Peter Paul Rubens Essay

Religious artwork has been prevalent throughout all of history. Christian artwork has been ever changing and evolving based on what it going on during the time period in which the work was created. In Romanesque artwork, art was imaginative and involved mysticism along with themes that represented their fears of the end of the world. In Gothic artwork, the art turned away from evoking fear and instead had the goal of bringing people into the church. In the fourteenth century, the religious art responded to the crises of the time period. During the Renaissance, artwork shifted to an interest in realism, which can be seen in Raphael’s Madonna and Child with the Young Saint John. The medium for this work of art is oil paint. it was painted in 1500 and is 47 inches in diameter.

The art piece that I selected for my analysis is called The Triumph of Divine Love by Peter Paul Rubens. The artwork is an oil painting on canvas, circa 1625. This piece of art was commission by Isabella Clara Eugenia, Infanta of Spain and Portugal. The Triumph of Divine Love was one of eleven art pieces in a series portraying the Eucharist cycle, an important issue in the Catholic-Protestant strife. Its purpose was to aid in the Catholic Reformation and the artwork was to be displayed at the Convento de las Descalzas Reales in Madrid. (Ringling Museum n.d.)

Once gracing the lavish floor of Getty Center, the Coronation of the Virgin which was painted by the extraordinary Italian artist Gentile da Fabriano in 1420, attracted many attentions by its sacredness, powerfulness and magic of the Christ. At 36 ⅝ inches and 25 ¼ inches size tempera, Christ gently places the ornate gold grown upon Virgin Mary's slightly bowed head by the watching of angels from either side as she becomes the Queen of Heaven. Since the first century, Christianity has played an important role in Western Art, which has inspired numerous artists in making their masterpieces. However, artists must follow the religious ‘rules to build up the imagery of the Christ, and educate audience about the religious. Coronation of the Virgin by Fabriano is a perfect presentation of that.

The two giants of High Renaissance painting in Venice were Giorgione and Titian. Both men studied with Giovanni Bellini and developed his style of exploring new forms of figural composition, increased the subtleties of texture and lighting, and produced a new language of landscape paintings. Compared to painting in Florence and Rome, Venetian artists preferred fuller, fleshier figures and softer, more atmospheric lighting. Titian’s subject matter covered a wide range of iconography, including altarpieces, individual Christian works, mythological scenes, allegories, and portraits. His pictures are also characterized by a richness in color, with many varieties of warm reds, and his use of glazes. Titian traveled around Italy a lot and had many friends in high places that introduced him to court. His patrons were among the most influential of the time, including members of nobility like Philip II of Spain as well as Charles V, who knighted Titian in 1533.

He was there from 1489, to 1492. ring 1499 -1501, Michelangelo was asked to complete an unfinished project that was started 40 years earlier by Agostino di Duccio. It was the “Statue of

In 1504, Raphael moved to Florence. There, in Florence, some of the Italian Renaissance's biggest names lived and worked in Florence. In Florence, Raphael studied Michelangelo's use of anatomy and Leonardo da Vinci's use of light and shadow. He met such big names in Florence such as Michelangelo, Leonardo, and Fra Bartolommeo, who was another painter that did such works as The Holy Family. It was in Florence that Raphael made a name for himself as an artist.

In the years to come, Raphael painted an additional fresco cycle for the Vatican, located in the stanza d’Eliodoro (“Room of Heliodorus, The miracle of bolsena, The Repulse pf Attila from Rome and the liberation of saint peter. During the same time, the ambitious painter produced a successful series of “Madonna” paintings in his own art studio. The famed Madonna of the chair and Sistine Madonna were among them. By 1514, Raphael had achieved fame for his work at the Vatican and was able to hire a crew of assistants to help him finish painting frescoes in the Stanza dell’Incendio, freeing him up to focus on other projects. While Raphael continued to accept commissions – including portraits of Popes Julius II and Leo X – and his largest painting on canvas, The Transfiguration (commissioned in 1517), he had by this time begun to work on architecture. After architect Donato Bramante died in 1514, the pope hired Raphael as his chief architect. Under this appointment, Raphael created the design for a chapel and an area within Saint Peters new basilica. Raphael’s architectural work was not limited to religious buildings. It also extended to designing

