In the 1900s, literacy learning involved a “whole language” (Goodman, 2005, para. 5) approach whereby students explored meaning and experienced language as a whole; through reading picture books, process writing, and immersion in texts of the dominant culture. Cambourne (as cited in Mills, 2005) associated the whole language approach with the natural development of oral language in infants (p. 69), however, critics refuted Cambourne’s theory arguing, “the lexico–grammatical structures of written language are different from those of speech” (Luke, as cited in Mills, 2005, p. 69). This top–down approach concentrated on reading and learning for meaning rather than the didactic method of learning abstract concepts in isolation (Goodman, 2005, para. 3). One vital factor for student success using the whole language approach was prior knowledge (Mills, 2005, p. 69). An authentic approach to literacy pedagogy that can be observed in today’s classrooms is process writing, which involves a multi–step process over several days beginning with students choosing a topic that interests them and planning their writing (Dwyer, 1985, para. 1). The next step requires students write a draft copy of their story, before an individual or whole class “conference” (Dwyer, 1985, para. 1) is held with the teacher or a peer to discuss the draft copies. The final step involves students publishing their polished edited work (Dwyer, 1985, para. 1). This writing process is visible in the Australian
Writing, and literacy in general, is one of the founding cornerstones of modern society. It is difficult to find any sort of occupation that doesn’t require at least some basic writing skills. From business managers to lawyers to doctors, despite their notoriously bad handwriting, all require intimate knowledge of writing skills. Yet, teaching critical writing skills is not the cure-all to solving the problems that the public education system faces in producing students better prepared to tackle the challenges of the world as Peg Tyre portrays it as in The Writing Revolution. Critical writing skills, despite its current underemphasis in the classroom, should not be the only focus of the public school system’s curriculum as Peg Tyre suggests in The Writing Revolution, because critical writing skills do not prepare students adequately enough for the standards of the real world which require more technical skills, critical writing skills only teaches a small subset of underlying critical thinking skills, and critical writing skills education, as presented by Peg Tyre, is formulaically based which can result in long-term inability to further student’s critical writing skills despite initial success.
Classrooms are different today from those of previous generations, they have become communities of learners where students assume more responsibility for learning. As opposed to a place where the teacher is in charge the modern class room there is often a hum of students, talking about books they are reading and working together in small groups using digital as well as print text. The students are more culturally and linguistically diverse, many have English as a second language (ESL). This Critical- reflective essay will explore using the four resource model developed by Luke and Freebody, focusing on; how young children learn to read, the four roles within the resources model are Code breaker, text user, text participant and text analyst. This essay will also articulate the understanding of the three phases of reading and writing development. Phase one, experimental reading and writing. Phase two, early reading and writing and phase three, transitional reading and writing. This understanding will then be applied to an early years setting including and application of strategies for cultural differences.
In “Literacy, Discourse, and Linguistics: Introduction,” James Paul Gee introduces a new approach for thinking about Literacy. Rather than think of literacy in terms of language (grammar), Gee suggests that we think of it in terms of social practice (5). Gee claims that this approach has important and interesting consequences.
Early on McCarthy states the the point of this study and article is to, “Contribute to our understanding of how students learn to write in school.” (234). McCarthy literally wants to make the point that learning to write should be viewed as a growth process from both a social and individual aspect depending on the situation. (234). McCarthy observed a college student as he took three different courses composition I, poetry, and biology. McCarthy explains that through her examination of the the
Learning to read and write as a child is an experience that all can relate to. The average child learns to read and write at the early ages of three and four. Developing literacy at an early age is crucial to academic development as well as to performance in life. Early development can be just what a child needs to stimulate their minds, which in turn is assisting in the evolution of their future. The early and latter stages of development in a child’s literacy journey are the makings for their reading and writing skills. It also plays part in their analysis of obstacles as well as their developed or problematic literacy future. A child
Next, the topic of Primary Discourse was investigated in a research article by Mays (2008). Mays articulates that the discourse, or language used in the curriculums and assessments, is so different from the primary discourse that young learners have been exposed to, that minority and ELL students are overrepresented in “at-risk,” “developmentally delayed,” and “not ready to learn” groups. Being put in these groups puts that at a disadvantage in acquiring literacy skills. Mays cited “Discourses (capital “D”) are ways of combining and coordinating words, deeds, thoughts, values, bodies, objects, tools, and technologies, and other people (at the appropriate time and places) so as to enact and recognize the specific socially situated identities and activities. (Gee, 2001, p.71) Many teachers use curriculums that were designed from a “white, middle class, ‘mainstream’ model” and this creates challenges for ELLs from diverse backgrounds to achieve success. The role of the teacher becomes essential and powerful in this
I teach fourth grade language arts where my main focus is to prepare my students to write a personal narrative for the Nebraska State Writing Test in January. Reading and writing are intertwined in my area of professional responsibility as I motivate my students to write a well-organized, creative personal narrative. As I have taught writing, I have found reading, writing, speaking, and listening go hand in hand when composing a personal narrative (Bruning, 2011, p. 299).
