Tarantella Dance Analysis Essay

Another common feature of all the dances is that the music is an irregular rhythm, creating suspense and standing out as individual. Kylian’s choreography uses the ability to isolate and coordinate different body parts as well as the use of hands to communicate meaning in all of his dances. Humor is often created as a result in over the top facial expressions like in ‘six dances’. Kylian as a contemporary choreographer uses stillness as a choreographic device in all of his dances. Another unique element to his dance style is the entrances and exits of the performers. He explores space’s limitations and capabilities making the entrances and exits part of the dance. In all of Jiri Kylian’s dances, the dancers enter and exit the stage into darkness rather than through wings. The dancers in all Jiri Kylian’s Black and white ballets, dance predominately in a large group, with individuals or pairs breaking off to do their individual movements before soon joining back in with the group.

Irish step dancing has existed since the 1700’s, over 300 years. Families in Ireland have passed down Irish step dance from generation to generation as a way of preserving their culture. While the meaning of the dance remains the same, the performance and showmanship has changed dramatically. From girls and boys with pale skin and natural hair to girls with fake tanned skin, huge curly wigs, and thousand dollar dresses and boys with fake tanned skin and outlandish outfits. Irish dance has become more of a spectacle—such as “Riverdance” and “Lord of the Dance.” Those dances are some of the most enjoyable and respected around the world. Over time this type of dance has taken on a life of its own and changed

There were many Indigenous Australian Aboriginals that danced different dances in different ways, when and where they performed dances varied immensely, as did the way they were taught or the reasons behind why they danced.

It was created in 1981, and was influenced by the political oppression in Chile. The style was contemporary ballet blended with South American folk dance. The setting of Ghost Dances is a rocky Andean location suggesting the mouth of a cave. The colours (blue's, greens and greys) of the backdrop were very effective and complimented the costumes and movement by adding to the eerie atmosphere. The whole stage was lit by a dim white light. The 'dead' wear everyday clothes, which are beginning to disintegrate. The Ghost Dancers appear as skeletal figures in striking skull masks. The piece is accompanied by Andiean folk music, with panpipes, guitars, and flutes. The tune is infectious, rhythmic and tuneful. The style of the choreography is sinuous and graceful, incorporating

Ballet “Cry” simply showed to us real life of all African women. Every single American people know what kind of life they went through. Therefore it touched their heard. Alvin Ailey’s “Cry” presented wonderfully combined movements, technique and emotion. Ms. Donna Wood uses tragic face, a mask of sorrow. It is a face born to cry, but when she smiles it is with an innocent radiance, joyfulness that simple and lovely. She never tries consciously to please an audience. He was not only concentrating in movements and physical performance, but also using flowing white gown

She breaks all the images of American standard of beauty such as being physically pretty. She

The religion of the Ghost Dance started with a man named Wovoka. On January 1, 1889, he had a ‘vision’ during a solar eclipse in Nevada (Peterson 27). It brought a message of hope to the oppressed Indians of only the Indians living. The Indians called Wovoka the ‘Messiah’ (“The Ghost Dance” par. 1) and it was believed that he would bring a “day of deliverance” (Phillips 16) to the

In the first section, Desmond focuses on “movement style and meaning” (pg. 31). She explains how movement is learned through our communities. In some locations, some dances may be seen as proper because that is what they learned in their community, but if performed in another community, those people may see their dance as “improper.” Desmond provides the example of how in the nineteenth century the waltz was seen as “too sexually dangerous” when introduced in North America and Europe. Their reasoning

Why is being a fancy dancer such a big deal? This is the dance of the Native American Fancy Shawl. This dance interests a lot of people because many people do not believe that Natives exist, never have seen one dance, or even a fancy dancer dance before. “ This style of dance is the newest style of Native American dance there is.” In the early 1920’s,  Native American women started to dance the Fancy Shawl dance which was very uncommon. In the 1950’s, women became more aware of the Fancy Shawl dance and started to dance the dance more in the Southern Tribes (“The Evolving Beauty of the Fancy Shawl Dance”). Most of the dances that the Natives Americans dances started from the men, due to the women wanting to dance like the men did. When started

The movement is, above all else, gestural. The gestures start out as being removed from meaning and feeling, but eventually become more sensual and fulfilled. The gestures are also what could be considered taboo. Both dancers grab their breasts, groin, and thrust their lower bodies repeatedly throughout the piece. As the dance progresses, the movement goes from being placed and calculated to becoming something more reckless and passionate. There is also a lot of

Dance was not a new element in the theatre realm. It had been used for years as a way of interpretation of feelings of a character that the writer or director wanted the audience to feel visually. Through movement, expression of those feelings was portrayed and helped the audience to somewhat

The movements were very specific and showed the story of the dance. The partners used many movements that contained many body

Bugaku, the Japanese court dance is considered as the oldest dance in the world. It is believed that Bugaku is formed before 1200 years ago, which makes it more historical. Bugaku dance is started nearly 1200 years ago by the emperor and his courtiers.Bugaku has been performed at every inauguration of an emperor in Japan since 7th century. At that time, Bugaku is only performed by the emperor, his coutiers and the royal priests on the special occasion of royal family. Bugaku is still alive because the protectors of this dance form believe that it is the heirloom from their ancestors. That's why they believe it's their responsibility. Bugaku is transmitted from fathers to their children and then to their grandchildren.

Seguiriyas is the oldest written example of flamenco found in the 18th century. Called an indecent dance by Henry Swinburne of 1779, seguiriyas is one of the many still surviving non-Gypsy flamenco dances.

From this came a mix of cultures and eventually the creation of the Tango. Although it can't be proven that this is its exact origin this is the theory that is most logical. The relentless rhythms that the African slaves, the candombe, beat on their drums (known as tan-go); the popular music of the pampas (flatlands) known as the milonga, which combined Indian rhythms with the music of early Spanish colonists; and other influences, including Latin. Some say the word "tango" comes from the Latin word tangere (to touch.) It was the dance of sorrow. It speaks with body language. More then just frustrated love, it is also said to speak of death and pain. It was the perfect dance for social outcasts; it epitomized their feelings about their life.