Technology And Garage Band: The Evolution Of Music

Imagine the number one song of the year with the most downloads, streaming numbers and views on Youtube could not be nominated for a Grammy. Up until June 2014, artists could not be nominated for such an award unless the song was completely their own, meaning there was no sampling of past music. This may not sound like a big deal until songs like “SOS” by Rihanna or “Ice Ice Baby” by Vanilla Ice became chart topping tracks, and are both derived from older songs. Mark Ronson, music producer and DJ, speaks about how sampled music has changed the way generations discover music, as well as how creative ideas flourish from sampling other artist’s music. In this TED talk “How sampling transformed music,” Ronson gives his opinion on how artists transform

To understand why music is a product of human intention and perception, we start by defining or understanding the nature of music. Music is defined as the sounds or combination of vocals and instruments in a way that it produces a form of beauty, expression, or harmony of emotions. Arguably, people compose or make music through many ways (Resnicow, Joel E., 20-29). While some people might compose music without incorporating instruments, others use instruments to produce beats that match with their sounds. However, to argue that the

For as long as mankind has walked on this earth, music has been an important part of our culture and lifestyles. Each walk of life beats to a different drum. Different cultures use music for many aspects of their lives; for religious purposes, for celebrations, for comfort, for sorrow, for relaxation, for sports, for dances, for energy, for learning, for sleeping, and for sexual experiences. Everyone uses music for something. Music connects with people and reaches them in ways that words simply cannot. Music is a representation of what feelings sound like. It expresses emotion and brings that characteristic out from within us; it tells us a story. Every generation has its’ own sound and different music styles have emerged and become

From the day we’re in our mother's stomachs, to the day we die, we have always been listening to music. For me, listening to music all my life helped me develop a passion for it. When I was around the age of 6 my dad introduced me into the world of Rock. The very first band I remember listening to was System of a Down and ever since then, I fell in love with rock music and all its possible variations; for a long time this was all I listened to. It wasn’t until high school that I started listening to all sorts of genres and realized that I wanted to have a career in the music industry. That's when I learned about producing music.

Throughout the many years of time, music has been associated with the lives of humans. Ranging from the oldest recorded music in 1888, The Lost Chord, to Motherese, or the way that mothers “sing” to their babies to communicate to them, to our modern music of radio stations blaring our favourite song while we drive from place to place. Music has found its place within human lives, intertwining its existence with ours. Incredibly enough, humans have found a way to harness music with our very hands and create elegant melodies from tools. Beginning with instruments that look like a guitar, instruments that look like a flute and instruments that look like a drum, we began making controlled music with rhythms and harmonies. As years passed and civilization began to grow, musicians came to be. These ancient musicians played music for others on the instruments that they would make and performed for many.

He does not create scores with orthodox musical methods and his music can be unpleasant or even irritating to some; yet by using a technological process, he reveals a naturally occurring acoustic phenomena and demonstrates it an unforgettable physical form. In the simplest way one could imagine (play-record-play-re-record-repeat), Lucier successfully guides the audience to pay attention to listening itself, to sound itself, to the space that we stand in, to the effect that the surrounding environment may have upon us. Other composers may deliver emotions or opinions through their works, but Lucier manages to erase all these subjective judgements, triggers a self-reflecting thinking process and initiate a borderless experience that all audience shared

In the musical sense, sampling is when a segment of music is taken from an original recording and is inserted, sometimes repetitively, in a new recording. A sample can be any type of media that is pre-recorded, from classical pieces of music, to rock guitar riffs. The origins of music sampling predate the 1980 's, when hip-hop was first brought on the scene. Some say that sampling has been around much longer than some think, steering to the fact that jazz musicians have always imitated each other 's riffs. In 1961, after being influenced by many other musicians who had experimented with sound and recording, James Tenney took it a step further by talking an existing popular song and changing it completely. His “Collage #1” took Elvis Presley 's recording of “Blue Suede Shoes”, took out sections, swapping them with others and played them along with the tempo of the song. Many could argue that this was the beginning of music sampling. Although that was the beginning, music sampling has only gained mainstream popularity through the Hip-hop/rap and electronic genres. Even though sampling is a very popular thing to do now in the digital age, it doesn 't come without it 's complications. These include many claiming that sampling is unoriginal and doesn 't need any musical creativity. Nevertheless, there are many points to counter-act these arguments including, generating interest for unknown music and encouraging musical experimentation. In this essay I will

Nowadays making music is a team effort, in addition to the people making music and recording it there are also the people who edit and synthesize it to sound more appealing, the people who write the lyrics, the coaches, the handymen, the designers, and the people sponsor the project. There is so much addition work that needs to be done that one has to wonder whether talent is needed at all if people can change how a song sounds with a single click of a button? Plus one day people will no longer be needed to play any instruments as machines will be able to replicate the same sound but with more precision, which also begs the question concerning whether there is real talent at all if a machine is playing it?

