Musee Des Beaux Arts

Analyse (tell me how the poet creates this image - choice of words, literary devices, implication etc)The idea of a freezing, harsh climate is emphasized with "winter's city" and "winter's leaves". The poet uses words like "death" and "terrible" to highlight the freezing, barren winter.

The poems in this section are about the hardships of life and the problems that people have to face, yet there is an undertone of hope in them too, the problems may not be solved, but the poems show that there is a sense of faith in human resilience.

The tone of despair and loneliness is carried on to the proceeding stanzas, and is more evident in the last two. By saying that “Water limpid as the solitudes that flee

The Man from Snowy River holds plenty of language devices that help capture the mood and setting of the poem. ‘The old man with his hair as white as snow’ makes use of simile to help describe one of the men on a horse. The simile makes the line more interesting and less monotonous by showing what he looks like rather than straight-out telling. The man is made out to be strong and fierce but the similarity of his hair and snow juxtaposes this power as snow is thought to be delicate and beautiful. Another technique is the metaphor “And the stock-horse snuffs the battle with delight.” This hints that the drovers must be prepared for the dangerous job ahead of them, if

Furthermore, poetry, and the personification of poetry, conversations with old friends and family, should not need a special occasion, rather it should “ride the bus” with patience for the stops before your own and the understanding of other’s needs before your own (line 13). You can also say the bus can represent the speed at which life passes you by and how easy it is to miss something if you are not paying attention, or even, that these missed moments have a poem to help you along your long journey home. With the use of

The appreciation of nature is illustrated through imagery ‘and now the country bursts open on the sea-across a calico beach unfurling’. The use of personification in the phrase ‘and the water sways’ is symbolic for life and nature, giving that water has human qualities. In contrast, ‘silver basin’ is a representation of a material creation and blends in with natural world. The poem is dominated by light and pure images of ‘sunlight rotating’ which emphasizes the emotional concept of this journey. The use of first person ‘I see from where I’m bent one of those bright crockery days that belong to so much I remember’ shapes the diverse range of imagery and mood within the poem. The poet appears to be emotional about his past considering his thoughts are stimulated by different landscapes through physical journey.

W. H. Auden's poem however is quite different. "Musee des Beaux Arts" is written in free verse, meaning that the poem is essentially "free" of meter, regular rhythm, or a rhyme scheme. Like the specific structural considerations of the sonnet form, the seeming lack of structure which free verse offers is purposely employed and works to illuminate the poem's meaning. In Auden's poem, the long irregular lines, subtly enforced by the irregular end rhyme pattern, create a casual, conversational air more prosaic than poetic, and a somewhat nonchalant tone which is reflective of the compassionate world illustrated in Brueghel's art. For example, in Auden's poem there is a subtle rhyme scheme that is throughout the poem. The poem's first line rhymes with the fourth but the fifth rhymes with the seventh. So although there is a rhyme scheme it is a non-traditional. This concept imitates the painting in the way that when looking at the painting you know that Icarus is drowning somewhere, but you do not see him until you really start concentrating on the images painted on the canvas. The casual, easy-going argument the tone suggests is ironic for the

Countless art has been sought-after throughout history. Explorers, scientists, art collectors, politicians, and entrepreneurs from Western nations have sought out and removed art from the lands of great civilizations, often with the assistance and participation of local people and governments. Even as cultural property faces immediate danger today in conflict zones like Syria and Mali, there is circumstantial evidence that some nations are awakening to the political and foreign policy benefits that can flow from the repatriation of cultural patrimony. While on a different scale from World War II, historic structures, religious monuments, and other priceless ancient times continue to suffer collateral damage and manipulation in armed conflict. Relics have been stolen, smuggled and sold in what is a reported multibillion dollar underground market. They have become the illicit prizes of private collectors and the subject of legal claims against museums. Of the countless museums subject to legal claims, The Metropolitan Museum of Art in New York City happens to be one of them. “The Metropolitan Museum has acquired thousands of works and objects of art from the antiquities”. “For the past several years, the government of Turkey has warned U.S. and foreign museums (including The Metropolitan Museum of Art), that unless ancient objects from Turkish soil are given up on demand, Turkey will stop lending artworks” (The Committee for Cultural Policy, 2015). Turkey continues to up the

In line 6 the writer gives us an image in the phrase the snake slides away. Here the writer describes the wonderful movement of a snake that can make you carious to know how it is created. Furthermore in the same line the speaker give us a simile when she describes the jumping of a fish like a little lily which is “type of plant that grows from a bulb and that has large white or coloured flowers”.( Oxford dictionary 2006)The writer also gives us another great image of nature :The gold finches sing from the unreachable top of the tree . Here unreachable top of the tree is connected to the first line of the poem where there are things you can’t reach even if you want to like the gold finches who sing from a far place. In line 7 the writer invites us to look at nature by saying I look and then saying morning to night where she means she looks at nature all day long without feeling bored or done with looking.

