The documentary “Swimming South” which premiered on 29 January 2017, would have sent a shock through many of the viewers of channel 9’s weekly 60 minutes program. As it describes a threat that could cost the Australian tourism industry billions and even have the potential to kill, it is called the Irukandji jellyfish. Throughout the documentary 60 minutes has cleverly depicted the jellyfish to be a lethal killer, to really gain the audiences focus while then informing viewers of the damage this animal can do to not only us but to are whole economy. With various techniques being used to the capture viewers’ attention on the topic such as language, camera techniques and archival footage combining well together to make a well presented and informative …show more content…
Providing video footage of them both actually being stung by the Irukandji gives the realistic image to the viewers. As with actual evidence and proof of the stings occurring it provides the viewers with a more realistic feel of what this creature can actually do to us. As the immense pain being shown by them, it creates a fear for the audience since this creature could be very likely swimming alongside us in the water. The archival footage just adds to the whole documentaries persona of the Irukandji being the bad guy and 60 minutes being the hero saving us. By continuing the bias side of the documentary saying we even have proof of how deadly the jellyfish is. To cleverly hook the audience to the one side of the topic they are being shown, being the Jellyfish is pure evil nothing else. Not considering the fact that we are swimming in its home but this clearly portrays the director’s intent as well to only have the audience react due to the bad effects of this animal. To have the audience think they have to do something about this and have them worried about this massive threat to us and the tourism industry.
The documentary “Swimming south” combines a variety of specific techniques such as Camera techniques, Narration and Archival footage to effectively position the audience to be against this threat.
In the documentary “Blackfish”, directed by Gabriela Cowperthwaite, she discussed the harmful events that have occurred when keeping killer whales contained for show and entertainment purposes. Cowperthwaite argued the fact that the killer whales become aggressive when held captive in an area too small for them and separated from their families. Throughout the documentary there were many horrifying stories about the attacks told by people who had saw the tragedies first-hand.
A documentary demonstrates an interpretation of the truth by attempting to persuade an audience to side with the makers to endorse their interpretations of issues and events. In the instance Bra boys; Blood is thicker then water, directed by Sunny Abberton, the Bra Boys gang is viewed as a imitation of a prodigious brotherhood gang of surfers that are victims from occurrences and backgrounds opposed to a gang that dispute with the law by an act of violence. The Bra Boys have interpreted issues and events by emphasizing the importance of family, belonging, brotherhood and multiculturalism. The use of presenting constructed footage and personal interviews endorses viewers to see the Bra Boys from a positive light, boys who are role models to
Any little child is able to connect the name Shamu to the massive black and white creatures that dwell in the ocean waters, termed orcas or killer whales. However, the recent release of the film “Blackfish” has aimed to revise the common opinion of killer whales who are known by the title Shamu. As the film strikes marine life parks such as SeaWorld with apparent reasons as to why these orcas should not be in captivity, the question of “Blackfish”’s validity arises. How truthful can a film be that was created to persuade its viewers to ceases visiting attractions such as the killer whale shows? Since the release of “Blackfish,” animal rights activist, writers, and amusement park aficionados have been expressing their speculations on the “Blackfish”
In the documentary film Blackfish, directed by Gabriela Cowperthwaite, the director debates the rights for sea animals. Cowperthwaite makes the claim that sea animals should be freed from their enclosures in entertainment because they’re harming themselves and the humans that are training them. She uses all rhetorical analysis of pathos, ethos and logos, but pathos trumpets over all. Pathos is such a strong appeal in this documentary because of the animals lives and the peoples’ emotion towards the subject of the matter. Cowperthwaite is able to engage the audience with pathos because of the appreciation of the arguments significance.
A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.
