The Garifuna Migration

Furthermore, in most cases, it may seem the United States has a system in which immigrants are not given the chance to form a bright future. In the novel, “Antonio soon found himself settling for jobs that were clearly beneath him. He stood under the baking sun at the on-ramp to the Santa Monica Freeway, selling oranges for two dollars a bag: a dollar fifty for the guy from the produce market, fifty cents for him,” (Tobar, 53). Many of the immigrants that live in the U.S. have little power that allows them to succeed. Some races have benefitted from it more than others. The Cubans, for instance, have had it much easier than most immigrants who have migrated to the United States; whereas, Antonio, a Guatemalan, had trouble finding a stable job that allowed him to sustain himself. In contrast to many other races, many Americans described Cubans as being visitors who represent, “all phases of life and professions, having an excellent level of education… More than half of their families with them, including children brought from Cuba to escape communist indoctrination in the schools,”

People wonder what it would be like for aliens to come to Earth. Being bombarded with so many new things at once would overwhelm them. It would be difficult for the aliens to assimilate within human society. However, that experience is what immigrants face all the time when coming to a new country. In How the Garcia Girls Lost Their Accents, a family from the Dominican Republic escapes to the United States as immigrants. In the family, two of the four sisters named Yolanda and Carla have difficulties assimilating into their new environment. The two sisters face the problems of understanding their surroundings. Down the line in their future, they will face sacrifices in order to understand themselves. Alvarez uses Yolanda and Carla’s experience with immigration to demonstrate the difficulties of assimilating and the sacrifices an immigrant must make to completely acculturate.

In the boiling pot of America most people have been asked “what are you?” when referring to one’s race or nationality. In the short story “Borders” by Thomas King he explores one of the many difficulties of living in a world that was stripped from his race. In a country that is as diverse as North America, culture and self-identity are hard to maintain. King’s short story “Borders” deals with a conflict that I have come to know well of. The mother in “Borders” is just in preserving her race and the background of her people. The mother manages to maintain her identity that many people lose from environmental pressure.

Cristina Henriquez’, The Book of Unknown Americans, folows the story of a family of immigants adjusting to their new life in the United States of America. The Rivera family finds themselves living within a comunity of other immigrants from all over South America also hoping to find a better life in a new country. This book explores the hardships and injustices each character faces while in their home country as well as withina foreign one, the United States. Themes of community, identity, globalization, and migration are prevalent throughout the book, but one that stood out most was belonging. In each chacters viewpoint, Henriquez explores their feelings of the yearning they have to belong in a community so different than the one that they are used to.

The idea of mestiza consciousness is an acknowledgement of both the genetic and cultural mixing that come from falling between the cracks of two cultures. Gloria Anzaldua uses the idea of mestiza consciousness to describe the constant shifting between two or more cultures that Chicana women experience. She describes the issues that arise within various communities due to an “us vs. them” mentality, and argues that mestiza consciousness can also act as a tool to heal these wounds, and to reshape one’s identity by merging various identities.

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

You rarely hear of a situation in which an immigrant is welcomed into a new country and makes an easy and happy life there. The American Dream most people look for is very difficult to reach. There are many things you have to go through and many stages of life you will be held back on but there are some people who change the views of this and push through. Garnette Cadogan was a walker, but little did he know his walking would change the way people saw him and the same goes for Older, he didn’t know his letter to his wife would relate so closely to the way other people lived. In “Black and Blue”, Cadogan discusses his life as an immigrant. When Cadogan moved to the United States, he realized that being a different color made the people around you automatically fear you. While attending college in the US Cadogan completely changed the way he acted around the police and other people. In “This Far: Notes on Love and Revolution” author, Daniel Older writes a letter to his wife explaining why she should not fear moving to a new place and bringing a child of color into the world. In both “Black and Blue” and “This Far: Notes on Love and Revolution” the authors Older and Cadogan tell us about their fears of moving to a new place. Not just because of their race, but because of how limited their growth could be due to moving to a new country.

The Unites States is a true melting pot of ethnicities and cultures. For many members of minority groups a certain hybridity is readily adopted, but for others, cultural assimilation can be quite difficult. Chicana author, Sandra Cisneros described this phenomenon as “always straddling two countries… but not belonging to either culture” (Doyle. 54). African American author, Alice Walker shared Cisneros’ sentiment, but focused her attention on the assimilation of black cultures and subcultures within the United States. Cisneros and Walker make the same poignant statement about the strains of cultural assimilation, with reconciliation of split identities as the goal, in their respective works, 1991’s “Woman Hollering Creek,” and 1973’s “Everyday Use,” yet their unique ethnic perspectives allow them to make it in surprisingly different ways.

modules gives many examples how strong cultural pasts lead to identity problems in a new society. Also, the module shows us that many Mexicans were not happy with the stereotype formed about their identity. In Between the Lines, we see how Mexicans in America suffer through harsh discrimination, while trying to stay close to their relatives and culture. The letters talk about how Whites did not have concerns with family values or cultural beliefs. Whites based many of their values off succeeding in the economy. Whites in general had no regard for Mexicans as people.

