The Lone Ranger And Tonto Fistfight Analysis

Geronimo, Crazy Horse, and Sitting Bull are all noble Indian warriors of the recent past. Each warrior symbolizes courage, hope, and bravery in battle. The mighty warriors proved themselves in battle time and time again. These men were looked up to with the highest regards of their people. Indian children grew up with stories of these brave warriors being passed down from generation to generation. A great respect is seen for the legendary warriors of the past. As times change and the days of Indian and cowboy battles are behind us; how is it possible for a warrior to still be relevant in the modern day? Sherman Alexie expresses this idea of a modern-day warrior in his book The Lone Ranger and Tonto Fistfight in Heaven. Many times,

Symbolism allows the reader to go beyond what is known or seen by creating connections between otherwise very different concepts and experiences. In the novel, Motorcycles and Sweetgrass by Drew Hayden Taylor, symbolism defies the natural evolution of Native Anishnawbe culture to the current Canadian culture. Three examples illustrate this change. First, the reader is witness to the replacing of Sweetgrass, a symbol of Ojibway culture, to the worship of holy crosses and holy water. Secondly, the reader is exposed to the adaptation of names from the mythical Ojibway figure, Nanabush to those that represent English explorers. Finally, the raccoons that have a profound conflict with the man whose name continues to change. The Sweetgrass, the changing names and the raccoons is symbols that emphasize the theme, dual cultures, which shines a light to the transformation taking place on Native reserves.

Analysis of Sherman Alexie's 'The Lone Ranger and Tonto Fistfight in Heaven' and 'Smoke Signals'

To expand on the intricacy of the speaker’s life, symbolism is applied to showcase the oppression her ancestors etched on her quilt were facing for their “burnt umber pride” and “ochre gentleness” (39-40). Once again, the theme of absence is introduced as there is a sense of separation among the Native American culture as their innocent souls are forced onto reservations and taken away from their families. This prolonged cruelty and unjust treatment can be advocated when the speaker explains how her Meema “must have dreamed about Mama when the dancing was over: a lanky girl trailing after her father through his Oklahoma

In Sherman Alexie’s novel The Lone Ranger and Tonto Fistfight in Heaven shows the struggles of daily Native American life, which is shown through the point of view of male character. All though out the book the following three questions appear: ‘What does it mean to live as an Indian in this time? What does it mean to be an Indian man? and What does it mean to live on an Indian reservation?’ Alexie uses literary devices such as point of view, imagery, characterization to make his point that the conflict of being an Indian in the U.S. in these short stories using the following short stories “An Indian Education” and “Amusement”. “An Indian Education” uses both imagery and characterization to show us what the narrator is

“Indians are like the weather.” With his opening words Vine Deloria Jr. sets up the basis for the rest of his witty yet substantial manifesto, Custer Died for Your Sins. The book, which describes the struggles and misrepresentation of the American Indian people in 1960s American culture, is written in a style that changes from ironic and humorous satire to serious notions, then back again. Through energetic dialogue that engages the reader in a clever and articulate presentation, Deloria advocates the dismissal of old stereotypes and shows a viewpoint that allows the general public to gain a deeper understanding of what it is to be an American Indian.

In a Bill Moyer’s interview “Sherman Alexie on Living Outside Borders”, Moyer’s interviews Native American author and poet Sherman Alexie. In the Moyer’s and Company interview, Alexie shares his story about the struggles that he endured during his time on a Native American reservation located at Wellpinit, Washington. During the interview, Alexie goes in-depth about his conflicts that plagued the reservation. In an award-winning book by Sherman Alexie called “The Absolutely True Diary of a Part-Time Indian”, Alexie writes semi-autobiography that reveals his harsh life on the reservation through a fictional character named Arnold Spirit Junior. In Alexie’s semi-autobiography, Alexie shares his struggles of a poor and alcoholic family, the

Most of Alexie’s writing reflects life on the reservations today. The poverty, oppression, commodity food, and alcoholism are the main themes in his stories. The title story of his collection The Lone Ranger and Tonto Fist Fight in Heaven, however, deals with the life of an Indian man who has left the reservation to live in Seattle and some of the obstacles he faces in the white world. We never know the main character’s name, probably because he feels like a nameless nobody in this strange world. He is alienated and told that he doesn’t belong even

Amazing musician, Lou Reed, stated, “there’s a little bit of magic in everything and then some loss to even things out”. This quote begins the 20th Anniversary edition of Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven. This collection of short stories accent life on the Spokane Indian Reservation. The author, Sherman Alexie, grew up on the Spokane Indian Reservation and uses his experiences as ammunition to write brilliant and unexpecting stories. He has been described as having “one of the major lyric voices of our time” by the New York Times Book Review and rightly deserves that title.

