The Black Feminist Art Of A Mainstream Gallery Or Museum

Postmodern American artist’s Cindy Sherman and Kara Walker critique and question grand narratives of gender, race and class through their work and art practice. Cindy Sherman, born 1954, is well renowned for her conceptual portraits of female characters and personas that question the representation of women, gender identity and the true (or untrue) nature of photography (Hattenstone 2011). Kara Walker, born 1969, is known for her black silhouettes that dance across gallery walls and most recently her sugar sphinx, A Subtlety, address America’s racist slavery past (Berry 2003). These practitioners differ in their practical application of different mediums, Sherman constructs characters and scenes of stereotypical female personas in her photographs where she operates as the actress, director, wardrobe assistant, set designer and cameraman (Machester 2001). Simone Hatenstone, writer for The Guardian, states “She 's a Hitchcock heroine, a busty Monroe, an abuse victim, a terrified centrefold, a corpse, a Caravaggio, a Botticelli, a mutilated hermaphrodite sex doll, a man in a balaclava, a surgically-enhanced Hamptons type, a cowgirl, a desperate clown, and we 've barely started.” (Hattenstone 2011).Whereas, Walker creates paper silhouettes that are installed into a gallery space, as writer Ian Berry describes,

In modern day society, popular culture has gained equal status to world issues and politics. Music, movies, and literature have started cultural revolutions and challenged the straight-forward thinking many individuals have accepted in the past. But while popular culture can advance new ideas and create movements, it also has the ability to challenge advancements society has made. Imani Perry’s essay, The Venus Hip Hop and the Pink Ghetto, focuses on hip hop and its negative impact on women and body image.

She received first prize at the American Negro Exposition in Chicago during 1940 for her Mother and Child sculpture. She also received the Distinguished Alumni Award from the University of Iowa in 1996, an Image Award from the National Association for the Advancement of Colored People in 2009, and has a honorary day in Cleveland and week at Berkeley for her fights for social justice (citation). She has been called the “foremost African American woman artist of her generation” by Melanie Herzog, an art historian (Elizabeth Catlett

Black Feminist Politics and theory grew out of many black women 's feelings of dissatisfaction following the civil rights era, and the white female feminist movement throughout the 1960-1970s. During the early conceptualization process of black feminist theory, the women of this new movement, specifically Kimberlé Crenshaw, came to name the term “intersectionality theory.” Black Feminist Politics and theory argues that sexism, racism, class oppression, and gender identity are intricately bound together. Complexly, they serve to maintain subjugation and suppression. In this essay, we will investigate the formulation and a brief history of Black Feminist

Society seems to change and advance so rapidly throughout the years but there has always seemed to be a history, present, and future when it comes to the struggles of the African Americans. The hatred of a skin tone has caused people to act in violent and horrifying ways including police brutality, riots, mass incarcerations, and many more. There are three movements the renaissance, civil rights, and the black lives matter movements that we have focused on. Our artist come from different eras but have at least one similarity which is the attention on black art.

The National Museum of African American History and Culture is a Smithsonian Institution and showcases African American culture and community. With thousands of artifacts on display, this informative museum explores how American values are reflected in African American culture. Hosting interactive exhibitions and informative stories, this museum will educate and enlighten all

The story of the glamourous and revolutionary young white women of the roaring 20’s, the flappers, the designers, and the actresses has been praised, the story of the African American women during that time hasn’t received the spotlight they deserve. Female African American artists were instrumental in the development of the Harlem Renaissance. Enchanting blues singers, admired socialites, and poets who captured the hundreds of years of struggle African Americans endured artistically on paper, all heavily contributed to the development of black culture.

The The National Museum of African American History and Culture opened on september 19, 2016. The museum has five floors. The first floor theme is slavery which included many exhibits such as a slave cabin, Emmett Till's casket, and a railcar from the segregation era are just a few of them. The second floor focuses on reconstruction and the third floor features segregation and beyond. The third floor shows exhibits such as women and movement which talks about how women helped in the civil rights movement and also displays exhibits on entertainment which included one on Oprah which had Oprah Winfrey’s couch. Therefore the African American history museum was a good way to learn about African American history.

