Heavy Metal Music Observation And Research

Music is often considered “the universal language.” Throughout, history it has symbolized love, brought people together, and has been the cornerstone of many lives. In the 1950s, a new form of music entered American mass culture that drastically changed the culture of the United States (U.S.): rock music. In the U.S., it began as Rock ‘n’ Roll, a originally “black” music genre that was then taken and promulgated by white Americans. Post WWII, many Americans—especially teenagers—struggled with the newfound societal conformity and normalcy, and rock provided them a form of retaliation. From its beginning, Rock united the younger generation of Americans, stirring up a sense of community amongst teenagers and troubling many adults by their actions—heightening

Some of those youths spent that income on new fashions popularized by American soul groups, soon enough these youths became known as mods, a youth subculture noted for its consumerism and devotion to fashion and music and in the 1970s and 80s the youth subculture of the skinheads was formed. • This is England (2006) depicts an honest and accurate account of the subculture of ‘skin heads during the 1980s, after the Falkland’s war so their clothing no doubt an expression of youthful angst in a troubled era. • Jeans, shirts, braces and doc Martens became iconic clothing amongst the skinhead subculture and their shaved heads on both men and woman signified defiance against society. The clothing was ‘media of information’ (Barnard, 21, 2007) about the person who is wearing it. • These items acted as a code that needed a decryption in order to understand what kind of person is underneath it.

Rock and roll music emerged as a part of American teen culture during the notably conservative time period in the country’s history which shortly followed the traumatic events of World War II. Being that the genre’s target audience was white teenagers, many Americans- already overwhelmed and on-edge due to the anti-communist movement inspired by the Cold War- were apprehensive about the influence that this up-and-coming style of music might have on their country’s future. America’s youth openly accepted rock and roll’s racially integrated culture of performers and embraced the relatively lewd nature of many songs and performances associated with the genre, much to the dismay of their elders.

I spent the first ten years of my life, roughly, homeschooled and constantly around both my parents. During this time, I had no choice but to listen to whatever music they enjoyed playing drying the day, whether it was Seal in the car or Melissa Etheridge on the home stereo. Once I had struck my preteens, and with the help of my then high-school aged sisters, I was introduced to punk rock and hard rock genres of music. This became a new addiction for me; it felt rebellious, cool, in style and new. Eventually, it felt very repetitive and it seemed as if everyone was trying to emulate the same sound. So, after a short time, I began searching for music on my own. I bought Coldplay and Vampire Weekend albums, and was on the lookout for music with a more sophisticated feeling than what I had been listening to previously. I was then hopelessly addicted to music that I was discovering, and was proud to say I found my own style of music to listen to. After I received Coldplay’s album, “A Rush of Blood to the Head” as a Christmas gift, I would play it daily to

Dawes explains the critics she got from other blacks who accused her of living like the whites since she had a liking for white’s bands such as The Violent Flame and The Clash. She had emotional attachment to music as she describes in the book. Before globalization and invention of internet technology, she worked hand to ensure she access the kind of music that she found pleasing unlike other kinds of music that other people liked listening to. Her interest led him to become a music journalist, which was a great success to her music interest which resulted in writing of this book. The book contains Dawes’ personal bibliography, an analysis of the culture of the blacks in a perspective of political history, and heavy metal artists especially the black females.

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

Rock ‘n’ roll presented us with the emergence of a cultural phenomenon, which the book lays out for us. Altschuler sees rock as a “metaphor for integration, as the focal point for anxiety that cultural life in the U.S. had become “sexualized”, a catalyst

“Rock music is important to people, because it allows them to escape this crazy world. It allows them not to run away from the problems that are there, but to face up to them, but at the same time sort of DANCE ALL OVER THEM. That 's what rock and roll is about” (Pete Townshend). The concept of rock and roll music had eased into the music industry in a time after a crippling war and a great depression. The mid to late 20th century was home to innovation, rebellious teens, and a devastating war..The introduction of rock music has influenced our country and molded it in many ways as the genre progressed and has found a place in our culture.

