Midway through the recent Netflix documentary Mission Blue (Robert Nixon and Fisher Stevens, 2014), which follows the renowned marine biologist and conservationist Sylvia Earle’s campaign to establish protected marine sanctuaries around the globe, the narrator pauses to note an irony: the same industries that have for over half a century exploited the ocean for oil and gas, wreaking environmental havoc, are also responsible for the greatest technological advances in ocean exploration. These advances, moreover, helped deepen scientific understanding of the ocean and of its ecological import. Ocean conservation and conquest, it would seem, share a common origin. This irony extends to making movies, including Mission Blue itself. We have, it seems, come to understand the ocean, and develop ecological ideas about it, primarily on account of films and the stunning images of marine life they contain. Like many visually arresting …show more content…
For if we account for all of the industrial underpinnings of cinematic production, distribution, and exhibition—from the mines where the metals and minerals that make cameras and projectors are extracted to the factories where this equipment is assembled, from the reliance on aviation and trucking industries to distribute prints to the energy consumed by movie theaters, computers, HDTVs, and other exhibition technologies—it becomes clear that cinema is thoroughly entangled with the major industrial causes of climate change. However, the gulf between a film’s effects and its industrial underpinnings becomes especially pronounced when the film takes a strong environmentalist stance. By focusing on ocean cinema, a particularly rich case of unseen worlds, environmental consciousness, and destructive techno-scientific commitments coming together, I hope to illuminate a tension that in often less dramatic fashion pervades other environmentally minded
In the documentary film Blackfish, directed by Gabriela Cowperthwaite, the director debates the rights for sea animals. Cowperthwaite makes the claim that sea animals should be freed from their enclosures in entertainment because they’re harming themselves and the humans that are training them. She uses all rhetorical analysis of pathos, ethos and logos, but pathos trumpets over all. Pathos is such a strong appeal in this documentary because of the animals lives and the peoples’ emotion towards the subject of the matter. Cowperthwaite is able to engage the audience with pathos because of the appreciation of the arguments significance.
While Blackfish does not touch upon any of the good that SeaWorld does. Again, this does not mean that the film is unreliable in and of itself. However, it again casts reasonable doubt over the film’s veracity, an issue that the director of a compelling film should strive to avoid. If Cowperthwaite aimed simply to get people thinking, she would have given viewers a positive perspective as well, so as to enable viewers to conduct their own robust cost-benefit analyses of SeaWorld’s business
In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.
Director, screenwriter, and producer, Stephen Spielberg, has been often described by critics as being one of the trailblazers who paved the way for the new Hollywood era. In fact, one of Spielberg’s earliest films, JAWS, captured the audience’s attentions so vividly that the movie remains to be a cult classic even decades later. The audience sunk its teeth deep into the enticing combination of drama, thrill, science-fiction, and adventure the film obtained. At face value, JAWS appears to be focused on a giant monstrous fish, but with further analyzation of the plot structure, narration, and original music demonstrates the brilliance and complexity of why JAWS is a well deserving Oscar-winning movie.
Blackfish is a shocking film that reveals a lot of information regarding Sea Worlds famous known “Killer Whales”. These enormous whales are highly trained by trainers of Sea World who perform for thousands daily. The film uses the tragic tale of Tillikum to support their many claims and an investigation of the Sea World
The main thesis of Mission Blue is to raise awareness of the importance of saving the ocean, and it is based around acclaimed oceanographer Sylvia Earle. It is a great documentary because it uses 4 techniques to reinforce the theme of environmental awareness. The first method is through code, where they use technical codes and symbolic codes.The second approach that makes this documentary great is their creative use of conventions. In addition to this part of expressing a message we have great use of methods of persuasion, which includes the trio of Logos, Pathos and Ethos. Lastly to tie everything together, the documentary provides a great path to understand and appreciate the methods of development.
The director of the movie Blackfish informers the audience about the incidents and situations at Sea World through rhetorical devices, ethos, logos, and pathos.
The documentary Blackfish was debuted by CNN in 2013, shortly after the death of SeaWorlds’ orca trainer Dawn Brancheau. That, and other strange “accidental” deaths, brought up a controversial issue debating whether or not seaworld is telling the truth or just covering it up. In the film, director Gabriela Cowperthwaite reveals the problems within the sea-park industry, human relationship to nature, and how little has been learned about these highly intellectual
A documentary is film dedicated to recording an aspect of reality for informational purposes. Documentaries can cover a wide variety of topics, such as the wildlife in the world. A major topic that has become relevant is the discussion of endangered species and the human impact on their lives. In the movie, The Cove, the portrayal of Ric O’Barry creates pathos and ethos to gives the audience a sense of urgency to help the fight against the slaughtering of dolphins in Taiji, Japan. Ric O’Barry, in the 1960’s, was a famous capturer and trainer of dolphins for the popular TV show, Flipper.
