A stark contrast to the two goddesses, Eliza and Angelica, takes form in Maria Reynolds. “Maria isn’t much more than an archetypal femme fatale—sort of a sultry Rihanna type” (Schulman) perfectly illustrates the reducing of female characters into one-dimensional characters. Most of the show’s audience see Maria as a femme fatale who seeks to hustle Hamilton with the help of her husband James Reynolds. Only briefly can one glimpse into Maria’s life to see that much more pertains to her life than the one dimension Miranda grants her during the song “Say No To This”: “I didn’t know any better/ Please don’t leave me with him I am helpless” provides enough leeway into Maria’s personal life to show the situation she finds herself in. Her words at …show more content…
In “Burn”, Eliza experiences a character arc within the three vignettes of the song. Eliza sings this song completely along; the first song in which a character receives a complete solo from start to finish, with minimal orchestration, an important thing to note since it symbolically provides a clear canvas for Eliza’s thoughts. In the first verse, Eliza still clings to her smitten, helpless love with Alexander. In the second verse, she grows increasingly exasperated with Alexander and the self-exposal of his affair. She falls into a helpless, pitiful tone of despair and agony. In her final vignette, Eliza sheds her helpless skin and becomes a stronger, independent woman who single-handedly alters the course of history by burning her letters. Throughout this song, however, not once does Eliza blame Maria. She pins all the blame exactly on the person at fault; her husband Alexander. When Eliza sings, “You published the letters she wrote you/ You told the whole world how you brought/ This girl into our bed” (Hamilton) in her soliloquy. Eliza remains fully capable of referring to Maria in several, less democratic ways, from “whore”, as James Reynolds does, to a fully developed and conscious woman, as Alexander does. Instead, she chooses to see Maria for what she truly is; a helpless girl who suffers at the mercy of her
Larissa Taylor takes her readers on a journey through the life of the infamous Joan of Arc. Joan can be easily recognized as a historical figure in the 15th century, a female warrior, and a woman that was fiercely independent and determined. Joan’s life has been told again and again, which has slowly taken away from the incredible woman that held so many triumphs. Instead of giving her readers a list of Joan’s accomplishments, Taylor enthralls the reader by detailing every step of Joan’s life, start to finish, so that one can really understand the life of the warrior.
My name is Maria Butler, a proud Patriot of the Revolutionary War. I am 28 years old. I live in North Carolina with my amazing husband. His is name is Rhett Butler and he is the wealthy landowner of Magnolia Plantation, our 400 acre tobacco plantation. My husband provides a very nice home that is well cared for by our slaves. Contrary to what some may some believe we are very good to our slaves who we treat as family members. Although my successful husband has a good education from a great southern college, I on the other hand am not a highly educated woman but i can read and write. I do have the skills common to every proper southern woman which allow me to care for my home, my husband and our children. Rhett and I have two children,
Mariachi is a lot more than just a band playing; it's a tradition that has been in Mexico for almost two centuries and is enriched with a huge history and deep meaning to for the Mexican culture. Mariachi music started in the nineteen century as a way for the common people of Mexico to find a way to express their ideas and feelings in which their ideas later become lyrics and their feelings become music. Mariachi music as we know it today results from the confluence of several different influences. It originated in the Mexican state of Jalisco, in the town of Cocula, in the 19th century. It was a way in which people were able to say what they were feeling in a new and unique way. From the music and lyrics to the dress attire and
The articles “The Myth of the Latin Woman: I Just Met a Girl Named Maria” written by Juthish Oriz Cofer and “White Privilege: Unpacking the Invisible Knapsack” by Peggy McIntosh are two essays covering the topic of race and gender. With a focus on privilege and race, one may assume that these two articles say the same thing, while in reality that is not true. As McIntosh and Cofer come from two different backgrounds and social standing, the authors offer two very unique views on the subject matter. Due to Cofer being a Puerto Rican woman and McIntosh being white woman, the two are opposites when it comes to white privilege and how it has effected them. This allows for them to give different views on the subject within the papers. Each articles differ in the audience, the purposes, and the appeals used within. On the other hand, both works are similar with the end goal and intended audience. As a member of the audiences targeted by both of these authors, I was able to connect to both of their writings due to the many different ways the two authors connected to their audiences.
In the story "A Thousand Splendid Suns", we follow the life of two different girls, Mariam and Laila. They both lead two very different lives that spiral into two entirely different directions. They had different education, different influences throughout their lives, and
Throughout My Antonia, the difference between immigrants and native lifestyles are shown. While neither Jim not Antonia is rich, Jim is definitely more well off than her. He knows the language and has enough that he can have more opportunities. Antonia realizes that her life is going to be more difficult and that she will have to work more because of her mother’s decision to move to America. She tells Jim that “if I live here, like you, that is different. Things will be easy for you. But they will be hard for us,” (90) and knows that her gentle personality might be at stake. This also foreshadows future events where Antonia struggles as an immigrant farmer. It adds obstacles to her life which might lead to them drifting apart in their friendship, even complete separation. This relates to the world in how immigrants had a harder time getting going in life. Antonia’s mother has already become changed because of poverty. She is grasping, selfish, and believes everyone should help her family. Jim’s grandmother defends her, knowing that, “a body never knows what traits poverty might bring out in them,” (60), though it is socially unacceptable. The pressures of helping her family led Antonia to not be educated and become a farmer. She is happy, but this leads to Jim being away, “twenty years before I kept my promise,” (211) as he is a successful lawyer and travels. They still have old connections, though being from Bohemia did change Antonia’s life and where it could have gone.
