greater that men are. Jean Kilbourne states in her talk, The Dangerous Ways Ads See Women, "There are stereotypes that harm men, of course, but they tend to be less personal, less related to the body." The stereotypes that drive the portrayal of women in the media lead to the repeated objectification, particularly sexual objectification,

In “Two Ways a Woman Can get Hurt: Advertising and Violence,” the author Jean Kilbourne describes how advertising and violence is a big problem for women. Although her piece is a little scrambled, she tries to organize it with different types of advertisement. Women are seen as sex objects when it comes to advertising name brand products. Corporate representatives justify selling and marketing for a product by how a woman looks. Kilbourne explains how the media is a big influence on how men perceive women. Kilbourne tries to prove her point by bashing on advertising agencies and their motives to successfully sell a product. Kilbourne’s affirmation towards advertisements leaves you no doubt that she is against them.

For the longest time now, advertising has played a huge role in how we identify ourselves in the United States with the American culture, and how others identify themselves with all the cultures of the rest of the world as well. It guides us in making everyday decisions, such as what items we definitely need to invest our money on, how to dress in-vogue, and what mindset we should have to prosper the most. Although advertising does help make life easier for most, at the same time it has negative affects on the people of society as well. Advertisement discreetly manipulates the beliefs, morals, and values of our culture, and it does so in a way that most of the time we don’t even realize it’s happened. In order to reach our main goal of

Jean Kilbourne’s film, Killing Us Softly 4, depicts the way the females are shown in advertisements. She discusses how advertisement sell concepts of normalcy and what it means to be a “male” and a “female.” One of her main arguments focuses on how women aspire to achieve the physical perfection that is portrayed in advertisements but this perfection is actually artificially created through Photoshop and other editing tools. Women in advertisements are often objectified as weak, skinny, and beautiful while men are often portrayed as bigger and stronger. Advertisements utilize the setting, the position of the people in the advertisements, and the products to appeal to the unconscious aspect

Sexist ads show that society is dominated by the same masculine values that have controlled the image of women in the media for years. Sexist advertisement reinforces gender stereotypes and roles, or uses sex appeal to sell products, which degrades the overall public perception of women. The idea that sexism is such a rampant problem comes from the stereotypes that are so deeply embedded into today’s society that they almost seem to be socially acceptable, although they are nowhere near politically correct. Images that objectify women seem to be almost a staple in media and advertising: attractive women are plastered all over ads. The images perpetuate an image of the modern woman, a gender stereotype that is reinforced time and time again by the media. These images are accepted as “okay” in advertising, to depict a particular product as sexy or attractive. And if the product is sexy, so shall be the consumer. In the 1970s, groups of women initially took issue with the objectification of women in advertisements and with the limited roles in which these ads showed women. If they weren’t pin-ups, they were delicate

Kilbourne uses past financial data of the industry of advertisement and compares it with years 1979 and 1999. This industry spent twenty million dollars in 1979, and this number would raise up to 180 million dollars in twenty years. She identifies that the changes that took place during this time was due to technology and proves that advertisement has an easier access to influence the readers. Examples of the way technology and advertising would have on people would be the way they went about their daily lives, by showing that beautiful women would not have flaws. Advertising hides the blemishes and realism of one’s beauty by masking it and trying to make the perfect icon, or making them the idol of a unique look or

In Jean Kilbourne’s article “Two Ways a Woman Can Get Hurt”: Advertising and Violence, Kilbourne first states that she believes that advertising companies dehumanize and objectify humans, (i.e. woman) through sex, power, violence, and nudity. Throughout Kilbourne’s article she specifies/elaborates her assumptions with facts, pictures, stories, and even our everyday-to-day experiences in our communities. At the beginning of Jean Kilbourne’s article, she claims that woman tend to be more dehumanized or seen as objects based on the ads that certain advertising companies share with our communities. For example, Kilbourne briefly discusses that appealing ads tend to have woman in either poses/postures that are sex related, include pornography, or

She begins the essay by pointing out the use of porographic themes in advertisements, which use sexual fantasies, such as bondage and domination, to appeal to the desires of the audience. However, as well as promoting the advertiser’s product, these advertisements send a message about men and women that Kilbourne identifies as harmful to society. She connects that these advertisements promote the idea of male domination and female submission, and the sexualization and objectification of women. She provides many examples of this to prove her point, describing one horrifying ad after another. Kilbourne speculates that these ads, as well as objectifying women, also promote rape culture, and the idea that women are responsible for their own assault. As though these messages were not enough, ads also sexualize children, and teach them that objectification of women is normal and accepted. Kilbourne addresses these issues in advertisements, stating that they are promoting the dangerous ideas that today’s culture already has. She connects female addiction to

We've all seen and read many advertisements and we usually find them appealing and very persuasive. However the question is, what are they really advertising? Women are usually used for many different advertisements, not only are they used for women's clothing but also for other materials and objects. These are the ads that we look at each and every day. In, “Killing Us Softly” by Jean Kilbourne, she introduces her problem with how women are being used to advertise products. She shows us ads that she has seen where women are being used to advertise a company’s product. While our women are being used, dehumanized, and sexualized in our society, we’re going on with our life like it’s normal.

Sexualizaton and objectification in the advertisements we see and the media we watch has become a very strong issue in our society. With the idea that “sex sells”, consumers don’t even realize that they’re not viewing the advertisements for what they are, but for the women (or men) that are being portrayed in a very erotic way, posed with whatever product they were hired to sell. Many articles have been written so far to challenge and assess this problem, but one written by Jean Kilbourne (1999), “”Two Ways a Woman Can Get Hurt”: Advertising and Violence” holds an extensive amount of authority. Using her personal experience with the subject, as well as studies she has conducted herself on the topic of sexualization, she talks about how the amount of sexualization in advertising affects how society views the culture and products consumers buy. She also notes that because of the quantity and prevalence of these ads, the rate of all forms of sexual assault, specifically rape (mostly towards women of all age), increase, as well as other forms of assault. It is important to examine Kilbourne’s use of rhetorical devices, such as ethos, pathos, and logos, and how effective these devices make her article. This way, it can be examined for its validity and her understanding of her own research. Kilbourne’s article is very effective through her uses of pathos and ethos, but at the same time, it loses its effectiveness through her absence of a counter-argument, as well as a lack

Jean Kilbourne analyzes two sides to the spectrum in which women are damaged. As the title states, these two ways reveal themselves as advertising and violence. She then dives deep into the dark world of advertising and exposes the vile nature of these productions. Kilbourne selected and criticized a large number of specific ads implying sexual behavior and aggression towards women. Looking through these ads, she then suggests how treating women in such a sexually degrading way may lead to violence and how these behaviors must be stopped. Many instances have been laid out including many female teens being emotionally abused at school and online. Women are seemly unable to escape these problems as long as men are around. In the

Tom Ford’s advertisement for Menswear utilizes the power of media to make a social critique of stereotypical gender construction. The main purpose of an advertisement is to appeal to a certain type of audience and satisfy to what captures the eye of a particular view. In this advertisement, it is the male gaze that the creators of the ad are trying to essentially gratify. Little nuances such as the posture of the couple represents a slight change of gender roles and inherently questions who actually is in power in the advertisement. For example, the woman has her hand on her hip with her head tilt back. The hand on the hip can represent a dominant stance filled with control and independence. The