Arguably, there are situations where the tone in the text betrays the author’s insistent perspective concerning writing. For instance, the author argues that a student can pass through the writing process successfully if the teacher chooses to shut up and allow the student to write. In reviewing this particular text, one may argue about the choice of words, however, the tonne also elucidates the author’s viewpoint on the involvement of teachers in the writing process. One of the questions the author has prompted but not answered is how the education system as a whole can be transformed to embrace the concept of writing being a process rather than a product. While the idea is sensible and well thought, its applicability in the education system is a challenge, which the author has not highlighted despite writing being under the umbrella of
Teachers, who are aware of children becoming emergent writers, can better understand the amount of effort and concentration required. Teachers can appreciate the value of observing children’s early writing for evidence of children’s developing phonological knowledge of written language.
Critical pedagogy, influenced by Paulo Freire and Michael Apple, sees students become participants in their learning, where topics are relatable and relevant to their lives. Critical literacy refers to the use of text and other communication to challenge the rules governing the societal norms of everyday life (Luke, 2012, p.5). Asking students to interrogate a text and question the use of language, allows them to form a critical observation about what the author wants the readers to know, for example, when studying Australian First Contact, allowing students to draw conclusions about the treatment of Indigenous people from a text which glosses over the details, ensures students look at the topic from multiple angles and apply their sociocultural knowledge to the discussion. The introduction of multimodal tools into literacy teaching, acknowledges that a
A genre approach is a different way of looking at writing. Genre means different types of writing; it refers to the overall structure and purpose of a text and the register which is more concerned with details (Collerson, 1988). A genre approach views how language is used for the particular purpose in the particular context (Martin, 1992). Genre-based literacy pedagogy is divided into three stages in the
Literacy pedagogies have a developing and complex history in education, intertwined with social and cultural change and evolution. Each change has paved a new path for more significant approaches and strategies, which cater to diverse learners allowing them to create meaning and communicate more effectively. These literacy pedagogies brought out by the changes in education have both strengths and weaknesses. As such, educators need to explore and understand the four knowledge processes portrayed by Kalantzis, Cope, Chan and Dalley-Trim; didactic, authentic, functional, and critical literacy approach (2016), to be able to consider how they can influence teaching and learning so they are able to make informed decisions with regards to their students’ literacy learning. Teaching is becoming increasingly complex; this is particularly evident in the area of literacy. This paper will explore the four literacy pedagogies, their limitations and their strengths, and how they have impacted literacy learning within the Australian educational context.
Literacy is the cornerstone to all learning; it is imperative to future academic success. (Tracey and Morrow, 2012). Due to the significance of literacy instruction, there are a myriad of ways to teach literacy. Literacy is a complex subject, honing in on balancing reading, writing, speaking, and listening. As a result of the complexity of literacy instruction, we arrive at the age-old debate of what is the best literacy instruction. My philosophy of literacy instruction centralizes around the Whole Language Theory and Balanced Literacy; however, I also blend in additional theories/approaches to teach effective literacy.
Analysing children’s writing is critically important because it allows teachers to have an understanding of what the child knows already, and what he/she needs to build on with their writing (Stewart, 2012). In the paragraphs ahead, two samples have been chosen and have been analysed using the Victorian Essential Learning Standards and the Western Australia First Steps Developmental Continuum.
While it is possible to be able to identify creativity in literacy practices at text level, this approach is somewhat limited because it fails to take into account: (1) the interactive features and functions of literacy practice, (2) the influence of its socio-cultural and historical context and more importantly (3) the creativity in language practices that is inherent and emergent from social practices in particular contexts.