Nothing is more enjoyable than listening to your favorite song. All over the world, people listen to music on a daily basis. Music plays a major part in a tremendous number of people’s lives. While they are enjoying the music, they do not think about how the song came about. Music is not just the sound you hear or the voices in the background. People do not think about what is behind the scenes of where music comes from. Before the song is completed, someone has to make it happen. In music, there are different careers which are the song writer, the manager, the marketing executive, and the produced. Each of these careers play a huge role in how music is brought to the public.

   Abstract: This essay deals with the creative possibilities generated by the influx of inexpensive and easy to use digital recording software, hardware, and digital distribution techniques.  One of the main themes of the essay is the problem of upholding creativity and artistic integrity in an unmediated digital environment.

There is an increasing mutual exchange as the synthetic and the human-made equally invades what we once thought of as natural. In electronic music, the human element that people input in their work is crucial to say the least. People provide the unpredictable pieces in their work to make it stand out from the rest. Most robotic or technologic generated music often is in the form of a pattern. Without human interface, electronic music, for the most part, is predictable. When electronic music is played without the human element, a sense of something that is missing usually occurs. Today, technological advances allow electronics to replace most of the human interactions. Now technology can mimic the sounds of non-electronic instruments. Instruments such as the flute, violin, and guitar are just some of these mimicked sounds that could be replaced. In this “genre” the human body is often held as a relatable tool. The audience notices the human element and realizes that they can create such works as well. Electronic music to some may feel that it is missing the human component in the normalized concept of seeing the artist. However, when developing the art itself, electronic music, whether it be in live performances, editing the material, or commercializing the music for use, the human element is still very prominent. The human component is implicated in music directly or indirectly.

First of all, experiences. Experiences are supposed to form the type of person someone will be when they grow up. For one thing, the type of music a child listens to can affect him. For example, if the child listens to opera versus rap music. Opera music tends to be more positive for brain development. Compare to rap music, tends to be less of a positive impact on people. Also,to the food they eat can change their experience. We all know a healthier meal is better than a pizza or fried chicken. Sometimes people would not know about the difference between healthy and unhealthy foods. Further more, if a child has a sibling, with a darker completion they can have different types of experiences and still be considered black. In this case, one

The creation of musical works has always been culminated by several different processes and usually involves many people. The process takes a lot of time delaying the release of music. Advancement in technology has played a significant role in the music production by lowering the length of time it takes to produce recorded material. Artists usually sign a contract with a recording company that markets their music products. The internet and low-cost recording technologies have created a “do-it-yourself” music movement. New artists have gained worldwide recognition without landing a recording contract with a major record label.

Technology and music have always had a connection; a marriage. As one progresses, the other

This does not detract the sources useful information as to the advancements of recording studio technology. Bryce Merrill illustrates the interactions between memory and home studio recordings through presenting ethnographic data in his paper, Music to Remember Me By . Merrill creates an interesting argument, supporting the use of home recording studios and their impact upon musicians in regard to wellbeing. The key elements within this article centre on the use of memory in the studio, new technologies, and the practice of home recording. The emphasis on personal experience and a lack of adequate external evidence, however, is apparent within this article which does compromise the validity of the notions presented. Although, it does serve as a great personal case study as Merrill explains his personal perspective of technological changes. More so, Merrill also manifests the personal impact and the necessity to adapt to technological changes, alluded to within Gibson 's article, which is also mentioned by Pinch and Bijsterveld . Therefore, these sources provide an overall solid basis for further research into the effect of technology upon both home and professional recording studios. The advancements made in digital music technology has allowed the accessibility of information on recording knowledge, that was once privy to those within a professional status. Studio engineers have always depended