Live Music Experience Paper
When a genre of music becomes mainstream, its creation is no longer dictated by art and the need to create art, but instead, for commercial gain. Thus the music loses its originality, it loses its authenticity, and worst of all it loses its culture, without culture, the music can be likened to a BLT sandwich without bacon, for no matter how skillfully prepared, it lacks an integral part of itself, and cannot possibly be whole. This is exactly the phenomenon I observed when I attended the Miami University Jazz Ensemble’s concert for my ethnographic research. This phenomenon is evident in the way the musicians interacted with one another and their audience, the demographic of the audience, and the manner in which the show flowed. Before attending the concert, I anticipated a powerful performance guided by a deep culture cultivated over the ages by the likes of Cab Calloway and Dizzy Gillespie; I expected the culture to coat each note and the history to pierce each chord. But instead, I was met with a vapid, yet skillful performance of well-known Jazz pieces from different styles of Jazz ranging from classic blues to Latin jazz.
The Miami University Jazz Ensemble played the concert, the ensemble is directed by Dr. Jeremy Long and featured Phil DeGreg on piano. The event took place at the Miami University Hall Auditorium on Tuesday, October 18th, 2016. The Ensemble consists of mostly male first and second-year Miami University undergraduate students
The music called Jazz was born sometime around 1895 in New Orleans. It combined elements of Ragtime, marching band music and Blues. What made Jazz such a different perspective of traditional music was its act of improvising. There was a widespread use of improvisation often by more than one player at a time. Songwriters would write the music down on a piece of paper, and then the Jazz musicians would try their best to play the music. Usually in a Jazz piece, musicians would use the song as a starting point to improvise around. Jazz musicians would play a familiar song to the audience, and by the time they were done with the piece they would stir up a totally different feeling away from the
music alike ( Windfield 240). A lot of musicians were involved, from Louis Armstrong to Duke Ellington. The Jazz movement affected United States history and the future music industry in a variety of ways.
What is the purpose of music in society? Foremost, in layman terms, music is just sounds. However, individuals then use these sounds as a medium in order to spread certain ideas and emotions across society. Naturally over time different types of music become associated with different communities; thus, this identification creates an overgeneralized interpretation of who these communities are and what they stand for. One prime example is the stereotype that jazz and swing was the music of the African Americans in 20th century Los Angeles. Even though it may be true, the stereotype does not give an answer as to why or how jazz and swing became to be known as “black music”. In order to answer these questions, it is imperative to know what conditions
With that of culture comes our identity through music. The “death of the blues” serves as an example in how culture is put up to the challenge of change. Melody, Chinatown, and Big Mat represent “the loss of folk culture which accompanied the Great Migration of Black people from the rural South to the industrial North” (Waldron 58). As we begin to read, we are able to interpret their lives and identity in the South through Melody’s music. This
Though, in spite of waves of cultural differences causing ebbs and flows of the rising and falling of war and peace, the cohesive effects of music seems to ignore cultural differences by giving them reasons to celebrate their commonalities. And the almost infinite number of sounds that creates the musical kaleidoscope of jazz perhaps best embodies music’s cohesive elements.
Music is and has been an inconceivably paramount piece of black culture, when concentrating on any kind of black music it is all that much an investigation into the back mind. Music has been a piece of the black cultural scene going over to slavery. Despite the fact that Jazz music is cherished and performed by individuals of each national background, in America, the groundbreaker, pioneer and innovator in every venture forward of Jazz has been the Negro. Unequivocally in light of the fact that the black culture talks so effectively in Jazz, it has gotten to be adored and respected everywhere. Between the two, there is no division of consecrated, secular, music, vocals, or instruments.
The first question I asked myself at the beginning of the quarter was how much do I actually know about jazz? I have always characterized jazz music as a rhythmic and instrumental form of music. My impression on the basis of the jazz has always been portrayed with the African-American race. I think this was build up from the rhythm ‘n’ blues era and meaning according to the dictionary (“style of music that was invented by African American musicians in the early part of the twentieth century and has very strong rhythms and often involves improvisation”). But Louis Armstrong’s famous reply was “if you had to ask, you’ll never know”. Whatever else he meant, he was at least saying that jazz is noticeable, but not necessarily understandable by
The first jazz was played in the early 20th century. The work chants and folk
The concert I decided to go to was held in Valley Brewing Company. The event was called “Take 5, Jazz at the Brew”. I went to the show July 11, 2013. The group I saw didn’t have a name. It was just a group of people performing together. The concert hall was a very nice venue. It was on an extended closed off area past the common area at the bar. The area was very dim lit and was decorated very fancy and elaborate. The music that was played that night was Jazz.
time I was going to a Jazz concert. I knew that I wouldn’t be disappointed or
Throughout Grazian’s period of ethnographic studies surrounding the Chicago blues clubs, he meets tourists that come from different parts of the world and country seeking their perceived notions of authenticity in blues. Supporting Grazian’s argument, he mentions how it is a problem that the most “successful” performers in the blues clubs are black. It reinforces these thoughts that tourists believe that they found authentic blues because it consists of only a black band (pg.20). If a white man were to play, or those of any other race, they do not view them as authentic enough because the genre of blues music is historically curated from black people. With that association, it becomes further difficult to break into the scene as a non-black performer. In the case of Dave, a black business traveler from Toronto, he discusses with Grazian how the blues music in Chicago and Toronto is not that different from one another (pg.68).” While he hails from an equally cosmopolitan
The first formal small jazz concert was held at the Maum Café on Sep. 25th, 2008. There were many music performances have held at the Maum Café but Zino Park, leader of the band, and manager of Maum Café agreed to arrange a formal jazz concert for the first time. The main theme of this concert was “Smooth Jazz with Zino Park at Maum”. Before the concert began, the band members introduced themselves to the audience. The names of players were:
Eddie S. Meadows is the author of published books include Jazz Scholarship and Pedagogy: A Research and Information Guide and Bebop to Cool: Context, Ideology, and Musical Identity. He is specialized in ethnomusicology and he teaches at San Diego State University and also a visiting professor at USC, UCLA, UC Berkeley, Michigan State University, and University of Ghana.
Over time there have been many eras of music and many genres. One could say that the Classical music, or the Romantic era has been the most significant in music history. Although those times are very important to the music world, Jazz in the early 20th century is very significant to the history of music in the United States. Next is a little bit of history and what makes Jazz music Jazz.
When I was eight years old, my first drum instructor was named Mr. Dowden. While he would not be the most talented teacher I would utilize, or the most influential on my style, he laid the foundation for me to competently read and write music. Where he did little to inspire my percussive style, he shined at inspiring my attitude towards the medium. “The band is a single living creature,” he told me, “And you are the heart.” While this meant little to my disinterested young mind at the time, those twelve words’ value would inflate like a booming crescendo, and echo through my days.