In “The Myth of the Latin Woman: I Just Met a Girl Named Maria,” the incidents on the bus, in the hotel, and at the poetry involved prejudice and stereotypical misconceptions of Puerto Rican women. While Cofer was on a bus trip to Oxford University, a man “broke into an Irish tenor’s rendition of “Maria” from West Side Story” (Cofer 103). This implies that Latinas dealt with people who automatically assume that a Latina’s name is “Maria” or “Evita” based on a fictional movie. While at a hotel with a colleague, a middle-aged man called Cofer an “Evita” and he “began shout-sing a ditty to the tune of “La Bamba”---except the lyrics were about a girl named Maria” (Cofer 107). Then Cofer realized that “[she] was just an Evita or a Maria: merely a character in his cartoon-populated universe” (107). The men that sung stereotypical songs viewed Cofer as a sexual object and referred to her as an image displayed by the media.
Stereotypes are what people generalize others to be just because their personal characteristics are different from one another. This has been an on-going conflict in our society because of the fact that it privileges certain people to have the more advantages than others when it comes to jobs, education, and who the people are. But the problem that society has when it comes to stereotyping is that they are not seeing the real dangers of what it has been doing too many of these people. Such dangers have led many to believe that based on skin color, race, gender, and other traits, people are potential threats, less privileged, and thought to be just different in general. In the essays “The Myth of a Latin Woman: I Just met a Girls Named Maria” by Judith Cofer and Just Walk on By: A Black Man Ponders His Power to Alter Public Space” by Brent Staples, the reader is introduced to the real life experiences of stereotypes and how they impact many of these lives in different ways.
“I dreamed that a woman was coming into the room with a little girl in her arms, and that the child was chewing without stopping to take a breath, and that half-chewed kernels of corn were falling into the woman’s brassiere. The woman said to me: ‘She crunches like a nutty nuthatch, kind of sloppy, kind of slurpy.’ Suddenly I felt the anxious fingers that were undoing the buttons of my shirt, and I caught the dangerous smell of the beast of love lying on my back, and I felt myself sinking into the delights of quicksand of her tenderness.” (89-90).
During the time I been taking English 105 we have talked about many essays. Many of the essays we read in this semester were interesting essays in the 50 essays book. Most of the essays were inspirational to students. Some of the essays were very helpful they help develop our writing skills and how to be more descriptive in our essays. For the student learning outcome the essays should be interesting for the student to feel involved when talking about the essays. Many of the essays in our book were relatable to many students, yet there was one essay that ,in my opinion, did not have to be in our syllabus. In the essay "The Myth of the Latin Women: I Just Met a Girl Named Maria" by Judith Ortiz. The essay I did not believe it had to be in our syllabus because it really did not have to do much with the student learning outcome was "The Declaration of Independence" by Thomas Jefferson.
As a Renaissance woman protagonist, she acts within an completely male world: "I do not know/ One of my sex; no woman's face remember" (3.1.48-49). While no other women appear in the play, references are made to other women, but the count here is still minimal and sums up to three. Miranda speaks of the lack of female companionship around her because of her location, but simultaneously the audience sees that the references to women that do occur within the play often have a sinister purpose for appearing within the lines. The other women mentioned in the play seem to provide a sort of dark cloak over the proceedings of the play, even if they are completely absent. Regardless, Miranda, as the only physical woman in the play the audience actually sees and hears, is described by Prospero with kind words, and few, if any, negative imagery revolves around the appearance of the innocent Miranda. For example, Prospero informs Miranda that this "Art" is prompted by his concern for her; "I have done nothing but in care of thee" (1.2.16). Prospero also tells Miranda that his mistreatment and harshness toward Caliban stems from the fact that Caliban attempted to rape Miranda and Prospero wants to protect her from any harm that could come about from Caliban.(1.2.347-51). Prospero also indicates that Miranda, to him, is "a third of mine own life,/ Or that for which I live" (4.1.3-4); therefore after she is
The “femme fatale” was a common theme in the 1940’s it is a female lead who uses sensuality and mystery to seduce and manipulate the male character of the film. No American detective novel written in the thirties would be complete without the figure of the "femme fatale," a French term meaning deadly woman. A femme fatale is an irresistibly beautiful woman who uses her sexuality to seduce men and lure them into dangerous situations to serve her own selfish interests. There is a fair few of these in The Big Sleep, but none of them is quite the dynamo that Vivian turns out to be. I also believe that Carmen Sternwood could be considered a femme fatale as well.
The various love triangles throughout the movie reveal the flaws in the portrayal of Maria and the real life happenings of the Nazi era. Maria is used as a symbol of religious purity and various religious
In this poem “Woman’s Work”, the mother is forced to do household cleaning which represents a domestic life and the impact of gender specific roles. This poem is written in the third person point of view. The speaker is the daughter of a mother who doesn’t work outside, but only inside of the house, and is forced to do household cleaning with her as she hears her friends playing outside in the street. Author Julia Alvarez uses imagery, simile, and alliteration to portray the meaning of the poem that women work harder than men.
Femme fatale. Every culture has a mystical femme fatale that is known for being beautiful, enticing and deadly. A female being that has the ability to entice a man with the intent to destroy his very being. The Mermaids, Nymphs, Undines and Sirens, these beautiful and deadly creatures are known all over the world. The alluring charms of these creatures are legendary and have been known globally for centuries. The femme fatale is known for being able to charm and lure wayward men for safety into an out of element location. These men have been away from the company of women or just wanting the female company. The idea of a beautiful and seductive female looking for carnal pleasure is usually desired when a person is in need of physical and