Stanley Kubrick once said: “A film is – or should be – more like music than like fiction. It should be a progression of moods and emotions.” And what could be better than sound to alter people’s emotions and feelings? In “Void”, sound played such a significant role in the storytelling that you could understand the whole movie just by the sound of it. The importance of sound in enhancing our understanding of the story and its emotional impact on the audience is emphasized especially in the fourth chapter, the one about Diamand: a young girl affected by the disappearance of her father during the Lebanese Civil War.
First of all, the chapter starts with a scene of her breaking up with her boyfriend: the actions match the sounds produced such as the sound of the bike, the chair moving and of course their conversation. It’s followed by a scene at the bar. The background noise reflects the environment they’re in; loud music and people socializing. The synchronization between
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As a matter of fact, she asked him the same question three times, and there was a moment of silence every time she asked it, in order to make the audience wonder about his response and the reaction he might have. Some people thought he was going to kiss her, whereas others thought he was going to leave. So we can see how seconds of silence can affect the audience’s vision about what’s going to happen next, and leave them unaware of how they’re supposed to feel. Then, the filmmakers used the sound metaphorically when Diamand and Elie kissed and she started hitting him: the vague background noise was so intense and powerful that we could actually sense her pain, and the fact that her feelings and actions are not up to her; it’s rather what the absence of her father imposed on her, and what she has to live with for the rest of her life until she gets the closure she
The same applies to a dramatic scene where the music may be deep and frantic to convey to the audience the feeling of anticipation. A scene i would like to focus on is the scene in which Garry and his father have a final ‘showdown’, if you will, at the front of the house. The scene consists of the father imposing himself on Garry and proceeding to continually beat him down time after time only for Garry to rise up and face his father on each occasion. This scene evoked a feeling of pride and admiration from the audience as to Garry’s courage and determination to convey the message to his father that he is ready to stand on his own two feet and defy him. This is a very powerful scene within the movie which initiated powerful emotions within the audience. All of this was accomplished with the notable absence of music of any form. The omission of music in this scene created an atmosphere in which the dramatic affect was amplified due to the silence.
In across the Causeway Hill uses the effect of sound throughout the chapter to create a sense of splendour and Isolation.
Even though the film is essentially a visual experience, the use of sound has become extremely important in modern film. The modern viewer hears a complicated soundtrack that is as meaningful as the image on the screen. Three elements comprise the film's soundtrack: the dialogue, the sound effects, and the musical score. The proper balance and mix of these elements produced the essential emphasis required, which created the desired effects. As explained by Joseph Boggs and Dennis Petrie,
As well as lighting, sound was used very effectively to stage the story. For example “echoes” were created in the alleyways, to make us think that Eddie’s house was a long way away. These echoes were also used to symbolise Eddie’s loneliness. This could show that there is emptiness in Eddie’s heart that can only be filled by a close friend or a brother. There was a bold use of sound especially in scary, dramatic or important scenes. This added to the drama of the overall performance, it made the audience feel a variety of emotions. In the scene when Mrs. Lyons tries to murder Mrs. Johnston, the sound affects really emphasised how Mrs. Lyons was feeling and her sheer madness. The use of surround sound made me feel like I was in the scene and it made the whole performance much more realistic.
This essay explores the influence composers had on the musical output of John Williams. Throughout his career, Williams has been able to provide his audiences with emotions and thoughts that were brought upon with the use of his musical compositions. Williams’ work has been able to capture the thoughts and feelings of individuals both onscreen and off screen. His film scores were able to tell a story in ways that previous composers were not able to.
Along with background music, sound effects play more of a role on the way we feel than many moviegoers think, and "although the function of sound effects is primarily atmospheric, they can also be precise sources of meaning in film" (Giannetti, 225). When the
In the movie Citizen Kane , young Charles Foster Kane is very energetic, optimistic and has a very positive outlook on life. At the same time he hates his old and bitter guardian, Mr. Thatcher, who has secluded himself from the everyday man and the only thing he is after is money and stature. Later on in life Charles Kane turns into an exact carbon copy of Mr. Thatcher, even though that is exactly what he wanted to get away from. In this essay I will prove how the used of sound, in the scenes in Thatcher¡¦s library and Xanadu, as compared to the earlier scenes in young Kane¡¦s newspaper office, help establish this development in Kane¡¦s character.
I think its better to hear the sound when thing happen. In the Lorax movie, there were music and in the book there wasnt. In the outsider movie, there were fighting sound effect. The sound effect also create reality when things happen.
“The most exciting moment is the moment when I add the sound… At this moment, I tremble.” (Akira Kurosawa) Sound is arguably the most important concept in cinema studies, being there ever since the beginnings. It can radically change the way a motion picture is looked at and it can render what the director may sometimes find hard to depict using only his camera. Looking upon silent cinema one discovers an era which wasn’t at all silent, but rich in sound of different forms, from the simple narration of the images shown on screen, accompanied by a piano, to the complex score later composed specifically for that film. An example of that complex score is shown in Sunrise, a film by F.W. Murnau, which lies at the border between silent cinema and sound cinema. Considered to be one of the first films with an actual score, Sunrise is a great example of the multitude of dimensions and effects sound can have.
As Ali's face dissolves to a flashback, non-diegetic music accompanies the overview of Algiers. The musical motif which begins as the camera starts to pan is exemplary of the parallel relationship between the aural and visual elements in the film. As Joan Mellen has highlighted, the arabic soundtrack, as if from another world, expresses the
Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.
The music interacts with dialogue in the film; the techno beat is, at times, accompanied by vocals, which correspond with not only what is happening in the scene, but also the internal diegetic dialogue—another important motif.
The film that I have chosen as a case study for my final paper is: Pan’s labyrinth (2006) by director Guillermo del Toro, and it is a case of real-fantastic cinema. Here I present my essay entitled “ The narrative power of sound in Pan’s labyrinth “of Guillermo Del Toro . It will analyze the sound design , the identification of its elements, the ways in which they are presented and their interrelations, to understand and explain how these elements work together in conjunction with the visual image, to support the narration of the story. Consequently, this research seeks to answer the question: How does the sound in the film ‘Pans Labyrinth' relates to
Choosing the soundtrack for a movie is another difficult task that a director has to do because they have to find a perfect song or an instrumental track that will fit or compliment the scene that they are editing. The soundtrack of a movie is also a guaranteed way of effecting the emotions of the audience members. As a result, directors spend a great deal of time in choosing the right soundtrack for the movie. They want to make sure that they target the correct emotions for each scene. The sequence of “Eternal Sunshine of the Spotless Mind” featured many different sounds; such as, speech, music and sound effects.
In the movies, there are a number of factors that will impact the quality of the film and the story. This is because producers and directors are using different techniques that will enhance their ability to entertain. The Sound of Music is taking numerous ideas and is integrating them together. To fully understand what is happening, there will be an examination of the film and various concepts. This will be accomplished by focusing on: the storytelling, acting, cinematography, editing, sound, style / directing, impact of the film on society / vice versa, genre, application of at least one approach and overall textual themes. Together, these elements will highlight the effects of the film and how it has influenced others inside the industry.