In 2013 Gabriela Cowperthwaite produced and directed the documentary “Blackfish”. This documentary mainly focused on the issues behind killer whales being held in captivity such as at the famous amusement park Sea World, instead of the open ocean. Some negative outcomes of these animals being confined to such small spaces is, many accounts have been documented of the whales being agitated and having an aggressive tone with other whales and the trainers as well that work with them. A handful of these are human deaths caused by the orca whales. Throughout the documentary the director uses the Rhetorical strategies ethos, pathos, and logos to persuade the audience and try to convince them that her argument has a valid point and can be
In beginning of the film, the appeal to pathos affects the audience as we listen to what these former trainers have to say about how they became interested in the job and what made them realize that a trainer was what they wanted to be. As a little kid each of these trainers were inspired by commercials, TV channels, and visiting SeaWorld for the first time. It seems that this job is perfect for them until they realize that they do not know where and how these killer whales were captured. According to the SeaWorld of Hurt website, “Dr. Newby tells the story of the horrific captures
In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.
Blackfish is a shocking film that reveals a lot of information regarding Sea Worlds famous known “Killer Whales”. These enormous whales are highly trained by trainers of Sea World who perform for thousands daily. The film uses the tragic tale of Tillikum to support their many claims and an investigation of the Sea World
Cowperthwaite wastes no time in establishing an emotional connection between viewers and the subject matter. Cowperthwaite uses pathos in the form of an actual 911 emergency phone call related to SeaWorld incidents, interviews given by former SeaWorld trainers, and video clips of killer whales behaving in nature and in captivity. Within the first few seconds of the documentary, viewers are exposed to not one but two horrifying 911 emergency phone calls. In one of these phone calls, a man calls and communicates to the
This example clearly confirms the idea that documentaries are highly constructed, offering a particular version of reality which to different viewers may reinforce or critique the dominant representations of the “Bra Boys”. The documentary does include elements which clearly function to criticise and change the dominant representations by valourising Koby Abberton’s achievements in the surfing arena.
Sharkwater (2006) is a documentary that was filmed by Robert Stewart, a man who spent his whole life in the ocean fascinated by sharks. Stewart's passion for sharks lead him to eventually become a marine biologist so he could spend his days scuba diving out in the ocean. His main goal shooting this movie is to inform viewers about how sharks are being killed so brutally and to persuade watchers to help do something to keep the shark population in tact. Stewart and his anti poaching crew try to evacuate the illegal fishermen out of the waters, help save the sharks, and raise awareness about the mass killings of the sharks and their rapid declining population. People in the countries that he traveled to then rallied together to protest, urging the government to create stricter laws. Stewarts’ message has impacted the countries he's visited; with his excellent use of logos, pathos, and mainly ethos he is able to impact even more people around the world.
In The Swimmer a short story by John Cheever a man named Neddy Merrill decides to swim across every pool in the county naming his route the Lucinda River after his wife. As he goes on this journey some of his neighbors are nice, some show pity, and others show distaste for him. Throughout the story Cheever gives subtle hints that Neddy is disoriented as he doesn’t remember key details of things that have happened to his friends in the area. At the end of the story a disoriented Neddy reaches his home to find it empty, with his family gone. Cheever uses this short story to critique the way of life in the upper class suburbs of America that contributed to the social demise of Neddy Merrill
The director of the movie Blackfish informers the audience about the incidents and situations at Sea World through rhetorical devices, ethos, logos, and pathos.
The death of Dawn Brancheau made national news back in 2010. Dawn was working as an orca trainer at the SeaWorld of Orlando when the tragic accident occurred. While doing a relationship session with Tilikum, the largest orca in captivity, Dawn was pulled into the water and drowned. It was a story that not only shocked the nation but left people wondering how something so horrible could happen. Gabriela Cowperthwaite‘s use of the accounts of retired SeaWorld trainers exposed the harsh reality of captured animals in her documentary Blackfish. In creating a piece focused on the life of one orca, Cowperthwaite has allowed viewers to look into the lives of captured animals and has shown the greater social issue of animal rights, the treatment