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Mission Blue Irony

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Midway through the recent Netflix documentary Mission Blue (Robert Nixon and Fisher Stevens, 2014), which follows the renowned marine biologist and conservationist Sylvia Earle’s campaign to establish protected marine sanctuaries around the globe, the narrator pauses to note an irony: the same industries that have for over half a century exploited the ocean for oil and gas, wreaking environmental havoc, are also responsible for the greatest technological advances in ocean exploration. These advances, moreover, helped deepen scientific understanding of the ocean and of its ecological import. Ocean conservation and conquest, it would seem, share a common origin. This irony extends to making movies, including Mission Blue itself. We have, it seems, come to understand the ocean, and develop ecological ideas about it, primarily on account of films and the stunning images of marine life they contain. Like many visually arresting …show more content…

For if we account for all of the industrial underpinnings of cinematic production, distribution, and exhibition—from the mines where the metals and minerals that make cameras and projectors are extracted to the factories where this equipment is assembled, from the reliance on aviation and trucking industries to distribute prints to the energy consumed by movie theaters, computers, HDTVs, and other exhibition technologies—it becomes clear that cinema is thoroughly entangled with the major industrial causes of climate change. However, the gulf between a film’s effects and its industrial underpinnings becomes especially pronounced when the film takes a strong environmentalist stance. By focusing on ocean cinema, a particularly rich case of unseen worlds, environmental consciousness, and destructive techno-scientific commitments coming together, I hope to illuminate a tension that in often less dramatic fashion pervades other environmentally minded

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