Gabriela Cowperthwaite’s compelling documentary, Blackfish, tells the story of former SeaWorld trainer, Dawn Brancheau, and her tragic death. The film focuses on exposing the truths about working at SeaWorld, and the inhumane treatment of the Orca’s that live there. It successfully appeals to logos by conducting interviews with former SeaWorld trainers while they explain firsthand the working conditions, training requirements and living conditions of the whales. Interviews, catastrophic death stories, court cases and eyewitness accounts are all used as persuasive devices and logical support. Moreover, pathos heavily influences almost every aspect of the film due to the filmmakers’ music choice and strategically placed footage clips. Blackfish also sheds light on the sequence of events that led up to the
In 2009, Dr. Sylvia Earle wrote The World is Blue to educate and alert the reader about human impacts on marine ecosystems. Through this book she conveys her passion and methodical arguments concerning the importance of the conservation of the ocean, which encompasses approximately 80 percent of the earth’s surface. Dr. Earle states “the ocean touches you with every breath you take, every drop of water you drink, every bite you consume” (17). This statement emphasizes the significance of the ocean, not only for marine life, but all life forms on earth. The book implies that currently in today’s world, the conservation of the ocean requires a global effort to reduce human damage from the past generations. Using facts gleaned from credible scientific resources, she defines the problems of overfishing, bycatch, and pollution. By analyzing human impacts on marine ecosystems, Dr. Earle determines successful and unsuccessful solutions to these problems and suggests various ways individuals can change their lifestyles to reduce impact on the environment as a whole.
Steven Spielberg’s Jaws (1975) and his other film Jurassic Park (1993) both contain a major theme of what makes a successful hero in society. In Jaws, police chief Martin Brody must successfully eliminate the threat of a Great White Shark from attacking Amity Island. In Jurassic Park, billionaire John Hammond creates a theme park where cloned dinosaurs come alive, hoping that his ideal resort becomes a major success. Through the use of film style elements, such as editing and mise-en scene, Spielberg develops Brody’s character as a person who must learn from his past mistakes in order to become a successful hero while Spielberg creates Hammond’s character as a man who only sees himself as a hero of science and technology without realizing
This essay will evaluate the Water Brothers documentary “Plastic Ocean” and how well their findings and the information in the clip, contribute to scientific research. While the Water Brothers did manage to cover a few key issues, being constricted to a twenty-two-minute time frame left the Water Brothers with very little room to address other important information. I believe that if more time had been given to the Water Brothers, they would have done a better job of informing the public of what’s really at stake. If for instances another twenty-two minutes was given, I believe that the Water Brothers would have had a better opportunity to go into detail on key issues. For this paper, I will introduce what the documentary did manage to showcase
While exploring the intriguing domain, I stared wide-eyed in the dim rooms, my face was illuminated by the glowing tanks while fish and other marine life gawked at me. It was as if they wanted me to join them or aid them to escape their aquatic prison. It was depressing to be so close to them, to be only separated by glass, but unable to save them. Many animals could have been violently captured from their homes with no hope of ever being reunited with their true families. The stress of hearing to kids crying, people clapping, loud music,
The magic of film is that it can tightly control what the viewer sees. A camera’s ability to let directors decide what is explicitly shown and what is merely implied makes it a powerful storytelling tool. The average director wishes to immerse the viewer as much as possible, using lavish special effects and high-tech equipment to hide the artificiality of the film under a thick layer of polish. When a film breaks this immersion it is usually considered to be a technical or creative failure. Other films for various reasons decide to deliberately either break the viewers’ immersion or never immerse them in the first place. A good example of one of these deliberately false films is The Life Aquatic with Steve Zizzou, directed by Wes Anderson in 2004. Without giving much detail it is the story of Steve Zizzou (portrayed by Bill Murray,) a documentarist and oceanographer who vows to avenge a comrade who was allegedly killed by a jaguar shark. However though the course of the film it is revealed that the eponymous character is not the knowledgeable adventurer that he claims to be, in fact being an incompetent hack more concerned with wealth and prestige than anything else. Though Zizzou’s films appear to have adequate production values it is revealed that much of it is inaccurate or even fabricated for the sake of showmanship. Anderson uses broken immersion as a metacommentary or analogy of the fake nature of Zizzou’s documentaries and his phony persona.