The founder of psychoanalysis, Sigmund Freud, developed a wide variety of psychoanalytic theories that are often used to examine a diverse body of literary and artistic works. For example, the Family Romance theory. It is an abnormal state of mind a child enters during the pre-pubescent stage. It consists of the child fantasizing that they are not the biological son or daughter of their given parent. This phenomenon commonly occurs when a parent fails to reciprocate affection to their child; consequently, causing them to seek retaliation through imaginary means. In addition, the Family Romance theory is often used to explain a child’s transition into adulthood. Acclaimed Mexican filmmaker, Guillermo del Toro, featured Sigmund Freud’s psychological concept within the family …show more content…
The film depicts the aftermath of the Spanish Civil War through the eyes of Ophelia, an innocent child, and the magical realm she comes across in the woods. In order to showcase the importance of rejecting the authority of a parent to gain independence, Guillermo del Toro presents various elements of the Family Romance theory throughout the course of the film. For instance, it is Ophelia's lack of a father figure, a rivalry between her and her unborn brother, and withering relationship with her mother that ultimately serve as the catalyst for her fantasies as well as her development into the adult community.
‘Pan’s Labyrinth’ opens with the introduction of two, separate prologues. The first being a narration about the state at which the human world is in, and the other being a narration about a tragic loss that has occurred in the underworld. Following the opening prologues are
When you see Pan’s Labyrinth starring Ivana Baquero as Ofelia and Sergi Lopez as Captain Vidal, prepare to take your emotions for a ride. As the movie is a fantasy/drama film set in Spain of 1944, during the civil war. Yet, it still captivates its audiences with its selection of an unconventional fairytale. While, keeping some of the same elements such as a princess and fairies of a traditional fairytale. Not to mention the sudden dark twists and turns of a ruthless stepfather, heartbreaking losses, and the horrifying unseemly creatures which the legendary lost princess Ofelia must prevail. While, taking on an expedition to completing three dangerous tasks.
Pan’s Labyrinth, originally titled El laberinto del fauno, was published in 2006 by the Spanish director Guillermo del Toro. The story is set in the year 1944, in the country-side of a post-Civil War Spain. A young and imaginative girl named Ofelia, played by Ivana Baquero, travels with her pregnant mother, Carmen Vidal, who is very ill; in order to meet and live with her stepfather, a cruel and sadistic man named Capitan Vidal (Sergi Lopez). During the first night of their stay, Ofelia meets a fairy that leads her to a pit in the center of a labyrinth where they soon meet a faun (Doug Jones). The faun tells Ofelia that she is a princess from a faerie kingdom
Obedience is a recurrent theme in El Laberinto del Fauno, discuss at least two examples and what they represent.
The noble and innocent youth Ophelia tries her hardest to obey/impress her elders. Prince Hamlet and Ophelia have a complicated relationship in which they have on and off’s. At the beginning Ophelia’s love for Prince Hamlet is strong but she has to keep her innocence/ obedience
Guillermo Del Toro’s Pan’s Labyrinth tells the story of Ofelia who experiences magical encounters in this fantasy. One night, a fairy leads her into a hidden labyrinth where she meets a faun who tells her that she is a lost princess. He assigns her three dangerous tasks to prove herself and to claim immortality alongside her father. Meanwhile, her step-father, the captain of a merciless, violent army in fascist Spain attempts to stop a guerrilla uprising. Ofelia struggles to meet the demands of the faun before time runs out. Through this quest, she interacts with creatures and challenges that create a monstrous environment.
The director Guillero Del Torro uses many motifs and parallels in his film Pan's Labyrinth. The most obvious parallel in the film is the parallel between the real world and the fantasy world of the character Ofelia. Both worlds are filled with danger. At any second in both of these worlds your life could be lost. Del Torro separates the real world from the fantasy world with many visual motifs.
Award-winning filmmaker Guillermo Del Toro delivers a unique, richly imagined epic with Pan’s Labyrinth released in 2006, a gothic fairy tale set against the postwar repression of Franco's Spain. Del Toro's sixth and most ambitious film, Pan’s Labyrinth harnesses the formal characteristics of classic folklore to a 20th Century period. Del Toro portrays a child as the key character, to communicate that children minds are not cemented. Children avoid reality through the subconscious imagination which is untainted by a grown-up person, so through a point of an innocent child more is captured. The film showcases what the imagination can do as a means of escape to comfort the physical trials one goes through in
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
Ophelia was such an innocent character. She was young and naïve. Ophelia was faced with many dilemmas. She was in a relationship with Prince Hamlet, who was very distracted and eventually went mad himself. Ophelia’s madness started with an overbearing, over protective father. He controlled Ophelia and used her with out thinking of her feelings, “I must tell you, you do not understand yourself so clearly…What is
This is the woman she might have become – warm, tolerant and imaginative. Instead she becomes jagged, benighted and imaginative. . . .Ophelia is made mad not only by circumstance but by something in herself. A personality forced into such deep hiding that it has seemed almost vacant, has all the time been so painfully open to impressions that they now usurp her reflexes and take possession of her. She has loved, or been prepared to love, the wrong man; her father has brought disaster on himself, and she has no mother: she is terribly lonely. (73-74)
	Ophelia reaches a point where she can not think for herself and relies on her father to think for her. She subdues her feelings for a man she loves for another man whom she allows to
Sigmund Freud (1856-1939) is responsible for developing the Psychoanalytic Theoretical Perspective; Freud argued that our early life experiences are essentially the base to our subconscious mind and in turn heavily influence our current behavior. Freud believed that people could be treated and healed by articulating their dreams and childhood memories allowing an individual to gain insight into these unconscious thoughts and ultimately motivate them to resolve the repressed conflicts within. This technique was developed into a therapy used today known as Psychoanalysis, similar to hypnosis, it was founded in 1896 (“Freud's Psychoanalytic Theories.”). Just like any other psychological theory, there are many interesting concepts to Freud's Psychoanalytic Theoretical Perspective. The theory says that your personality is determined by the manner in which your behaviors have been depicted to the unconscious mind, this theory tells us that our behavior is completely
Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words
Sigmund Freud was the discoverer and inventor of psychoanalysis and coined the term in 1896 after publishing studies on Hysteria with Joseph Breuer in 1895. Psychoanalysis still remains unsurpassed in its approach to understanding human motivation, character development, and psychopathology. Freud’s insights and analyses of psychic determinism, early childhood sexual development, and unconscious processes have left an indelible mark on psychology (Korchin, 1983).
As a result of spending her life under the protection of her father and his orders, due to her submissive nature, Ophelia remains naive and unaware of the deceit and bitterness surrounding her which renders her incapable of facing the harsh realities of life once her father dies and Hamlet leaves her. After the death of her father and with the absence of both Laertes and Hamlet from her life at the time, Ophelia is driven to madness and Gertrude explains it the King: “She speaks much of her father, says she hears there’s tricks i ' the ' world, and hems, and beats her heart, spurns enviously at straws, speaks things in doubt that carry but half sense.” Finally seeing the grim reality of her surroundings without her father to hide behind, Ophelia loses her sanity and eventually end her own life as she no longer knows how to lead an independent life. In conclusion, Ophelia is portrayed as a puppet on strings being pulled around by the males in her life, making all her decisions and controlling what she can and can’t do, and once all the men are gone, she no longer able to function on her own and she ends her life as a result.