Rock and roll has developed a long way throughout the years from a dance craze in the 1950’s to a political and cultural landscape that is recognized worldwide. Rock and roll has come to define the roots of teenage rebellion, people who don’t follow the norms, and have disrespect for authority. The style of rock and roll itself is a melting pot of music, a combination of sounds that include jazz, country, blues, ragtime, gospel, swing, classical, and ethnic music. It can be a simple variation of three chords to a complex chromatic scale combination. It can convey emotions such as love, hate, fear, lust, sadness, joy, disillusion, or a strong sense of reality. Many things can be said about rock but the fact is that it is the most widely

Now a days, we are used to shocking lyrics and eye catching looks. It seems that every artist now is fighting to be so different that everyone is drawn to them. It was not always like this. In the late nineties and early two-thousands, most artists tried to fit in with the other blonde, processed pop stars that the industry was spitting out. When there was an artist who was not always happy and did sing about PG rated topics, they were blamed for what was wrong with the world, especially teenagers. In his article ‘I’d Sell You Suicide: Pop Music and Moral Panic in the Age of Marilyn Manson”, Robert Wright delves into and debunks claims that rock music, especially that of Marilyn Manson, is a main cause for teenage suicide.

     The time was in the mid-seventies, there was a void in the music industry that needed to be filled. This need for a new sound was aptly filled by punk rock, a new type of sound that had evolved from mostly rock and a little pop music. The focus of this paper is on punk rock and it’s ample beginnings, early pioneers of the new sound, punk rock listener’s cultural background and their ideas as a whole, bands influenced by the punk rock movement, and the state of punk rock today.

Grunge music was one of the most popular genres in the 1990’s, bringing a new style of rock with gritty distortion and new styles of hair and clothing.

In the study completed by Fiona Malpass, David Havard, Karis Benford, Ana Costescu, Angeliki Sofitiki, and Donna Taylor of the University of Westminster, results show personality outcome of heavy metal listening to be “…stronger composite preference for the heavy metal tracks was associated with higher Openness to Experience, more negative attitudes toward authority, lower self-esteem, greater need for uniqueness, and lower religiosity” (377). They also state that “In addition, men showed a significantly stronger preference for the tracks than women. These results are discussed in terms of the psychological needs that contemporary heavy metal fills for some individuals” (377). This shows that music can also effect personality differently based upon gender. Further research was completed just on women with the genre of heavy metal by Milton Becknell, Michael Firmin, Chi-En Hwang, David Fleetwood, Kristie Tate, and Gregory Schwab who are college student researchers from Cedarville University, Cedarville, OH. They state that “More recent research, however, suggests that Arnett's position is more representative of females than males (Lacourse, Claes, & Villeneuve, 2001). The general assumption is that heavy metal music listeners release or unload their pent-up frustrations into the loud and intense sounds which they

The popular culture of music has changed dramatically over the course of sixty five years. Since this time, new genres of music have been introduced, existing genres have changed, and fixed stereotypes have been associated with certain genres of music. Music has become a major part of popular culture, and is portrayed almost everywhere in first world societies, including on television, radio, at shopping centers, sporting events and in every area of popular culture. Music has become a major part of popular culture, and continues to strive and develop into more and diverse areas of culture.

The image in the cover page, is a picture of the three founding members of Mayhem, Per “Dead” Ohlin, Oystein “Euronymous” Aarseth and Jan “Helhammer” Blomberg. Widely considered as the pioneers of Norwegian Black Metal, Mayhem will be a focal point of the following paper. The three founding members are usually regarded as the forefathers of Black Metal. From this image, several important aspects of Black Metal spring to mind immediately, the leather outfits, spike and bullet accessories and face paint (also called ‘Corpse Paint’) make up a big portion of what defines a Black Metal artist or fan.