The mulatto elite separated themselves from the black masses by assimilating the morals and manners of the slaveholding aristocracy. They acquired as a part of their family traditions the patterns of behavior which were associated with the idea of the southern lady and southern gentleman. As a rule, these families formed a closed circle from which were excluded all who could not boast of similar ancestry and did not conform to the same standards of morals and manners. They were self-conscious of their “culture” which consisted of the enjoyment of English and, in Louisiana, French classical literature music. They maintained literary societies in which they could enjoy and foster their “culture.” The patterns found in rural as compared to urban black communities changed. The folk tradition of the

Domingo’s essay, “Gift of the Black Tropics,” also paints a complex picture when it comes to the life of African-Americans. Throughout his essay, Domingo explores the diversity of Harlem’s (let alone New York’s) African American population. Domingo analyzes the statistical data of African-Americans and touches on the various types of foreign-born “Negro” immigrants, specifically focusing on individuals from the West Indies throughout the rest of his essay. Mimicking the optimistic outlook, Domingo touches on the fact that foreign-born African-American immigrants, specifically from the West Indies, refuse to comply with informal segregation. For example, Domingo states, “Skilled at various trades…many of the immigrants apply for positions that the average American Negro has been schooled to regard as restricted to white men only…[thus] West Indians have in many cases been pioneers and shock troops to open a way for Negroes into new fields of employment” (Domingo 345). Consequently, Domingo argues that foreign-born African-Americans are making great strides in helping to dismantle informal segregation when it comes to jobs, simply by refusing to comply. This, in turn, helps to provide both American- and foreign-born African-Americans with more occupational opportunities than before by showing that the engrained restriction in jobs is just a ploy that can be overcome with persistence. While many may feel that this is a good thing, Domingo

During the Mexican-American War the border moved, but the people didn’t. History has shown us that no matter how thick the border might be Latino Americans have a strong connection to their culture and roots; instead of assimilating, Mexicans live between two worlds. The film, Ballad of Gregorio Cortez gave us a perspective of two cultures; “Two cultures- the Anglo and the Mexican- lived side by side in state of tension and fear” . Cortez is running for his life as he heads north, while the Anglo believe that because of his Mexican ethnicity, he would travel south to Mexico. Throughout the film there were cultural tensions and misunderstandings; language plays an important part of someone’s identity, and for many Latino Americans Spanish is their first language. The Ballad of Gregorio Cortez also shows us that language plays an important role, and can cause confusion between two different groups. For example, Anglos refer to a male

In this Chapter I feel that Anzaldua is trying to get the reader to understand the differences and atruggles amongst cultures. The clash of cultures results in mental and emotional confusion. Living inbetween more than one culture, you often get opposing messages from these cultures. Sometimes when living within the Chicana culture common white beleifs conflict with the beleifs of the Mexican culture. They both hold beleifs of the indifinous peopel and their culture. It creates a problem that the dominant cultures views and beleifs are defiant to the others. This is very wrong because it creats the problem of one being superior to the other. This especially relates to the Mexican culture and white culture. This creates the assimilation problem when one culture is not accepted or considered below another.

Puerto Rican music is an evolving art form that expresses Puerto Rican culture and identity. The development of Puerto Rican music is also a reflection of their history, both being complicated by several layers. Social, political, and economic conditions are all related to the musical expressions of Puerto Ricans (Glasser, 8). Puerto Rican migration to the United States and the culture clash experienced by migrants is another layer complicating the evolution of Puerto Rican music (Glasser, 199). Musical expression has been affected by every aspect of life for the Puerto Ricans and therefore is an illustration of the Puerto Rican experience.

Many second generation minorities from immigrant parents are driven subconsciously to conform to new culture and social norms. For foreign born parents and native born children integrating the two cultures they inhabit brings about different obstacles and experiences. In Jhumpa’s “The Namesake” the protagonist Gogol is a native born American with foreign born parents. The difference with birth location plays an important role in assimilating to a new society in a new geography. The difficulty for parents is the fact that they’ve spent a decent amount of time accustomed to a new geography, language, culture and society which makes it difficult to feel comfortable when all of that changes. For Gogol the difficulty only lies with the cultural norms imposed by his parent’s and the culture and social norms that are constantly presented in the new society.