Sherman Alexie’s “The Lone Ranger and Tonto Fistfight in Heaven” is a short story about the modern day Native American. The speaker of the story welcomes the reader to the setting of the story, a 7-11. In this 7-11 the graveyard manager is skeptical about the speaker thinking that he is an armed robber and what not because of his tan skin and long ponytail. The speaker understands why the cashier may feel threatened because he himself was one a 7-11 graveyard shift employee. The speaker has a white girlfriend who he fights with quite often and she accuses him of being an alcoholic, eventually leaves his life with her in Seattle, Washington to go back to his reservation where his family is. He often has vivid dreams of Native Americans and white fighting on a battlefield until it takes a sick twist and the white are playing polo with an Indian woman’s head. The speaker is often stopped by the police for wandering in neighborhoods that the majority of the population is white. Him being different makes white people nervous and on edge. The speaker talks about how he was supposed to be different and that he had potential compared to your average Native American” (Alexie 386). The speaker was in college from a couple years and eventually dropped out and ends up a couch potato flipping through the television stations like the way society

In Sherman Alexie’s novel, The Lone Ranger and Tonto Fistfight in Heaven(1993), nearly all of the characters suffer from alcoholism. Those who do not drink, cannot escape the external backlash from an alcoholic environment. Through the stories of the characters in the book, both on and off the reservation, the author is able to distinguish arguments for and against the white people on whether or not they are to blame for the problems Native Americans have faced related to alcoholism. The fate of the Native Americans is seemingly inevitable. Do the Native Americans deserve the stereotypes that have been inflicted upon them, or were they unable to prevent it? Through Sherman Alexie’s novel, he sheds light on the stereotypes placed on Native Americans not only by other races of people, but also self-inflicted, relating to the damaging effects alcohol has had on their people.

One of the themes used in the book is of racism towards the Natives. An example used in the book is of Edward Sheriff Curtis who was a photographer of 1900s. Curtis was interested in taking pictures of Native people, but not just any Native person. “Curtis was looking for the literary Indian, the dying Indian, the imaginative construct” (King, 2003; pp. 34). He used many accessories to dress up people up “who did not look as the Indian was supposed to look” (King, 2003; pp.34). He judged people based on his own assumptions without any knowledge of the group and their practices. Curtis reduced the identity of the Native Americans to a single iconic quintessential image of what Native meant to white society. The idea related to the image of this group of people during the 1900s consisted of racism in terms of the “real looking Indian”. This is not

Throughout high school, I have read novels for entertainment and also dreaded requirement. Although the majority of the mandatory books were painless to read, there is an aspect of reading for one’s own interests that makes the literature personal as it makes a book more enjoyable. A book that has affected me personally is Aldous Huxley’s Brave New World.

The Lone Ranger and Tonto Fistfight in Heaven was an interesting read to say the least. It tells of the alcoholism, crime, relationships, and traditions of both the present and past residents of the reservation, as well as their ancestors before the reservation was in place. Overall this book is a representation of Native American lives both on and off of the reservation, with interaction with the white people and the governing forces of the reservation. I was looking forward to seeing if this collection of stories could change the way I picture reservations. I have viewed the outskirts of a few and they did not leave a good image.

In The Lone Ranger and Tonto Fist Fight in Heaven, Sherman Alexie utilizes several stories to highlight the economic vulnerability of Native Americans in the outside world. On one hand, a considerable number of Native Americans despise the reservation and attempt to escape in order to achieve self-actualization. On the other hand, many of the people who are fortunate enough to escape the reservation, find themselves not fitting in. Thus forcing them to return to the only place where they feel that they fit; the reservations. I argue that Alexie’s short stories demonstrate through neglect and isolation the government is predetermining Native Americans failure in society.