Maria Musical Analysis Essay

Mariachi is a type of musical group, originally from Mexico, consisting at least two violins, two trumpets, one Spanish guitar, one vihuela (a high-pitched, five-string guitar) and one guitarrón (a small-scaled acoustic bass), featuring sometimes more than twenty musicians. But to me Mariachi is much more. It has its own language, a language that can be understood and admired by many. Each instrument is valuable and indescribably necessary. The vihuela for instance might seem small compared to the other mariachi instruments but once together, one can hear how necessary it is to make beautiful music notes come to life.

When one hears the word “feminist”, many different things may come to mind. One may think of the “bra burning” feminists of the 1960s or the “riot grrrl” feminists of the 1990s. It can bring to mind issues such as abortion, birth control, and unfair wages. There are many different aspects of feminism, some of which are understood only by those involved in the movement. But like most things people are passionate about, feminism has held a strong place in music since its very beginning, and can be seen in its festivals, its politics, and in the average American’s everyday life.

The origins of the word "mariachi" are not very clear. One theory, that the word came from the French word for marriage has been totally discounted. Many historians believed that the word originated when a Frenchman named Maximillian was the emperor of Mexico. Evidence of the usage of the word dates back much earlier than the arrival of Europeans, so the word had to come from somewhere else. Another theory states that the origin came from the name of the wood used to make the guitars or platforms on which the musicians performed. The most recent theory, however, dates the word back to the early 1500’s to the Coca Indian word for a musician (Ruiz, 2002). Today, the term mariachi refers to the musicians who play

is the animated musical sequel to its originator in 1940, Fantasia. It was released in December of 1999 and was produced by Walt Disney Feature Animation and Walt Disney Pictures. Walt Disney’s brother, Roy E. Disney was the helm of producing it and so was Donald W. Ernst, who co-produced it. The movie includes many celebrities that introduced the live action parts with the classical music counterpart. It took many, many years to get the approval to make the sequel and it did really well in the box office. But the more important part from this movie is the music behind it, the music really goes along with all seven of the segments shown and they all have an art style behind it.

Music, in the history of Puerto Rico, has played a role of great significance as a means of cultural expression. The five centuries of musical activity shows that Puerto Ricans have created, developed and promoted a variety of genres ranging from folk music, concert music and new genres. The Puerto Rican music and native musicians have shaped and enriched the identity of the Puerto Rican people and their roots.

Eric Whitacre is an award winning American composer, conductor and speaker, known for his choral, orchestral and wind ensemble music. He is also known for his "Virtual Choir" projects, bringing individual voices from around the globe together into an online choir. Whitacre is best known for his choral and instrumental styles use pan-diatonic clusters usually arranged in successively increasing or decreasing density. Whitacre has frequent use of quartal, quintal, and secundal harmonies, and for his use of unusual chord progressions. His use of rhythm often involves mixed, complex, and/or compound meters. His pieces include frequent meter changes and rhythmic patterns. One of his trademarks is the use of aleatoric and indeterminate sections,

Whitacre does something in his music that is so unique and complex, it is almost hard to believe that he did not know how to read music when he attended the University of Nevada as a Music Education major.(Bowen) The way that he builds chords to provide moments of tension is seventh or ninth chords, with or without suspended seconds and fourths and root-position major triads with an added major second and/or perfect fourth. (Shrock) Whitacre also uses unconventional chord progressions, meter changes, and harmonies. He is also known to use hand actions or props, as he does in the piece "Cloudburst" when the singers use snapping, clapping, and stomping to imitate the sound of a rainstorm.

I have grown up listening to Hip-Hop just as I did listening to my mother’s blaring Bachata and Merengue every Sunday morning and from what I can recall, the artists I primarily listened to were black, or Eminem. The only Spanish rappers I did listen to were Reggaeton artists, meaning I did not listen to many predominately English speaking Latino rappers. This revelation of my early musical tastes begs the question as to why I was not exposed to more Latino rappers during the late nineties and early millennium. In learning about how Latino’s have participated within the realm of Hip-Hop, one learns that allow Latino’s have played a major role in its foundations, the call for a strong identity has emerged due to various group’s

In my opinion, that is the reason why we listened to this piece of music. To try and be exposed to a work that has a large supply of instruments and a choir at the same time. From listening to it, they did a very good job of incorporating the choir with the music. The choir was also very synchronized as well. They did not get too high or too low as a group. One of the differences with this piece of music is they incorporate different types of music and the choir sings from the very beginning. One thing that was very enjoyable was how strong and powerful the choir sang at the end of the piece. Once, again, the most difficult thing about listening to this piece was the lack of understanding any of the

As Christopher Small, it is true that there is no culture ever disappears but it is

In the realm of entertainment, Disney leads the way with creativity, bringing to life fairytales and stories that only the most imaginative child could come up with. Children of all ages, teenagers, and adults leave the theater of a Disney movie inspired, empowered, and entranced by the magic and wonder brought about.

Due to the fact that Baroque keyboards generally lack the ability to make crescendos and diminuendos, music played on these instruments sound very boring and straight forward unless elements are added to the performance. For organ and harpsichord, the player cannot change dynamics once the registration is chosen. A decent performance of Baroque music, no matter on a Baroque or a modern day keyboard, relies very much on the variety of touch to sound interesting. I would therefore like to discuss some crucial concepts that guides keyboard players on how to effectively control the touch and attack of the keys with correct posture and movement. Friedrich Wilhelm Marpurg, a German music critic and composer in the 18th century, wrote that ‘It is true that there are passages that can be fingered in more than one way. But of all these ways, there is always one which is more suitable to these passages than any other. One should therefore choose among the good position. Then, between these different possible positions, one must choose the one that makes the least movement.’ This highlights the importance of limited movement in the body and the arm at that period of time, opposing the modern

In 1965 Robert Wise presented the world with his smashing box office hit film, The Sound of Music. Over time it has become known as one of the most loved and well-known musicals of all time. Shortly after its release it won many Academy awards: Best Picture, Best Director, Best Sound, Best Adapted Score, Best Film Editing, Best Film-Musical, Best Color Cinematography, and Best Costume design (Freiden par3). The movie is based upon the true story of the VonTrapp family and allows its audience to relive their family experience as well as their flight from Nazism just before the outbreak of World War Two.

If scholars are correct in assessing ancient biblical Israel as patriarchal, then the seasoned woman of the Song has mastered the art of “depatriarchalizing” her private world, and thus, in love she comes without the baggage of this world. “She’s undaunted, risking misunderstanding and censure as she pursues love. She is responsible, being accountable for her actions. She is protective, shielding her lover and the love they share from the prying eyes of others.” Though she lives in an imperfect cruel world: angry brothers (1:6), wet winter (2:11), foxes that ruin the vineyard (2:15), anxiety of lover’s absence (3:1-4; 5:6-8; 6:1); brutality of watchman (5:7), reality that other women vie for her man’s attention (6:8)---she triumphs in her love and invites her partner to share love without the burden and temptations of real life. She’s confident and self assured of her beauty and character (1:5; 2:1; 8:10) with a strong sense of security and independence such that she has no hang ups in initiating sex (3:4) nor in sharing her fantasies and desires to her man. She’s shameless: fear of rejection, ridicule, embarrassment, and inadequacy is not in her vocabulary. Moreover, the wild animal

The beautiful sound of piano music has captured the hearts of people since the early eighteenth century. Since then, many musicians have dedicated their lives to this instrument. Some players even play piano so well that it may seem that this instrument is easy to play. However, to be able to play the piano well isn’t easy; it takes a lot of skill. To become a good piano player, one must love music very much, have good finger techniques, and body flexibility.