Pan's Labyrinth

The film Pan’s Labyrinth is main about the Pan’s Labyrinth’s film in the things that happened in the Spanish. In general, trauma means physical damage to the body and emotional damage to our heart. Dr. MooLi Lahad is an Israel professor and Lahad had use six coping method that are related to the film Pan’s Labyrinth. These strategies are belief, affect, social, imagination, cognitive, physiological. This film about a girl in Spain visit her new stepfather in a forest with her pregnant mother. During the days she live in that area, there were many strange things that surround them. At last, this girl and her stepfather died. In this film, the role Ofelia has use some coping methods in describing the event in the film. These methods are beliefs, affect and social.

Obedience is a recurrent theme in El Laberinto del Fauno, discuss at least two examples and what they represent.

The title The Death Cure, seems almost oxymoronic, falsely true. From the first book, The Maze Runner, it seems like WICKED is desperately searching for a cure that could possibly prevent the extinction of the human race from the Flare. Mainly, The Death Cure is focusing on the cure to the disease. But as we read on, it seems like there was never a cure, but death. The cure looks like it could be letting everyone who has been infected, die while the immunes get to start over. WICKED should have been searching for a way to stop the spread of the disease instead of finding a cure for death, which has been their main problem.

The director Guillero Del Torro uses many motifs and parallels in his film Pan's Labyrinth. The most obvious parallel in the film is the parallel between the real world and the fantasy world of the character Ofelia. Both worlds are filled with danger. At any second in both of these worlds your life could be lost. Del Torro separates the real world from the fantasy world with many visual motifs.

Pan’s Labyrinth, originally titled El laberinto del fauno, was published in 2006 by the Spanish director Guillermo del Toro. The story is set in the year 1944, in the country-side of a post-Civil War Spain. A young and imaginative girl named Ofelia, played by Ivana Baquero, travels with her pregnant mother, Carmen Vidal, who is very ill; in order to meet and live with her stepfather, a cruel and sadistic man named Capitan Vidal (Sergi Lopez). During the first night of their stay, Ofelia meets a fairy that leads her to a pit in the center of a labyrinth where they soon meet a faun (Doug Jones). The faun tells Ofelia that she is a princess from a faerie kingdom

Award-winning filmmaker Guillermo Del Toro delivers a unique, richly imagined epic with Pan’s Labyrinth released in 2006, a gothic fairy tale set against the postwar repression of Franco's Spain. Del Toro's sixth and most ambitious film, Pan’s Labyrinth harnesses the formal characteristics of classic folklore to a 20th Century period. Del Toro portrays a child as the key character, to communicate that children minds are not cemented. Children avoid reality through the subconscious imagination which is untainted by a grown-up person, so through a point of an innocent child more is captured. The film showcases what the imagination can do as a means of escape to comfort the physical trials one goes through in

A person’s environment hugely impacts who they are, what they believe in, and the manner in which they present themselves to the world. Prince Prospero from “The Masque of the Red Death” by Edgar Allan Poe, and Captain Vidal from the film “Pan's Labyrinth” come from very similar environments. As a result they have similar personality traits, and their views and beliefs about the world are alike.

Nothing can be achieved if an individual is not willing to sacrifice; this idea is presented throughout the Movie “Pan’s Labyrinth”, and is effectively represented by the two female characters, Ofelia and Mercedes. The movie develops within a feminized world between two female characters Ofelia and Mercedes, they may be different in age and life experience, however; they share many similarities in characters and relationship with Captain Vidal. Furthermore, Ofelia and Mercedes are closely connected to each other which they share secrets together, as Deborah Levine, PH.D explained: “Mercedes provides the girl with an idealized self object who can not only fight her brutal stepfather but also offer comfort” (Levine 122). This emphasizes the close relationship Ofelia and Mercedes share in order to reveal the connection between them. The movie “Pan’s Labyrinth”, directed by Guillermo Del Toro, tells a story of a young girl names Ofelia explores her struggle returning as the princess of the underworld and saves her brother with Captain Vidal ruthlessly stands in her way, while the other female character Mercedes secretly helps the rebels fight against Captain Vidal and also tries to save her brother. Therefore, in the film "Pan's Labyrinth", the director Guillermo Del Toro, through the use of several props, and the similarities of Ofelia and Mercedes, emphasizes their journey of self-sacrifice, to achieve their goal which is to protect their family and gain independence.