The other section where symbolism is evident is “Small Porch in the Woods.” It is divided into several poems. In the first one, there is the mention of “unshifting star” which represents a change that is undisturbed. It is the turning point of the society. Despite the challenges communities face in their life, their ambition leads them towards achieving their objectives in life. The second poem under this section is about a heavy rain that fell in the month of April. Heavy rain is the representation of unhappy moments. The description presented by the narrator shows that it is a sad moment where everything is carried away. Throughout the poem, the rain is seen, as a lesson

The two poems “Waiting for Icarus” and “Musée des Beaux Arts” are narrative poems. “Musée des Beaux Arts” is a poem written by W. H. Auden and published in 1938. “Waiting for Icarus” is a poem written by Muriel Rukeyser and published in 1973. The poem “Musée des Beaux Arts” is about how no one truly cares when a tragedy is taking place, unless said tragedy concerns them directly. The poem “Waiting for Icarus” tells the story about a woman who is reminiscing being abandoned by her lover while waiting for him at the beach. The two poems have a great deal of similarities and differences between them. Despite the fact that “Musée des Beaux Arts” uses an indifferent tone and irregular rhyme scheme and “Waiting for Icarus” uses a melancholic tone and no discernible rhyme scheme, both poems use the themes of abandonment and suffering and the myth of Icarus in order to convey to their readers how people deal with pain and misery.

Near the end of the poem, Decaul makes a dejected image as he speaks of “life” being similar to “dew” and the “disappearing dew” (26,27,28). By saying this, Decaul shows us how fast a life comes and ends. The many different unfortunate and unhappy images the soldier witnesses, help the reader to connect and understand the overall meaning of what life is like during the war. It displays how the soldier would describe his life. By relating life to dew, the reader sees how melancholic a person can potentially become due to war. These images guide the reader to connect with the author and detect the unhappy emotions specified in the poem.

Musee des Beaux Arts by W. H. Auden starts his poem by honoring painters who painted about suffering and society’s arrogance to the nature of suffering. People focus only on their lives and children continue to play, all unconcerned with the suffering of others around them. Auden brings the painting of Icarus to show the indifference of humanity to individual suffering. The central point is to show that everyone is caught up in his or her own lives and enjoyment that they ignore the suffering of the world around them. I myself agree with the poem that we as a society focus more on our lives and what affects us. I work at a nursing home and have become very close to the residents I care for, and every day I see them many will tell me they have

“Storm Warnings,” true to its literal subject matter, possesses flowy sweeping syntax created by the strategic use of commas and phrasing to draw parallels between the physical oncoming winds and the gales of life. The author crafts a long run-on sentence that spans the first stanza and carries on into the latter portion of the second to mirror the continuous flowing of windy weather and the forward motion of life. Once the speaker notices the brewing storm, they “walk from window to closed window, watching boughs strain against the sky.” In this portion of the affromented run-on sentence, alliteration, rhythm, and the repetition of words all contribute to the impression of movement. The various “w” sounds at the beginnings of words and the repetition of the word “window” create a sensation of continuously flowing forward, especially when read aloud; the comma adds a small swirling pause to the rhythm, which is then soon after resumed with the word “watching.” Just as the poem rhythmically moves forward with its long phrases connected with frequent commas, so must life carry on with each additional experience, whether it be misfortunes or joys. The elongated syntax allows all these elements to work together within sentences to highlight the similarities between physical storms and emotional struggle and to stress the inevitability of predicaments in life.

L’ Atelier Art Lounge is a company that provide educational entertainment. The client spent time, have fun and learned thought them. They did really well after they publish their services in Bahrain. However after the growing of their business in Lebanon, they have to face the challenge of cash flow. L’ Atelier Art Lounge’s CEO, Aline Nassar has to make a decision that to renew the lease of one of her outlets or not, before February 1.2014. Aline Nassar need to make a decision form her following options: 1. Focus on marketing her concept to increase the number of customers and consequently her bottom line, thus improving her cash flow. 2. Open the capital to potential investors or take a bank loan. 3. Close one of the outlets in Lebanon, although she was convinced that the sole problem was the political situation there. By analysing this case, this report will give the factors that affect the company. Furthermore, we will review and analyse the company’s financial statements in order to make valuable recommendations and offer possible solutions to some of these challenges. With this analysis in place the report can successfully determine which option she should take to solve the present cash flow problem.