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The Grand Chicago Hotel

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Film Studies:
Examining Aspect Ratios, Framing, and Color in ’The Grand Budapest Hotel’

Wes Anderson’s 2014 film entitled, ‘The Grand Budapest Hotel’ features brilliant cinematography that invites the audience into a beautifully captured and skillfully framed story. The plot summary of the film is described as follows, “The Grand Budapest Hotels recounts the adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. The story involves the theft and recovery of a priceless Renaissance painting and the battle for an enormous family fortune -- all against the back-drop of a suddenly and dramatically changing Continent” (Fox Searchlight Pictures). …show more content…

According to Bordwell, Robert Yeoman (Cinematographer) and Wes Anderson viewed a lot of 1930s films for inspiration prior to filming. Yeoman stated the following in an interview with Bordwell, “We looked at those more to familiarize ourselves with the 1.33:1 aspect ratio, which Wes wanted to use for the 1930s sequences. This aspect ratio opens up some interesting compositional possibilities; we often gave people a lot more headroom than is customary. A two-shot tends to be a little wider than the same shot in anamorphic. It was a form I’d never used before on a movie, and it was a fun departure…” (Bordwell, 247). Another interesting point to bring up is that 1.33:1 and 4:3 are the exact same ratios. Huczek notes how creative Wes Anderson got when framing the shots, “In order to show a bigger number of people in the frame Wes usually groups them into layers. He also uses extra vertical space to utilize it in a creative way. The most interesting shot was the one when Edward Norton enters the frame through the hole in the floor when he discovers that prisoners are gone. The 4:3 frame and a low angle shot allow the director to show the soldiers standing behind him” (Huczek, par. 4). With a more square frame you lose your typical widescreen that most moviegoers are used to viewing. As stated above, this can be challenging for the film maker. …show more content…

Of course, it is important to note that color contributed largely to the framing as well. According to Huczek, “The two timeframes presented in the movie, the 60’s, and the 30’s are lit differently and the production design choices differ as well. For the 30’s, we have more reds/pinks color cast in the over image and a bit harsher light. For the 60’s part, the image looks warmer and tinted towards yellows and oranges” (Huczek, par. 2). The color can function as a commentary on the time period, as well as the shift from before and after the war. The color along with the aspect ratios can also suggest a commentary on war itself and the destruction and ruin it causes. As a viewer, you may notice how lifeless the hotel looks after the war. One of the reasons it was important to focus on the framing and the aspect ratios is because it truly makes the film is profound and beautiful like a work of literature. According to Haglund and Harris, “…the three-tiered presentation also reflects the multiple narrative ‘lenses’ through which the movie moves: from a finished book to the book’s author to the person who told the story to the author in the first place” (Haglund and Harris, par. 10).The storytelling is magnificent not just because it’s a great screenplay, but because of the attention to detail within each shot and frame in the film. The entire film was thoughtfully crafted and Wes

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