The intersection of social movements and Art is one that can be observed throughout the civil right movements of America in the 1960’s and early 1970’s. The sixties in America saw a substantial cultural and social change through activism against the Vietnam war, women’s right and against the segregation of the African - American communities. Art became a prominent method of activism to advocate the civil rights movement. It was a way to express self-identity as well as the struggle that people went through and by means of visual imagery a way to show political ideals and forms of resistance. To examine how a specific movement can have a profound effects on the visual art, this essay will focus on the black art movement of the 1960s and

In the Africa American culture, there has been a longstanding discussion of the black woman’s physical appearance and how they identify themselves in society. Though there are many themes of the Black experience in the media that discuss the standard of beauty Black women should have. However, theatre has a creative and tactful way of exploring these topics that are considered taboo in the African American culture. During the Black Arts Movement, topics such as black empowerment and self-identity were the blue print for what the movement stood for. In reference to, A Brief Guide to the Black Arts Movement Writers, “African American artists within the movement sought to create politically engaged work that explored the African American cultural and historical experience” (A Brief Guide to the Black Arts Movement Writers.1). Prolific writers such as, Ntozake Shange 's, Amari Baraka, and Nikki Giovanni, just to name a few, were revolutionary in a creative and political movement, which allowed for writers and poets to demonstrate the pains and qualms of what African Americans faced in Western society. Two African American playwrights, Lorraine Hansberry and Adrienne Kennedy, expounded on these topics in their plays A Raisin in the Sun and Funny House Negro. In the further exploration of stigmas of African American female hair and self-identification through theatre, these plays will be used as a platform to

Picture this: it's 2017. Your mother is a teacher and your father works for the school district in your state. You aren’t sure what his actual job title is, but no one really harpers on it. It’s 6am and you rush off your bed, stumbling along all the books, clothes and miscellaneous objects on your floor. CNN is buzzing off the television while eggs sizzle on the stove. You ignore your big-headed little brother and head straight to the door, forgetting your backpack. In the midst of the moment, your eyes gaze over the television.

African Americans are no stranger to discrimination. Children across American are taught about the horrific times of slavery. Following slavery, we learn about the discrimination African Americans face in the light of their bittersweet freedom. Due to this unstability, many amazing young African American artist emerged with breathtaking stories to reveal; the stories weren’t easy to expose because publishing companies and the alike were very

“No other group in America has so had their identity socialized out of existence as have Black women… when Black people are talked about the focus tends to be on Black men; and when women are talked about the focus tends to be on white women.” - Bell Hooks

The term womanism is coined by Alice Walker, the author best known for her book “The Color Purple.” Walker used the term for the first time in 1983, when she talked about the womanist theory in her book In Search of Our Mother’s Gardens: Womanist prose. The womanist movement centres on the feminist effort of black women. Womanism grew because activists felt that the feminist movement did not fully cover the plight of black women. Rather than focusing on social change or activism, womanism (sometimes referred to as “black feminism”) focuses more on celebrating womanhood and the African American woman’s strength and experiences. When they push for change and attention to social issues, womanists focus on racism and class

Art is something that can only be achieved with the manipulation of the imagination. This is successful when using objects, sounds, and words. Richard Wright and Amira Baraka brought the power of art into the limelight. Wright’s perception of art was for it to be used as a means of guidance, one that could uplift the Negro towards bigger and better goals. Baraka’s perspective of art was for it to be used as an active agent, one that could kill and then imprint society permanently. Baraka and Wright both wanted the Negro to see that there was a much brighter future ahead of them. Both wanted art to leave a stain, a stain that could not be easily erased, washed, or bleached. Both believed that Black Art had no need to be silent but instead daring.