Sexualization Of Women In Pop Music Essay

This study works to examine the use of sexual objectification of women in music videos today. The primary purpose was to examine the differences between genres, specifically hip-hop and country. I tested the following; Women are more likely to be sexualized in hip-hop music videos than in country music videos.

In her article “The Venus Hip Hop and the Pink Ghetto: Negotiating Spaces for Women,” Imani Perry argues that the objectification of women in the music industry is normalized in our society. Her purpose is to persuade us that most feminists who fight against the objectification and exploitation of women are ultimately colonized by the sexual fantasies of men. As a law professor at Rutgers Law School, Perry structures her text in a very effective manner. Using a general-to-specific organization scheme, she begins by outlining the recurring image of sexualized women in music videos, then presenting various cases of prominent feminist figures in the music industry.

(BBC network, 2014). It can also force people to change in character, which is a growing concern. Sexualisation in our society has become extremely prevalent within the younger female gender. Some may dismiss this issue as no more than yet another moral panic situation between sexuality and young girls, but some see this as a serious subject and some of these people are in fact the girls being targeted (Church, 2014). The music industry with their music

This song displays the traditional messages sent by male artists. What about female artists? What do their songs portray? Andsager and Roe’s findings give a good description. According to them, there are two kinds of female artists. The strong, more established female artists portray women as “fully equal.” These women are in their thirties at least, they are more established, and they dress in casual suits. They sang romance, female emancipation, and heartbreak like the rest, but they did not compromise their image in their videos. They use Trisha Yearwood as an example in her song Everybody Knows. The other type, were women who “fell into the lowest level on the consciousness scale.” They used Deana Carter’s song We Danced Anyway as an example. In this song she rolled on the beach in a wet t-shirt. Another one is Faith Hill’s song Breathe. In this song, Hill is seen rolling around in her bed sheets with no clothes on.

The most prevalent issue observed in the lyrics and music videos was gender and sexuality. This was in issue that was present and reoccurring in all of the top songs but occurred in different ways. This was no surprise though because we live “In a culture where sex and gender are centrally important” (2015; 73). The issue arises in the genre of music because of the way gender and sexuality is presented. In the top song “Die a Happy Man’ by Thomas Rhett, objectification was presented in both the lyrics and the music video. In the lyrics he says “Baby that red dress brings me to my knees, Oh but black dress makes it hard to break” and goes on to say “You’re a saint, you’re a Goddess, the cutest, the hottest, a master piece” (lyrics). It seems that his goal is to complement her, but he is objectifying her by judging her femininity (2015; 203). He also does this in the music video by having the girl in a bikini the whole time. Not only was the women objectified, but Thomas exposed a stereotypical relationship consequence. In modern society men tend to make a stereotype that they have to give up everything to be with a woman. Thomas did this in his lyrics when he talks about how he could “never get to see the Northern lights” or “never get to build my mansion in Georgia or drive a sports car up the coast of California” (lyrics). The second song was “Strip It Down” by Luke Bryan. In this song Luke definitely introduces gender roles in both the lyrics and the video. The song

Charlotte Bunch once said “Sexual, racial, gender, violence, and other forms of discrimination and violence in a culture cannot be eliminated without changing culture.” Our society experiences all of these problems and I would like to focus on the gender perspective in the 21st century and how women have had more of an influence in music than people actually realize. Men have dominated the music industry and business but women have been the underlying reason as for why men and other females have been so successful in the music scene.

It is suggested that one of the reasons why artists use misogynistic lyrics in their music is that they have internalized the negative stereotypes about women that are prevalent in American society. African women were historically portrayed as animalistic sexual beasts and African males in a submissive role, giving in to wild instinct or bodily impulses. The internalization of such stereotypes may be a possible explanation of the hyper sexuality within certain hip hop music. Various authors have argued that misogyny is merely an outgrowth of the cultural acceptance of misogyny at large.

With every band they will have memorable moments during their time together. So I will tell you three of the most memorable moments during Motley Crue: how and when they got together, Vince leaving the band, and the Final Tour. Now let’s get on with the show. the band was created when they got together in the spring of 1683.This first moment was what created the band they are today, how they got together.

Within popular culture today, objectified female bodies can be represented everywhere from advertising images to magazine covers, television, music and many more. Through these media institutions, we allow them to construct social identities in ways that allow us to understand what it means to be black, white, Asian, male or female etc. Within many popular culture mediums such as music, stereotypical representations of racially marked female bodies are often formed. Thus, these representations also have the ability to create stories about a certain culture. In music videos, it does not go unnoticed that women are portrayed as objects whose objectives are to pleasure men. In this paper, I will argue how racially marked female bodies are represented. This paper will mainly focus on how these racially marked women are depicted in the hip hop culture. To demonstrate this, I will draw examples by using award winning music videos by Nicki Minaj, R.Kelly, 50 cent to exemplify representations of the female body and how they are objectified as sex objects. In conclusion, we will be able to see how the female bodies are used in mainstream hip hop videos to convey seductively.

Back in the 1980’s Mötley Crüe was one the most popular rock bands of all time , selling over t100 million records worldwide . The band was the definition of rock and roll excess, booze, drugs and girls, they embodied all the worst clichés of their rock n roll predecessors.

As stated by Rose at groovyhistory,com, they “brought heavy metal and savoury lyrics to the forefront of the global stage”. Their fast, thunderous guitar performances combined with the easy to understand folklore lyrics, allowed their fans to connect and recite with ease. The band even mastered the art of their eccentric performance on the stage, with “Their wardrobe included tight, open bottom jeans with tight graphic tees” and “their big and statement-making hairstyles” (Rose). They became the pioneer for the whole rock and roll section of music, teaching every aspect of performing and musical genius.

Feminism as an idea has been actively intersected and integrated within the western mainstream pop culture progressively since the beginning of the 21st century. Some of the largest players in the current mainstream music scene not only identify as feminist but also encourage their millions of fans to do the same. While this could potentially be a positive influence on a movement that has struggled to gain larger scale mainstream representation since it’s beginnings in the 19th centaury, this essay aims to explore the damage it is inevitably causing to the movement.

Rock music has come a long way since its development in the early 20th century. The genre, defined “as a merger between rhythm&blues and country” (Scaruffi, The History of Rock Music:1955-1966), started out more as an underground market, but ended up becoming a significant aspect of American popular music history. Rock-n-Roll music produce many legendary artists who will for ever be known as innovators of the genre. Elvis Presley and Chuck Berry were some of the many artists in Rock-n-Roll who will always live on in their music.Many teenagers were also to identify it due to its rebellious nature their disapproval of the cold war. Towards the end of the 1950s, Rock-n-Roll was ending on a particularly bad note, with a brief decline:

When people hear the genre “rock and roll,” they often think of performers like Elvis Presley, AC/DC, and Aerosmith. Those bands have provided the foundation for rock and roll, but the newer bands have to carry over from the bands of the 1960’s, 70’s, and 80’s to the bands of the 1990’s and the 2000’s. The new generation of bands has just as much, if not more, popularity than the bands of the older generation. Bands do not gain popularity just by showing up to rehearsal, though. Gaining popularity can take years of making music, and sometimes establishing credibility takes more time than other bands. The more popular bands that have many fans are bands like Three Days Grace, Alter Bridge, and Avenged Sevenfold. These three bands have had

In music videos the dancing or portrayal of the people within these videos is often of a very sexual driven nature. This re-inforces the idea that women are sexual objects and the purpose of their being is to provide the male population with sexual satisfaction. Women portrayed are very thin and pretty, wearing heavy layers of make-up which portrays the idea that women need materialistic items such as mascara and lipstick