During the Renaissance there seemed to be a consensus about what should be the role for the arts in the monarchy especially in Italy. There were obvious political and social implications for such actions for any king during this time such as Lorenzo de’ Medici. Medici was the ruler of the Florentine Republic during the Italian Renaissance. He may be most known for his contributions to the art world and giving an

Rembrandt van Rijn is known for his self-portraits and biblical knowledge. Rembrandt drew many self-portraits that time line his life changes and appearance. Dutch artist Rembrandt is considered to be one of the greatest painters in European history.

One critical patron to art in Renaissance Italy was Pope Julius II. In this period the church was often, the leading patrons of art and Pope Julius II helped keep the church one of the main patronages of this time. He commissioned many artists who created famous art pieces in Rome and in despite that many different families in Italy were rivaling the church. Julius II did whatever he could delay the plans of Lorenzo de Medici, the most powerful patron in Italy at the time. He had taken Michelangelo and commanded him to work in Rome.

Therefore one of his grammar school friends Domenico Ghirlandaio realized this and introduced him to the painter Domenico Ghirlandaio, his father soon realized he had no interest in becoming a banker, therefore agreed to apprentice him to the fashionable Florentine painter's workshop. Only after a year Michelangelo was offered an extraordinary opportunity to study classical sculpture in the Medici gardens.Michelangelo fled to Bologna after the death of Lorenzo the Magnificent’s death, where he continued his study.In 1495 he moved back to Florence in 1495 to begin work as a sculptor, modeling his style after masterpieces of classical antiquity. In 1498 he moved to rome where he got commissioned by Jean Bilhères de La Graulas, a representative of the French King Charles VIII to the pope, where he did the statue pieta. Upon completion he moved back to Florence where he was now seen as a prominent figure in the art industry, soon after he moved back he started work on the statue of david.After this he really blew up getting asked to do works such as decorating the ceiling of the Sistine Chapel and the creation of adam. After a brief illness, Michelangelo in 1564, coincidentally he is one of the only artists during this time to see the popularity of his art during his lifetime. Even though these two have different ways of achieving the point they are today, there's

The present work is focused on undertaking an in-depth analysis of two famous religious paintings: The Virgin and Child by Barnaba da Modena, an Italian painter from the fourteenth century, and The Elevation of the Cross by Peter Paul Rubens, a seventeenth century Flemish artist and diplomat. Following, by comparison, a thorough account of the two works' features, careful observation reveals more than one interpretation.

In 1498, Michelangelo relocated to Rome, where he caught the attention of another cardinal, Jean Bilheres de Lagraulas, who was also a representive of the french King Charles VIII to the pope. Michelangelo during this time created his “Pieta”, which is now presently in the St. Peter’s Basilica, in Vatican City

Raphael was born Raffaello Santi or Raffaello Sanzio in Urbino on April 6, 1483, and received his early training in art from his father, the painter Giovanni Santi. In 1499 he went to Perugia, in Umbria, and became a student and assistant of the painter Perugino. Raphael imitated his master closely; their paintings of this period are executed in styles so similar that art historians

During the 17th century, especially after their break from Spain, The United Provinces of the Netherlands became the most prosperous nation in Europe by leading the world in trade, science, and art. Through the huge and one of the first art markets, art became a common household possession and allowed artists to freely express themselves, which is one of the evidential factors in three of the most universally admired artists of the baroque art era. Rubens, an influential Flemish artist of the Italian baroque scene, focused more on the works of the counter-reformation while the masters of the Dutch baroque art, such as Rembrandt, were in the heart of the protestant Dutch Republic. These three artists share similar artistic styles but yet have extremely evident differences and influences. The artists’ work also have a great portrayal of the historical and social impacts of the 17th century.