It was once said that “It does not do to dwell on dreams and forget to live”. Though this quote originally comes from a children’s book, the idea of fantasy being used to escape from a harsh reality is something found in numerous fictional works. The film Pan’s Labyrinth and the novel The Little Friend by Donna Tartt both incorporate the theme of escapism through fantasy as a method of coping with tragedy and show, through this theme, both the positive side of fantasy as well as the darker side.

Magical Realism is a genre of narrative fiction including magical elements that characters treat as normal. Although there is magic in the movie, Pan’s Labyrinth is not an example of magical realism in film because anything that happens does not affect the real world, no one except Ofelia can see the magic, and most of the “magic” can be explained.

Pan’s Labyrinth is of a young girl named Ofelia and her expectant mother Carmen who arrives at the premises owned by her mother's new husband, who’s an army officer named Captain Vidal. Upon their arrival Ofelia notice an ancient maze called Pan’s Labyrinth that struck her curiosity. Later, Ofelia returns to Labyrinth with the guidance of a fairy that introduce Ofelia to the Faun, who tells her that she is a legendary lost princess. But, for Ofelia to return to her kingdom she must complete three dangerous tasks. The first task was to bury three magic stones deep down inside the belly of an ancient fig tree. Where Ofelia was met by a giant toad who she fed the magic stones to and retrieved a key. After retrieving the key Ofelia discover that her dress had been ruined as it laid in the mud because of the bad weather that suddenly came about. As Ofelia returns from the woods she later discovers that her mother health is steadily declining. So, the faun gave Ofelia a magical root to place under her mother’s bed in a bowl milk with two drops of blood. The magical root was to ensure the survival of Ofelia’s unborn brother. For Ofelia’s next task, she must go in the underground chamber with a horrifying creature called the Pale Man to retrieve and item using the key she found in the fig tree. But, the only way to access the underground chamber is with drawing of a door using chalk. However, there is a catch, Ofelia mustn’t remain in the chamber too long or eat any of the food in the chamber. So, that the creature wouldn’t be disturbed from its slumber.

Guillermo Del Toro’s Pan’s Labyrinth tells the story of Ofelia who experiences magical encounters in this fantasy. One night, a fairy leads her into a hidden labyrinth where she meets a faun who tells her that she is a lost princess. He assigns her three dangerous tasks to prove herself and to claim immortality alongside her father. Meanwhile, her step-father, the captain of a merciless, violent army in fascist Spain attempts to stop a guerrilla uprising. Ofelia struggles to meet the demands of the faun before time runs out. Through this quest, she interacts with creatures and challenges that create a monstrous environment.

Though she dies almost immediately after making the decision, she has defeated her nightmare and is, more importantly, aware of what she has done, and can thereby die no better death than to find herself now in control, having finally returned to her dream, bathed in gold light and filled with wide, open spaces as she moves on to become the princess of the underworld. Vidal, however, enraged and drugged, believes that he has taken control of his own situation only to find that, upon coming out of the labyrinth a symbol of order consumed by undisciplined nature he has lost all the order that he has sought in his life. Defeated, he hands his son to Mercedes and requests that he be told how great a man his father was during his life, hoping to control his life and his outpost to the last. But Mercedes, as an affront to his vanity and his need to control, imparts to him the last words he will ever here; "No. Your son will never know your name." Vidal's expression is one of shock, sadness, and acceptance, and he is killed immediately thereinafter, his own nightmare, his final loss of control, coming to a head seconds before his death. Ofelia's nightmare was, more than simply being a dark fantasy, that her

Setting is one of the vital elements of fiction. A work can only be fully approached if it is first based on its setting, which guides the development of the work. For “Pan’s labyrinth”, an outstanding cinema work rich in symbols, details and meaning, it is even more essential for us to take the underlying context into serious consideration

The love story between two different teenagers that come from completely different worlds is the most remarkable. The Notebook is about two young teenagers who fell head over heels with each other. They got separated by Allie’s upper-class parents who insist that Noah isn’t right for her. But that obstacle didn’t stop these two young lovers from being together even if it took years. This beautiful tale has a special meaning to an older gentleman who regularly reads the timeless love story to his aging wife to help her remember what they went through and that the story that he’s reading to her was their love story. The story he reads follows two young